On the surface, Cutrone's paintings are the essence of pop: colorful, lively, and highly accessible. Many of them seem to be offered with the kind of wide-eyed, non-judgmental attitude one might expect from Cutrone, who was Andy Warhol's immediate assistant at the factory from 1972 until 1980, Warhol's most productive and prestigious years. During the time Cutrone worked side by side with the Pop master on paintings, prints, films, and concepts, he hit upon the style the critics called "Post-Pop." In 1980, Cutrone's place was taken by Jay Shriver so that Cutrone could concentrate on his own painting. He achieved International acclaim with his very first post-Warhol show.
Together with Kenny Sharf, he revived the comic strip in painting. By using established comic characters such as Woody Woodpecker and Felix the Cat, Cutrone rephrased themes of originality and authorship, and of low-brow taste and fine art which makes him directly indebted to Pop Art of early Sixties. His use of bright and fluorescent colours encouraged Andy Warhol’s return to such hues of heightened artificiality.
"Everything Is a cartoon for me," Ronnie Cutrone says. "The ancient manuscripts are taken very seriously but they really are cartoons."
Cutrone's works have been exhibited at: Whitney Museum (New York), Museum of Modern Art (New York), Boymans Beunigen Museum (Holland) Museum of Contemporary Art, Los Angeles and mportant Fine Art Galleries internationally.