Palomino de Castro y Velasco

Palomino de Castro y Velasco

Palomino de Castro y Velasco, Acislo Antonio, 1655-1726, Spanish historical painter and writer on art, called the Spanish Vasari. He painted frescoes and easel pictures in Valencia, Córdoba, and Granada, but he is famous chiefly for his history of art, El museo pictórico y escala óptica (3 vol., 1715-24), which contains a wealth of biographical material concerning Spanish artists of the 16th and 17th cent. It was summarized and translated into English (1739).
Guillén de Castro y Bellvis (1569 – July 28, 1631), was a Spanish dramatist of the Spanish Golden Age.

A Valencian by birth, he soon achieved a literary reputation. In 1591 he joined a local literary academy called the Nocturnos. At one time a captain of the coastguard, at another the protégé of Benavente, viceroy of Naples, who appointed him governor of Scigliano, patronized by Pedro Téllez-Girón, 3rd Duke of Osuna and Gaspar de Guzmán y Pimentel, Count-Duke of Olivares, Castro was nominated a knight of the order of Santiago in 1623. He settled at Madrid in 1626, but died there in such poverty that his funeral expenses were defrayed by charity.

He probably made the acquaintance of Lope de Vega at the festivals (1620-1622) held to commemorate the beatification and canonization of St Isidore, the patron saint of Madrid. On the latter occasion Castro's octavas were awarded the first prize. Lope de Vega dedicated to him a celebrated play entitled Las Almenas de Toro (1619), and when Castro's Comedias were published in 1618-1621 he dedicated the first volume to Lope de Vega's daughter.

The drama that has made Castro's reputation is Las Mocedades del Cid (1599?), to the first part of which Pierre Corneille was largely indebted for the materials of his tragedy. The two parts of this play, like all those by Castro, have the genuine ring of the old romances; and, from their intense nationality, no less than for their primitive poetry and flowing versification, were among the most popular pieces of their day. Castro's Fuerza de la costumbre is the source of Love's Cure, a play in the John Fletcher canon. He is also the reputed author of El Prodigio de los Montes, from which Calderón derived El Mágico prodigioso.


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