Ulrike Marie Meinhof (October 7, 1934 in Oldenburg, Germany – May 9, 1976 in Stuttgart, West Germany) was a German left-wing militant and co-founder of the RAF or Red Army Faction (Rote Armee Fraktion) after originally working as a journalist for the monthly magazine konkret.
In 1955 she took her Abitur at a school in Weilburg. She then studied philosophy, sociology, Pädagogik (roughly pedagogy) and Germanistik (German studies) at Marburg where she became involved with reform movements.
In 1957 she moved to the University of Münster, where she met the Spanish Marxist Manuel Sacristán (who later translated and edited some of her writings) and joined the Socialist German Student Union, participating in the protests against the rearmament of the Bundeswehr and its involvement with nuclear weapons as proposed by Konrad Adenauer's government. She eventually became the spokeswoman of the local Anti-Atomtod-Ausschuss ('Anti-Atomic Death Committee'). In 1958, she spent a short time on the AStA (German: Allgemeiner Studierendenausschuss, or General Committee of Students) of the university and wrote articles for various student newspapers.
In 1959 she joined the KPD, the banned German Communist Party, and later began work at the magazine konkret, serving as chief editor from 1962 until 1964. In 1961, she married the co-founder and publisher of konkret, Klaus Rainer Röhl. Their marriage produced twins, Regine and Bettina, on 21 September 1962, and lasted until their separation in 1967, which was followed by divorce the following year.
Protest is when I say this does not please me. Resistance is when I ensure what does not please me occurs no more.Later that year, her writings on arson attacks in Frankfurt protesting the Vietnam War resulted in her developing an acquaintance with the perpetrators, most significantly Andreas Baader and Gudrun Ensslin. She left her job at konkret in the early part of 1969 (later returning to vandalise the offices in May) and began her life as a guerrilla.
Perhaps her last work as an individual was the writing and production of a film Bambule in 1970, urging female revolt and class warfare; by the time it was scheduled to be aired, she had become a wanted terrorist and its broadcast was delayed until 1997. More specifically, by that point she had participated in the breakout of Baader on the 14 May 1970. During this assisted escape (from a research institute Baader was visiting rather than a prison), a 64-year old librarian was shot (several times with a pistol, resulting in critical liver damage) and two law enforcement officers were wounded. Baader and the three women involved were accused of attempted murder and a 10,000DM reward was offered for Meinhof's capture.
During this period, Meinhof wrote or recorded many of the manifestos and tracts for the RAF. The most significant of these is probably The Concept of the Urban Guerrilla, a response to an essay by Horst Mahler, that attempts to set out more correctly their prevailing ideology. It also included the first use of the moniker Rote Armee Fraktion and, in the publications of it, the first use of the RAF insignia. Her practical importance in the group, however, was often overstated by the media, the most obvious example being the common moniker Baader-Meinhof gang for the RAF. (Gudrun Ensslin is often considered to have been the effective female co-leader of the group rather than Meinhof.)
On 14 June 1972 in Langenhagen, Fritz Rodewald, a teacher who had been providing accommodation to deserters from the U.S. Armed Forces, was approached by a stranger asking for an overnighting house the next day for herself and a friend. He agreed but later became suspicious that the woman might be involved with the RAF and eventually decided to call the police. The next day the pair arrived at Rodewald's dwelling while the police watched. The man was followed to a nearby telephone box and was found to be Gerhard Mueller who was armed. They then proceeded to arrest the woman – Ulrike Meinhof.
On 9 May 1976 she was found hanged by a rope, fashioned from a towel, in her cell in the Stammheim Prison. The official verdict was suicide. It was later discovered that she had become increasingly isolated from other RAF prisoners. Notes exchanged between them in prison included one by Gudrun Ensslin, describing her as 'too weak'. The official findings were not accepted by many in the RAF and other militant organisations, and there are still some who doubt their accuracy and believe that she was murdered by the authorities. In 2001, the findings of the inquiry were published under the title Der Tod Ulrike Meinhofs. Bericht der Internationalen Untersuchungskommission (1979 ISBN 3-492-24058-5, republished 2001 ISBN 3-897-71952-5).
Meinhof's body was buried six days after her death, in Berlin-Mariendorf. In late 2002, following investigations by her daughter Bettina, it was discovered that her brain had been retained (apparently without permission) by a hospital in Magdeburg, following the autopsy performed as part of the investigation into Meinhof's death. Bernhard Bogerts, a psychiatrist from the local university who had examined the brain controversially claimed that Meinhof's 'slide into terror' might be due to surgery performed in 1962 to remove a brain tumour. On Bettina's request, the brain was interred in Meinhof's burial place on 22 December 2002.
Meinhof's life has been the subject, to varying degrees of fictionalisation, of several films and stage productions. Included in the former is Reinhard Hauff's 1986 account of the Stammheim trial and Margarethe von Trotta's 1981 Marianne and Juliane. Of the latter there has been the 1990 opera Ulrike Meinhof by Johann Kresnik and the 2006 play Ulrike Maria Stuart by Austrian playwright Elfriede Jelinek.
Subtopia, a novel published in 2005 by Australian author and academic A.L. McCann, is partially set in Berlin and contains a character who is obsessed with Ulrike Meinhof and another that claims to have attended her funeral.
The East German punkrock band Aufbruch/Flexible ('Departure'/'Flexible') dedicated the song Für Ulrike to her.
The anarcho punk band Chumbawamba's 1990 album, Slap! featured an opening and closing track, both named after Meinhof. The first track was entitled Ulrike and featured lyrics which directly involved Ulrike Meinhof as the protagonist and the final track was purely instrumental (but unrelated to the first track) and was entitled "Meinhof". The album's liner notes included information and an article relating to the song Ulrike.
Electronica act Doris Days created a track entitled To Ulrike M., in which there is a passage spoken in German throughout the song, presumably an archived audio file from Ulrike Meinhof herself. This track has since been remixed by other electronica acts like Zero 7, Kruder & Dorfmeister, and The Amalgamation Of Soundz.