Powers [pou-erz]

Powers

[pou-erz]
Powers, Francis Gary: see U-2 incident.
Powers, Hiram, 1805-73, American sculptor, b. Woodstock, Vt. Having moved to Ohio, he made wax models for a Cincinnati museum. In 1835 he began his career as a sculptor, spending some time in Washington, D.C., where he modeled several portrait busts, including one of President Jackson (Metropolitan Mus.). In 1837 he went to Florence to study classical art. There he flourished to the end of his life. His Greek Slave (1843) became the most popular statue of the period in Europe and the United States. The second of several copies is in the Corcoran Gallery. His sculptures of Franklin and Jefferson are in the Capitol, Washington, D.C.

See S. E. Crane, White Silence (1972).

Division of the legislative, executive, and judicial functions of government among separate and independent bodies. Such a separation limits the possibility of arbitrary excesses by government, since the sanction of all three branches is required for the making, executing, and administering of laws. The concept received its first modern formulation in the work of Charles-Louis de Secondat, baron de La Brède et de Montesquieu, who declared it the best way to safeguard liberty; he influenced the framers of the Constitution of the United States, who in turn influenced the writers of 19th- and 20th-century constitutions. Seealso checks and balances.

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“Greek Slave,” marble statue by Hiram Powers, 1843; in the Corcoran Gallery of Art, elipsis

(born June 29, 1805, Woodstock, Vt., U.S.—died June 27, 1873, Florence, Italy) U.S.-born Italian sculptor. He worked as an artist-assistant in a waxworks museum in Cincinnati, Ohio, then moved to Washington, D.C., where he modeled busts of such figures as Andrew Jackson (1834). In 1837 he settled permanently in Florence. He attracted international notoriety with his marble Greek Slave (1843), an image of a nude young woman in chains, which caused a sensation at London's Crystal Palace Exposition in 1851. An artist of outstanding technical ability, he was one of the most popular sculptors of his time.

Learn more about Powers, Hiram with a free trial on Britannica.com.

“Greek Slave,” marble statue by Hiram Powers, 1843; in the Corcoran Gallery of Art, elipsis

(born June 29, 1805, Woodstock, Vt., U.S.—died June 27, 1873, Florence, Italy) U.S.-born Italian sculptor. He worked as an artist-assistant in a waxworks museum in Cincinnati, Ohio, then moved to Washington, D.C., where he modeled busts of such figures as Andrew Jackson (1834). In 1837 he settled permanently in Florence. He attracted international notoriety with his marble Greek Slave (1843), an image of a nude young woman in chains, which caused a sensation at London's Crystal Palace Exposition in 1851. An artist of outstanding technical ability, he was one of the most popular sculptors of his time.

Learn more about Powers, Hiram with a free trial on Britannica.com.

World War I coalition that was defeated by the Allied Powers. Its primary members were the German empire and Austria-Hungary, the “central” European states that were at war from August 1914 against France, Britain, and Russia. The Ottoman empire entered the war on the side of the Central Powers in October 1914, followed by Bulgaria in October 1915.

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Coalition headed by Germany, Italy, and Japan that opposed the Allied Powers in World War II. The alliance originated in a series of agreements between Germany and Italy, followed in 1936 by the Rome-Berlin Axis declaration and the German-Japanese Anti-Comintern Pact. The connection was strengthened by the formal Pact of Steel (1939) between Germany and Italy and by the Tripartite Pact signed by all three powers in 1940. Several other countries, including Hungary, Romania, Bulgaria, Croatia, and Slovakia, later allied themselves with the original Axis Powers.

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Powers is a village in Menominee County in the U.S. state of Michigan. The population was 430 at the 2000 census. It was named for John Powers, a bookkeeper for a logging company that came into the area in the late 19th century.

Geography

According to the United States Census Bureau, the village has a total area of 1.0 square miles (2.6 km²), all land.

Demographics

As of the census of 2000, there were 430 people, 124 households, and 59 families residing in the village. The population density was 433.8 per square mile (167.7/km²). There were 146 housing units at an average density of 147.3/sq mi (56.9/km²). The racial makeup of the village was 97.67% White, 0.47% Native American, and 1.86% from two or more races.

There were 124 households out of which 14.5% had children under the age of 18 living with them, 40.3% were married couples living together, 5.6% had a female householder with no husband present, and 52.4% were non-families. 45.2% of all households were made up of individuals and 28.2% had someone living alone who was 65 years of age or older. The average household size was 2.08 and the average family size was 2.85.

In the village the population was spread out with 9.5% under the age of 18, 5.6% from 18 to 24, 13.7% from 25 to 44, 16.7% from 45 to 64, and 54.4% who were 65 years of age or older. The median age was 68 years. For every 100 females there were 62.3 males. For every 100 females age 18 and over, there were 60.1 males.

The median income for a household in the village was $20,250, and the median income for a family was $36,250. Males had a median income of $25,000 versus $20,625 for females. The per capita income for the village was $14,207. About 14.6% of families and 17.9% of the population were below the poverty line, including 19.0% of those under age 18 and 24.2% of those age 65 or over.

References

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