Suzuki’s methodology for approaching theatre and performance comes from understanding ancient Greek theatre and experiencing the Japanese performance styles of Noh and Kabuki, both of which emphasize strength in traditional values, discipline, and physical control. Where Tadashi Suzuki differs is in his eclecticism and search for performance means beyond what has already been exercised. He is a progressive director who has sought to redefine any traditional notions instilled in the realm of Japanese theatre and thus revitalize an art form.
His philosophies concerning the humanistic relationship between man and earth, one that defies spirituality in the traditional sense of the term, manifest in rigorous training practices that demand an extreme level of body control and physical exertion.