Mailer, who tended to view himself and his fictional protagonists in a heroic mode, was very much a public figure—pugnacious, self-promoting, and articulate, with a distinctive candid charm. He made frequent appearances at public events, in forums, and on television talk shows, making a variety of often controversial public pronouncements—aesthetic, philosophical, and political. In 1955 Mailer was one of the founders of The Village Voice newspaper, and in 1961 he ran unsuccessfully for mayor of New York City.
The Armies of the Night (1968; Pulitzer Prize), a dramatic account of the 1967 anti-Vietnam War march on Washington, D.C., is one of the earliest works to make use of the personalized style that came to be called New Journalism and is one of Mailer's most significant books. In it and in later books and essays, he pioneered the usage of novelistic techniques in nonfiction works. Among his other journalistic works are Miami and the Siege of Chicago (1969), on the 1968 Republican and Democratic conventions; A Fire on the Moon (1971), an account of the Apollo 11 moon flight; and the brilliantly novelistic The Executioner's Song (1979, Pulitzer Prize), the epic story of the life and execution of killer Gary Gilmore, a book that many consider his masterpiece. The Prisoner of Sex (1971) is Mailer's generally oppositional response to the women's liberation movement. He also wrote "interpretive biographies," Oswald's Tale (1995), a study of the life of President Kennedy's assassin, Lee Harvey Oswald, and Portrait of Picasso as a Young Man (1995), on the youth of Pablo Picasso.
Mailer's later novels tend to be long and intricate, and they met with decidedly mixed reviews: Ancient Evenings (1983), which Mailer considered his best book, is set in pharaonic Egypt; Harlot's Ghost (1991) is a complex cold-war spy novel; and The Castle in the Forest (2007) is a fictional exploration of the boyhood of Adolf Hitler. A shorter detective novel, Tough Guys Don't Dance (1984), was made into a film in 1985. He also wrote, directed, and acted in several movies, e.g., Maidstone (1970). Among his other works are the nonfiction The White Negro (1958), Advertisements for Myself (1959), and Marilyn (1973), a study of Marilyn Monroe.
See the large retrospective anthology of his work, The Time of Our Time (1998), and anthology of his writings on writing, The Spooky Art (2003); biographies by H. Mills (1982), P. Manso (1986), C. Rollyson (1991), and M. V. Dearborn (1999); J. M. Lennon, ed., Pontifications: Interviews (1982) and Conversations with Norman Mailer (1988); studies by B. H. Leeds (1969, 2002), L. Braudy, ed. (1972), R. Poirier (1972), J. Radford (1975), R. Merrill (1978, 1992), S. Cohen (1979), J. M. Lennon, ed. (1986), H. Bloom, ed. (1986, repr. 2003), J. Wenke (1987), N. Leigh (1990), M. K. Glenday (1995), B. H. Leeds (2002); bibliography by B. Sokoloff (1985).
See his posthumous Miracle in the Evening (1960).
His daughter, Barbara Bel Geddes, 1922-2005, b. New York City, an actress, created the role of Maggie the Cat in Tennessee Williams's Cat on a Hot Tin Roof (1955) and the title role in Jean Kerr's Mary, Mary (1961). Her film work included Elia Kazan's Panic in the Streets (1950) and Alfred Hitchcock's Vertigo (1958). She also had a leading role in the 1970s and 80s in the television series Dallas.
See biographies by Sir Henry Clay (1957) and A. Boyle (1968).
See the memoir (1876) by his brother, D. Macleod.
See his autobiography (1960); biographical study by T. S. Buechner (1970); biography by L. Claridge (2001).
See biography by N. Cunard (1954); studies by R. M. Dawkins (1952) and R. D. Lindeman (1965).