1900-1988, American sculptor, b. Kiev, Russia. Using odd pieces of wood, found objects, cast metal and other materials, Nevelson constructed huge walls or enclosed box arrangements of complex and rhythmic abstract shapes. These are covered entirely with black, white, or gold paint. The uniform tone gives her work a mysterious quality and emphasizes the structural importance of its shadows. Huge works such as World
(1966; Detroit Inst. of Art) reflect a sense of total environment. Examples of Nevelson's work are in the Whitney Museum and Museum of Modern Art in New York City.
See study by J. Gordon (1967).
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