See her autobiography, The Story of a Pioneer (1915).
See his autobiography (1952, repr. 1992); biographies by V. Simosko (2000) and J. White (2004); B. Berman, dir., Artie Shaw: Time is All You've Got (documentary film, 1985; Academy Award).
Born in Dublin, Shaw was the son of an unsuccessful merchant; his mother was a singer who eventually left her husband to teach singing in London. Shaw left school at 14 to work in an estate agent's office. In 1876 he went to London and for nine years was largely supported by his parents. He wrote five novels, several of them published in small socialist magazines. Shaw was himself an ardent socialist, a member of the Fabian Society, and a popular public speaker on behalf of socialism.
Work as a journalist led to his becoming a music critic for the Star in 1888 and for the World in 1890; his enthusiasm for Wagner proved infectious to his readers. As drama critic for the Saturday Review after 1895, he won readers to Ibsen; he had already written The Quintessence of Ibsenism (1891). In 1898 Shaw married Charlotte Payne-Townshend, a wealthy, wellborn Irishwoman. By this time his plays were beginning to be produced.
Although Shaw's plays focus on ideas and issues, they are vital and absorbing, enlivened by memorable characterizations, a brilliant command of language, and dazzling wit. His early plays were published as Plays Pleasant and Unpleasant (2 vol., 1898). The "unpleasant" plays were Widower's Houses (1892), on slum landlordism; The Philanderer (written 1893, produced 1905); and Mrs. Warren's Profession (written 1893, produced 1902), a jibe at the Victorian attitude toward prostitution. The "pleasant" plays were Arms and the Man (1894), satirizing romantic attitudes toward love and war; Candida (1893); and You Never Can Tell (written 1895).
In 1897 The Devil's Disciple, a play on the American Revolution, was produced with great success in New York City. It was published in the volume Three Plays for Puritans (1901) along with Caesar and Cleopatra (1899), notable for its realistic, humorous portraits of historical figures, and Captain Brassbound's Conversion (1900).
During the early 20th cent. Shaw wrote his greatest and most popular plays: Man and Superman (1903), in which an idealistic, cerebral man succumbs to marriage (the play contains an explicit articulation of a major Shavian theme—that man is the spiritual creator, whereas woman is the biological "life force" that must always triumph over him); Major Barbara (1905), which postulates that poverty is the cause of all evil; Androcles and the Lion (1912; a short play), a charming satire of Christianity; and Pygmalion (1913), which satirizes the English class system through the story of a cockney girl's transformation into a lady at the hands of a speech professor. The latter has proved to be Shaw's most successful work—as a play, as a motion picture, and as the basis for the musical and film My Fair Lady (1956; 1964).
Of Shaw's later plays, Saint Joan (1923) is the most memorable; it argues that Joan of Arc, a harbinger of Protestantism and nationalism, had to be killed because the world was not yet ready for her. In 1920 Shaw, much criticized for his antiwar stance, wrote Heartbreak House, a play that exposed the spiritual bankruptcy of the generation responsible for World War I.
Among Shaw's other plays are John Bull's Other Island (1904), The Doctor's Dilemma (1906), Fanny's First Play (1911), Back to Methuselah (1922), The Apple Cart (1928), Too True to Be Good (1932), The Millionairess (1936), In Good King Charles's Golden Days (1939), and Buoyant Billions (1949). Perhaps his most popular nonfiction work is The Intelligent Woman's Guide to Socialism and Capitalism (1928).
See his collected plays with their prefaces, ed. by D. H. Laurence (7 vol., 1970-75); his letters, particularly those to Ellen Terry (1931), Mrs. Patrick Campbell (1952), Granville-Barker (1957), and Molly Tompkins (1960); his collected letters, ed. by D. H. Laurence (4 vol., 1965-88); his complete musical criticism, ed. by D. H. Laurence (3 vol., 1981); and his autobiography, reconstructed by S. Weintraub (2 vol., 1969-70).
See also biographies by A. Henderson (3 vol., 1911-56), F. Harris (1931), H. Pearson (1942 and 1950), and M. Holroyd (4 vol. 1988-93, abr. ed. 1998); studies by E. R. Bentley (2d ed. 1967), L. Crompton (1969), M. M. Morgan (1972), M. Valency (1973), E. Bentley (1985), H. Bloom (1987), and S. Weintraub (1996); bibliography by D. H. Laurence (2 vol., 1983).
See study by Sir R. T. Blomfield (1940).
See study by P. Burchard (1970).
There were 753 households out of which 37.6% had children under the age of 18 living with them, 33.5% were married couples living together, 37.8% had a female householder with no husband present, and 23.9% were non-families. 21.4% of all households were made up of individuals and 8.6% had someone living alone who was 65 years of age or older. The average household size was 3.07 and the average family size was 3.58.
In the city the population was spread out with 33.9% under the age of 18, 11.7% from 18 to 24, 25.6% from 25 to 44, 18.9% from 45 to 64, and 9.9% who were 65 years of age or older. The median age was 29 years. For every 100 females there were 82.9 males. For every 100 females age 18 and over, there were 74.6 males.
The median income for a household in the city was $18,878, and the median income for a family was $19,393. Males had a median income of $21,181 versus $18,816 for females. The per capita income for the city was $9,070. About 41.3% of families and 41.6% of the population were below the poverty line, including 53.5% of those under age 18 and 31.3% of those age 65 or over.
1914-06-30: Mr. Jack Farmer, an African American resident of Shaw, was being searched for by a Vigilante Posse for the alleged murder of Mr. Earl Chase, a White resident. The search got so frustrated that two ancillary murders took place. Ms. Jennie Collins, an African American who was thought to have assisted Mr. Farmer in his flight, and Mr. James Jolly, a White member of the posse who was mistaken for Mr. Farmer in the darkness, were shot. The posse was sweeping through a local swamp because it was supposed that Mr. Farmer was hiding there. Mr. Farmer was never found.