Schubert

Schubert, Franz Peter, 1797-1828, Austrian composer, one of the most gifted musicians of the 19th cent. His symphonic works represent the best legacy of the classical tradition, while his songs exemplify the height of romantic lyricism. Displaying remarkable talent in childhood, he was first taught to play the violin and piano by his father and his brother, and then studied the organ and singing at a local church. His beautiful voice gained him admittance in 1808 to the imperial chapel choir and the Royal Seminary, where he later studied composition with Salieri. Schubert wrote his first symphony in 1813, and in that year he left the Seminary. From 1814 to 1816 he taught at his father's elementary school, devoting his spare hours to composing lieder that give evidence of his inexhaustible melodic genius.

He wrote more than 600 songs, many to the lyrics of such German poets as Goethe, Schiller, and Heine. In addition to individual lyrics, such as the famous Erlkönig, set to a ballad by Goethe, Schubert wrote such song cycles as Die schöne Müllerin (1823) and Die Winterreise (1827), both to poems of Wilhelm Müller. Schubert's symphonies are the final extension of the classical sonata forms, and three of them—the Fifth, in B Flat (1816), the Eighth, in B Minor (the Unfinished, 1822), and the Ninth, in C Major (1828)—rank with the finest orchestral music. The Quartet in D Minor (Death and the Maiden, 1824) and the Quintet in A Major (The Trout, 1819) are the best known of his mature chamber works. He also composed music for the stage, overtures, choral music, masses, and piano music, including 21 sonatas and shorter waltzes, scherzos, and impromptus. Except for a circle of admirers who were among the leading artists of the period, he gained little recognition before his death. He held only one musical appointment, that of music teacher to the children of a Hungarian nobleman, and he lived in poverty.

(born Jan. 31, 1797, Himmelpfortgrund, near Vienna—died Nov. 19, 1828, Vienna) Austrian composer. He learned violin from his schoolteacher father and piano from his brother. He joined the precursor of the Vienna Boys Choir (1808), making such quick progress that Antonio Salieri undertook to guide his training (1810–16). At his family's insistence, he was trained as a schoolteacher. In 1815 he wrote 2 symphonies, more than 100 songs, and 4 stage works. In 1818, seeking independence, he quit teaching at his father's school to tutor Johann Esterházy's daughters. In 1819–20 he wrote the celebrated Trout Quintet and a mass. In 1821, 20 of his most popular songs were published with great success, and he wrote the three-act opera Alfonso und Estrella. Despite his first awareness of the disease (possibly syphilis) that would kill him, his amazing production continued in 1822, with the Unfinished Symphony and the Wanderer Fantasy. He was often ill during his last five years but continued his production of music, including the song cycles The Miller's Beautiful Daughter and Winter Journey, the last three piano sonatas, and the Great Symphony. His last years were made miserable by illness, not poverty; in fact, his greatness was widely recognized. He died at 31, having produced more masterpieces by that age than almost any other composer in history. His 600 songs made the lied a serious genre and sparked its great development in subsequent decades.

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(born Jan. 31, 1797, Himmelpfortgrund, near Vienna—died Nov. 19, 1828, Vienna) Austrian composer. He learned violin from his schoolteacher father and piano from his brother. He joined the precursor of the Vienna Boys Choir (1808), making such quick progress that Antonio Salieri undertook to guide his training (1810–16). At his family's insistence, he was trained as a schoolteacher. In 1815 he wrote 2 symphonies, more than 100 songs, and 4 stage works. In 1818, seeking independence, he quit teaching at his father's school to tutor Johann Esterházy's daughters. In 1819–20 he wrote the celebrated Trout Quintet and a mass. In 1821, 20 of his most popular songs were published with great success, and he wrote the three-act opera Alfonso und Estrella. Despite his first awareness of the disease (possibly syphilis) that would kill him, his amazing production continued in 1822, with the Unfinished Symphony and the Wanderer Fantasy. He was often ill during his last five years but continued his production of music, including the song cycles The Miller's Beautiful Daughter and Winter Journey, the last three piano sonatas, and the Great Symphony. His last years were made miserable by illness, not poverty; in fact, his greatness was widely recognized. He died at 31, having produced more masterpieces by that age than almost any other composer in history. His 600 songs made the lied a serious genre and sparked its great development in subsequent decades.

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The String Quartet in D minor was written in 1824 by Franz Schubert, just after the composer became aware of his ruined health. It is popularly known as the Death and the Maiden Quartet because the second movement is adapted from the piano accompaniment to Schubert's 1817 song (or lied), Death and the Maiden. In the numerical order of his quartets it is his String Quartet No. 14, and is D. 810 in Otto Erich Deutsch's thematic catalog of Schubert's works. The work is a string quartet in four movements:

1. Allegro, in D minor and common time
2. Andante con moto, in G minor and divided common (2/2) time
3. Scherzo: Allegro molto, in D minor and 3/4 time
4. Presto, in D minor in 6/8

The opening movement is, along with that of the preceding and next quartet and that of his string quintet, among the most extended and substantial in his chamber music output, if not in his output as a whole. It is a sonata form movement whose exposition encompasses three main key regions, D minor, F major and A minor.

The second movement is a theme — taken from his macabre song Der Tod und Das Mädchen (D 531 in Deutsch's catalog) — and five variations, with coda.

The third movement's main theme can also be heard in one of a set of piano dances; its lyrical D major trio varies its 'repeats'.

The relentless finale-tarantella is a sonata-rondo in form — a rondo whose first episode returns as the last, and whose central section contains elements of development. Its coda promises major-mode triumph, and snatches it away.

Arrangements

In 1878, Robert Franz transcribed the quartet for piano duet.

This is one of the quartet works, along with Beethoven's String Quartet No. 11 in F minor ("Quartetto serioso"), that Mahler arranged for use by a string orchestra, mostly by doubling some of the cello parts with double basses.

In 1930 the British composer John Foulds made a version "as a symphony" for full (classical) orchestra.

Appearances in film and television

Ariel Dorfman's 1991 play Death and the Maiden and its 1994 film adaptation (directed by Roman Polanski) take their names from the quartet.

Additionally, Schubert's quartet has been used in the score of at least the following:

• The 1996 Jane Campion film The Portrait of a Lady.
• The 1972 Roman Polanski film What?
• The BBC TV production of Sherlock Holmes and the Case of the Silk Stocking.

External links

• Recording performed by the Borromeo String Quartet from the Isabella Stewart Gardner Museum in MP3 format
• A website with MIDIs of the quartet