Document is the fifth studio album by the American band R.E.M. It was released in 1987 a few months after their rarities collection Dead Letter Office appeared and is the last album of new material by the band released on the I.R.S. Records label. It is the first album the band worked with producer Scott Litt.
Details
Document was R.E.M.'s first album co-produced by
Scott Litt and the band, a collaboration that continued through
Green,
Out of Time,
Automatic for the People,
Monster, and
New Adventures in Hi-Fi, and may account for their success with this album as well as the following five. The album's clear production and muscular rock riffs helped to move the band towards mainstream success and built on the work done by
Don Gehman, who had produced their previous album
Lifes Rich Pageant. This album was significant not only in launching R.E.M.'s first U.S. Top 10 hit in "The One I Love" (which reached #9), but also giving them their first
platinum album. It was also their first Top 10 hit on the
Billboard 200.
Songs
"Exhuming McCarthy" makes an explicit parallel between the red-baiting of
Joe McCarthy's time and the strengthening of the sense of
American exceptionalism during the
Reagan era, especially the
Iran-Contra affair. Starting with the click-clack of a typewriter, it also includes a sound clip of
Joseph Welch's rebuke of McCarthy from the
Army-McCarthy Hearings: "Let us not assassinate this lad further, Senator.... You've done enough.
Have you no sense of decency, sir, at long last? Have you left no sense of decency?"
The song "Strange" was originally recorded by the post-punk band Wire. This version has slightly altered lyrics, such as "Michael's nervous and the lights are bright."
R.E.M. expanded their instrumentation somewhat on the album, adding dulcimer to "King of Birds" and saxophone to "Fireplace. This experimentation would lead to their adoption of the mandolin, which featured prominently on their subsequent albums Green and Out of Time. Furthermore, the band's musicians began swapping instruments both in concert and in the studio in an effort to create new sounds (and avoid stagnation).
Cover
The original sleeve for the album featured the message "File under Fire", a reference to what Michael Stipe considered to be the central lyrical theme of the album. A similar message ("File under water") could be found on the cover of the band's second album,
Reckoning, as well as on the compilation album
Eponymous ("File under grain"). Two rejected suggestions for the title of the album—
R.E.M. No. 5 and
Table of Content—also appear on the sleeve artwork.. Other possible album titles included
Mr. Evil Breakfast,
Skin Up with R.E.M., and
Last Train to Disneyland (the last one having been suggested by Peter Buck, who felt that America under the presidency of former actor
Ronald Reagan was beginning to feel a lot like the famed amusement park).
2005 re-release
In 2005,
Capitol Records (whose parent company
EMI now own I.R.S. Records' catalog) issued an expanded
DualDisc edition of
Document which includes a
digitally remastered version of the album on the CD side, a
DVD-Audio,
DTS and
Dolby Digital 5.1-channel surround sound mix of the album done by
Elliot Scheiner on the DVD side, and the original CD booklet.
Critical praise
In 1989, the album was ranked #41 on
Rolling Stone magazine's list of the 100 greatest albums of the 1980s. In 2006, it ranked 49th in a
Q readers' poll of the "Best Albums Ever".
Track listing
All songs were written by
Bill Berry,
Peter Buck,
Mike Mills and
Michael Stipe, except as indicated.
- "Finest Worksong" – 3:48
- "Welcome to the Occupation" – 2:46
- "Exhuming McCarthy" – 3:19
- "Disturbance at the Heron House" – 3:32
- "Strange" (B.C. Gilbert, Graham Lewis, Colin Newman, Robert Gotobed) – 2:31
- "It's the End of the World as We Know It (And I Feel Fine)" – 4:05
- "The One I Love" – 3:17
- "Fireplace" – 3:22
- "Lightnin' Hopkins" – 3:20
- "King of Birds" – 4:09
- "Oddfellows Local 151" – 5:21
Track listing note: On the original vinyl release, R.E.M. labeled side one (tracks 1-6) as the "Page side" and side two (tracks 7-11) as the "Leaf side."
The IRS Years reissue
On
May 11 1992,
EMI (which owns the I.R.S. catalogue) re-released
Document with six bonus tracks:
-
- "Finest Worksong (Other Mix)" – 3:47
- "Last Date" (Floyd Cramer) – 2:16
- "The One I Love" (Live at McCabe's Guitar Shop)1 – 4:06
- "Time After Time Etc..." (Live) – 8:22
- "Disturbance at the Heron House" (Live at McCabe's Guitar Shop) – 3:26
- "Finest Worksong" (Lengthy Club Mix) – 5:52
Notes
1 Originally released as "This One Goes Out" on a 1987 single.
References
Personnel
Additional personnel
Charts
Album
Singles
| Year
| Song
| Chart
| Position
|
| 1987
| "It's the End of the World as We Know It (And I Feel Fine)"
| Billboard Mainstream Rock Tracks
| 16
|
| 1987
| "It's the End of the World as We Know It (And I Feel Fine)"
| UK Singles Chart
| 39
|
| 1987
| "It's the End of the World as We Know It (And I Feel Fine)"
| Billboard Hot 100
| 69
|
| 1987
| "The One I Love"
| Billboard Hot 100
| 9
|
| 1988
| "The One I Love"
| Billboard Mainstream Rock Tracks
| 2
|
| 1988
| "Finest Worksong"
| Billboard Mainstream Rock Tracks
| 28
|
| 1988
| "Finest Worksong"
| UK Singles Chart
| 50
|
| 1991
| "The One I Love"
| UK Singles Chart
| 16
|
Certifications
External links