See his letters (ed. by F. W. Hilles, 1929) and his Discourses on Art (ed. by R. Wark, 1959, repr. 1965); studies by E. Waterhouse (1941 and 1973).
Sir Joshua Reynolds RA FRS FRSA (16 July 1723 – 23 February 1792) was the most important and influential of 18th century English painters, specialising in portraits and promoting the "Grand Style" in painting which depended on idealisation of the imperfect. He was one of the founders and first President of the Royal Academy. George III appreciated his merits and knighted him in 1769.
Reynolds was born in Plympton, Devon, on 16 July 1723. As one of eleven children, and the son of the village school-master, Reynolds was restricted to a formal education provided by his father. He exhibited a natural curiosity and, as a boy, came under the influence of Zachariah Mudge, whose Platonistic philosophy stayed with him all his life.
Showing an early interest in art, Reynolds was apprenticed in 1740 to the fashionable portrait painter Thomas Hudson, with whom he remained until 1743. From 1749 to 1752, he spent over two years in Italy, where he studied the Old Masters and acquired a taste for the "Grand Style". Unfortunately, whilst in Rome, Reynolds suffered a severe cold which left him partially deaf and, as a result, he began to carry a small ear trumpet with which he is often pictured. From 1753 until the end of his life he lived in London, his talents gaining recognition soon after his arrival in France.
Reynolds worked long hours in his studio, rarely taking a holiday. He was both gregarious and keenly intellectual, with a great number of friends from London's intelligentsia, numbered amongst whom were Dr Samuel Johnson, Oliver Goldsmith, Edmund Burke, Giuseppe Baretti, Henry Thrale, David Garrick and fellow artist Angelica Kauffmann. Because of his popularity as a portrait painter, Reynolds enjoyed constant interaction with the wealthy and famous men and women of the day, and it was he who first brought together the famous figures of "The" Club.
With his rival Thomas Gainsborough, Reynolds was the dominant English portraitist of 'the Age of Johnson'. It is said that in his long life he painted as many as three thousand portraits. In 1789 he lost the sight of his left eye, which finally forced him into retirement and, on 23 February 1792, he died in his house in Leicester Fields, London. He is buried in St. Paul's Cathedral.
Professionally, Reynolds' career never peaked. He was one of the earliest members of the Royal Society of Arts, helped found the Society of Artists, and, with Gainsborough, established the Royal Academy of Arts as a spin-off organisation. In 1768 he was made the RA's first President, a position he held until his death. As a lecturer, Reynolds' Discourses on Art (delivered between 1769 and 1790) are remembered for their sensitivity and perception. In one of these lectures he was of the opinion that "invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory."
Reynolds and the Royal Academy have historically received a mixed reception. Critics include many of the Pre-Raphaelites, and William Blake, the latter having published his vitriolic Annotations to Sir Joshua Reynolds' Discourses in 1808. To the contrary, both J. M. W. Turner and James Northcote were fervent acolytes: Turner requested he be laid to rest at Reynolds' side, and Northcote (who lived for four years as Reynolds' pupil) wrote to his family "I know him thoroughly, and all his faults, I am sure, and yet almost worship him." The word worship is second cast; originally Northcote had written adore.
In appearance Reynolds was not at all striking. Slight of frame, he was just about 5'6" with dark brown curls, a florid complexion and features which James Boswell thought were "rather too largely and strongly limned." He had a broad face, a cleft chin, and the bridge of his nose was slightly dented; his skin was scarred by smallpox, and his upper lip disfigured as a result of falling from a horse as a young man. Nonetheless he was not considered ugly, and Edmond Malone asserted that "his appearance at first sight impressed the spectator with the idea of a well-born and well-bred English gentleman."
Renown for his placidity, Reynolds often claimed that he "hated nobody". Never quite losing his Devonshire accent, he was not only an amiable and original conversationalist but a friendly and generous host, so that Fanny Burney recorded in her diary that he had "a suavity of disposition that set everybody at their ease in his society", and William Makepeace Thackeray believed "of all the polite men of that age, Joshua Reynolds was the finest gentleman." Dr. Johnson commented on the inoffensiveness of his nature; Edmund Burke noted his "strong turn for humor". Thomas Bernard, who later became Bishop of Killaloe, wrote in his verses on Reynolds:
Thou say'st not only skill is gained
But genius too may be attained
By studious imitation;
Thy temper mild, thy genius fine
I'll copy till I make them mine
By constant application."
"Of Reynolds what good shall be said?- or what harm?
His temper too frigid; his pencil too warm;
A rage for sublimity ill understood,
To seek still for the great, by forsaking the good..."
Reynolds in his fiefdom: Hugh Belsey visits an exhibition in Plymouth that charts the career of its greatest artistic export, Sir Joshua Reynolds.(EXHIBITIONS)
Feb 01, 2010; Plymouth has celebrated the work of its famous son Sir Joshua Reynolds with admirable exhibitions in 1951, 1973 and 1992....