Newport Jazz Festival, annual summer music festival, probably the best known of all such festivals, held at Newport, R.I. Originally sponsored by Newport socialites Mr. and Mrs. Louis Lorillard and jazz impresario George Wein, the festival held its first performance in July, 1954. It has presented a wide variety of performers including such musical greats as Louis Armstrong, Dave Brubeck, Billie Holliday, Duke Ellington, and Miles Davis as well as many other American and European artists. Riots caused performance cancellations in 1960, 1969, and 1971, and in 1972 the festival was moved to New York City. It became a two-site festival in 1981 when it resumed in Newport. Sponsored by JVC since 1984, the festival has been officially known as the JVC Jazz Festival since 1986; Wein directed the festival until 2007, when he sold his company. JVC-sponsored festivals also have been held in Los Angeles, Miami, Chicago, Paris, Warsaw, and elsewhere. JVC ended its sponsorship of jazz in 2009, and Festival Network, the festivals' producer, was unable to mount the Newport and New York events.

The Newport Jazz Festival is a music festival held every August in Newport, Rhode Island, USA. It was established in 1954 by the jazz impresario George Wein, prompted by socialite Elaine Lorillard, whose wealthy husband helped finance the festival's startup.

The Newport Jazz Festival moved to New York City in 1972 and became a two site festival in 1981 when it returned to Newport and also continued in New York. The festival has been known as the JVC Jazz Festival since 1984.

The festival was originally held at the Bellevue Avenue estate of Louis and Elaine Lorillard, Belcourt, now called Belcourt Castle and owned by the Tinney Family.

Most of the early festivals were broadcast on Voice Of America radio and many performances were recorded and have been issued by various record labels.

Notable performances and recordings

Two of the most famous performances in the festival's history include Miles Davis's 1955 solo on "'Round Midnight" and the Duke Ellington Orchestra's lengthy 1956 performance of "Diminuendo and Crescendo in Blue". Miles & Monk at Newport documented respective 1958 and 1963 appearances at the festival. Noteworthy soloists aside from the bandleaders were John Coltrane and Pee Wee Russell. Eventually, Columbia Records released an album displaying more of the Miles Davis Sextet's 1958 set on an album called Miles & Coltrane.

A reconstructed Ellington at Newport from his 1956 performance was re-issued in 1999. Aside from the actual festival performance of "Diminuendo and Crescendo in Blue," including the distant-sounding Paul Gonsalves saxophone solo, the original album used re-creations, note for note, of some of the set's highlights which were secretly re-recorded in the studio against Ellington's objection. The new set restored the original festival performance after a recording from the Voice of America (which broadcast the performance) was discovered and, among other things, the odd timbre of the Gonsalves performance. Gonsalves, it turned out, stepped up to the wrong microphone to play his legendary solo: he stepped up to the VOA microphone and not the band's. Gonsalves' performance originally caused a near riot in the festival crowd.

The film Jazz on a Summer's Day documented the 1958 festival. The 1958 performances of Ella Fitzgerald, Billie Holiday and Carmen McRae were released on the 1958 album Ella Fitzgerald and Billie Holiday at Newport.

A Muddy Waters performance at the 1960 festival (released as the album At Newport 1960) is widely regarded as his best recorded work.

That year, boisterous fans carried away with the music created a major disturbance, and the National Guard was called to the scene. Word that the disturbances had meant the end of the festival, following the Sunday afternoon blues presentation headlined by Muddy Waters, reached poet Langston Hughes, who was in a meeting on the festival grounds. Hughes wrote an impromptu lyric, "Goodbye Newport Blues," that he brought to the Waters band onstage, announcing their likewise impromptu musical performance of the piece himself, before Waters pianist Otis Spann led the band and sang the Hughes poem.

The Nina Simone album At Newport (1960) was recorded live on the festival in the same year.

Despite the difficulties of 1960, the festival resumed in Newport in 1961 from June 30th through July 3rd. Featured performers included Julian "Cannonball" Adderley and Dave Brubeck who, to the delight of a very damp audience, played "Pennies from Heaven" during a rain shower.

The great line up of Newport 1962 is also documented in a film (released by Storyville). Among the performers are Lambert,Hendricks & Bavan , Oscar Peterson Trio, Roland Kirk, Duke Ellington & finally a fantastic closing with Count Basie Orchestra and Jimmy Rushing.

A riot at the 1971 festival caused it to leave Newport until 1981.

The 1973 festival, held at Carnegie Hall was documented on the album Newport Jazz Festival: Live at Carnegie Hall

Other performers who have had albums recorded during their Newport performances over the years include Count Basie, Brubeck, Ray Charles, John Coltrane, Archie Shepp, and Herbie Mann.

References

• Schaap, Phil. Liner notes to Ellington at Newport (Complete), Columbia Records / Legacy C2K 64932, 1999 February.
• Avakian, George. Liner notes to original release of Ellington at Newport, Columbia Records CL 934, 1956.
• New York Times, "The news at Newport: Jazz is back in town", 1981 August 16. (link)
• Storyville for DVD of Newport 1962

External links

• Official Site