See his memoirs, Rewrites (1996) and The Play Goes On (1999); biography by R. Johnson (1985); studies by E. M. McGovern (2d ed. 1979), R. K. Johnson (1983), G. Konas, ed. (1997), H. Bloom, ed. (2002), and S. Koprince (2002).
(born July 4, 1927, New York, N.Y., U.S.) U.S. playwright. After studying at New York University, he worked as a comedy writer for Sid Caesar in the 1950s. His autobiographical play Come Blow Your Horn (1961) was the first of a long series of hit comedies that includes Barefoot in the Park (1963; film, 1967), The Odd Couple (1965; film, 1968), and Plaza Suite (1968; film, 1971). His later plays include the autobiographical trilogy of Brighton Beach Memoirs (1983), Biloxi Blues (1985, Tony Award), and Broadway Bound (1986). His plays deal humorously with the everyday conflicts of ordinary middle-class people, often in New York City. For Lost in Yonkers (1991), he received a Tony Award and a Pulitzer Prize.
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(born March 28, 1942, Tredegar, Monmouthshire, Wales) British politician. Elected to Parliament in 1970, he rose in the Labour Party ranks and was named to its national executive committee in 1978. After the party suffered its heaviest defeat in 48 years in 1983, he was elected party leader, the youngest in its history. By 1989 he had persuaded the party to abandon its radical policies on disarmament and large-scale nationalization. Although the party increased its numbers in Parliament, it lost the 1992 general election to the Conservatives, and Kinnock resigned as party leader. He became a vice president of the European Commission of the European Union in 1999.
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Neil Armstrong, 1969.
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(born March 28, 1942, Tredegar, Monmouthshire, Wales) British politician. Elected to Parliament in 1970, he rose in the Labour Party ranks and was named to its national executive committee in 1978. After the party suffered its heaviest defeat in 48 years in 1983, he was elected party leader, the youngest in its history. By 1989 he had persuaded the party to abandon its radical policies on disarmament and large-scale nationalization. Although the party increased its numbers in Parliament, it lost the 1992 general election to the Conservatives, and Kinnock resigned as party leader. He became a vice president of the European Commission of the European Union in 1999.
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Neil Armstrong, 1969.
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Dennis O'Neil (often credited as Denny O'Neil) is a comic book writer and editor, principally for Marvel Comics and DC Comics in the 1970s, 1980s, and 1990s, and Group Editor for the Batman family of books until his retirement.
O'Neil graduated from St. Louis University around the turn of the sixties and from there joined the navy just in time to participate in the blockade of Cuba during the Cuban Missile Crisis. His degree centered on English literature, creative writing, and philosophy.
After leaving the navy, O'Neil moved on to a job with a newspaper in Cape Girardeau, Missouri. O'Neil wrote occasional columns on the subject for the newspaper, which attracted the attention of Roy Thomas, who would eventually himself become one of the great names of the Silver Age.
When Marvel's expansion made it impossible for Stan Lee to write the entire line of books, Lee passed as much on to Roy Thomas as he could, but still needed writers, so O'Neil took the reins for a short-term run of Dr. Strange stories in Strange Tales, penning six issues. He also wrote dialog for such titles as Rawhide Kid and Millie the Model, as well as scripting an issue of Daredevil over a plot by Lee when Lee went on holiday. In the late 1970's, O´Neil also edited Daredevil during Frank Miller´s run, one of the most memorables takes on the character.
According to Bob Budiansky, Dennis O'Neil is the person who named Optimus Prime, leader of the Autobots and the most important character in the Transformers multiverse.
O'Neil's first assignments involved two strategies for bolstering DC's sales. One approach centered on the creation of new characters, and O'Neil scripted several issues of Beware the Creeper, a series starring a new hero, The Creeper, created by artist Steve Ditko. From there, DC moved O'Neil to Wonder Woman and Justice League of America. With artist Mike Sekowsky, he took away Wonder Woman's powers, exiled her from the Amazon community, and set her off, uncostumed, into international intrigues with her blind mentor, the dubiously-named I Ching. These changes did not sit well with Wonder Woman's older fans, such as Gloria Steinem, and O'Neil later considered that removing DC's single super-powered female might have alienated readers. In Justice League, he had more success, introducing into that title the first socially and politically themed stories, setting the stage for later work on Green Lantern/Green Arrow.
Following the lead set by Bob Haney and Neal Adams in a Brave and the Bold story that visually redefined Green Arrow into the version that appeared in comics between 1969 and 1986, O'Neil stripped him of his wealth and Playboy status making him an urban hero. This redefinition would culminate in the character that appeared in Green Lantern/Green Arrow, a socially conscious, left-wing creation that effectively took over Green Lantern's book to use him as a foil and straw man in sounding out the political concepts that would define that work.
O'Neil spent several years in the late nineties teaching Writing for the Comics at Manhattan's School of Visual Arts, sometimes sharing duties with fellow comic book writer John Ostrander.
He currently writes a weekly column for ComicMix.
His best-known works include Green Lantern/Green Arrow and Batman with Neal Adams, The Shadow with Mike Kaluta and The Question with Denys Cowan, all of which were hailed for their sophisticated stories that expanded the artistic potential of the mainstream portion of the medium. As an editor, he is principally known for editing the various Batman titles. Today, he sits on the board of directors of the charity The Hero Initiative.
His 1970s run on Batman is perhaps his best-known endeavour, getting back to the character's darker roots after a period dominated by the campiness of the 1960s TV show, and emphasizing his detective skills. This grimmer and more sophisticated Dark Knight, as well as new villains such as O'Neil creation Ra's al Ghul, brought Batman back from the verge of pop culture oblivion. His work would influence later incarnations of Batman, from the seminal comic Batman: The Dark Knight Returns by Frank Miller, to the movie Batman Begins in 2005.
Speaking about his role in the death of character Jason Todd, O'Neil remarked:
In The Batman Adventures -- the first DC Comics spinoff of Batman: The Animated Series -- O'Neil appears as The Perfesser, one of a screwball trio of incompetent super-villains that also includes The Mastermind (a caricature of Mike Carlin) and Mr. Nice (a caricature of Archie Goodwin). The Perfesser is depicted as a tall, pipe-smoking genius who often gets lost in his own thoughts, and who regularly forgets to give his criminal friends crucial information in planning their heists. (For example, after carefully planning a hotel robbery, the trio arrives at the hotel's location to find a vacant lot. The Perfesser then remembers that the hotel was torn down several years ago.)
In addition, his last name appears as the name of a Gotham City corporation in the 1993 animated movie Batman: Mask of the Phantasm along with the last names of Neal Adams, Scott Peterson and Kelley Puckett.
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