There are three such registers in Burmese, which have traditionally been considered three of the four 'tones'. (The fourth is not a tone at all, but a closed syllable, called "entering tone" in translations of Chinese phonetics). Jones (1986) views the differences as
| Register | Phonation | Length | Pitch | Example | Gloss |
|---|---|---|---|---|---|
| Low | Modal voice | long | low | [làː] | 'come' |
| High | Breathy voice | long | high; falling when final | [lá̤ː] ~ [lâ̤ː] | 'mule' |
| Creaky | Creaky voice | medium | high | [lá̰ˀ] | 'moon' |
| Checked | Final glottal stop | short | high | [lăʔ] | 'fresh' |
Khmer is sometimes considered to be a register language. It's also been called a "restructured register language" because both its pitch and phonation can be considered allophonic: If they are ignored, the phonemic distinctions they carry remain as a difference in diphthongs and vowel length.