Salammbô [alternative title
The Libyan] (
Russian:
Саламбо [
Ливиец] ) is an unfinished opera-project in 4 acts by the
Russian composer
Modest Mussorgsky, to his own
libretto based on the
novel of the same title by
Gustave Flaubert (
1862), as well as poems by
Alexander Polezhayev,
Apollon Maikov and
Vasily Zhukovsky.
The vocal score of the fragments of the four intended acts and seven scenes of the opera have survived and have been published in Mussorgsky's Complete works, vol. V, Moscow - Leningrad, 1939.
Composition History
The Russian translation of Flaubert's novel was published in
Otechesvennye zapiski in 1862 and made a great impression on Mussorgsky. He worked on the opera project from
1863 until
1866.
In
1866 Mussorgsky lost interest in the project. However, several musical themes from this project were recycled and played important roles in the composer's subsequent opera
Boris Godunov.
Synopsis
Flaubert's novel
Salammbô (published in 1862) interweaves historical and fictional characters. The action takes place before and during the Mercenary Revolt, an uprising of mercenaries in the employ of
Carthage in the 3rd century BC.
Salammbô, a priestess and the daughter of Hamilcar Barca, an aristocratic Carthaginian general, is the object of the obsessive lust of Matho, leader of the mercenaries. With the help of the scheming freed slave, Spendius, Matho steals the sacred veil of Carthage, the Zaïmph, prompting Salammbo to enter the mercenaries' camp in an attempt to steal it back.
Music
Listen to a fragment of the opera, the "Chorus of Priestesses", at the following links (conductor
Claudio Abbado):
Selected recordings
- 1980, Zoltan Pesko (conductor), Orchestra Sinfonica E Coro Di Milano Della Radiotelevisione Italiana, Ludmilla Shemchuk (Salammbô), Georgiy Seleznev (Mathô), William Stone (Balearic Islander), Giorgio Surjan (Priest), Giorgio Tieppo (Pentarch 1), Eftimios Michalopoulos (Pentarch 2) [CBS Masterworks CB272]
External links