Subsequently, this term was appropriated by the technical and legal community in the context of any re-working of cultural imagery by someone who is not the original author. Examples include Harry Potter slash fiction that reworks J. K. Rowling's characters into homosexual romances.
Legal scholars are concerned that just as technology eases the process of cheaply making and distributing derivative works imbued with new cultural meanings available to wide public, copyright and right-to-publicity law is clamping down on and limiting these works, thus reducing their promulgation, and limiting semiotic democracy.
Prof. Terry Fisher of Harvard Law School has written extensively about semiotic democracy in the context of the crisis facing the entertainment industry and in terms of the ability of people to use the Internet in creative new ways.