Mula is a municipality in the center of the autonomous community of Region of Murcia in southeastern Spain, with approximately 16,000 inhabitants (2007, INE figures). It is best-known for the tamboradas (drumming processions) held during the Holy Week. Tamboradas are a tradition in the area spanning the Murcian towns of Mula and Moratalla and the towns of Hellín and Tobarra to the north in the province of Albacete.
| Term | Name | Political Party |
|---|---|---|
| 1979-1983 | Antonio Hernández Cava | Democratic and Social Centre |
| 1983-1987 | Bibiano Imbernón García | Spanish Socialist Workers' Party |
| 1987-1991 | Bibiano Imbernón García | Spanish Socialist Workers' Party |
| 1991-1995 | Bibiano Imbernón García | Spanish Socialist Workers' Party |
| 1995-1999 | José Iborra | People's Party (Spain) |
| 1999-2003 | José Iborra | People's Party (Spain) |
| 2003-2007 | José Iborra | People's Party (Spain) |
| 2007-present | Diego Cervantes | Spanish Socialist Workers' Party |
This graph shows the changes in the population of Mula from 1900 to 2005.
The church contains two chapels: to the right, the Chapel of Marquesa (marchioness) Vélez, and to the left, the Chapel of San Felipe. The latter chapel contains relics of the saint brought from Sicily by Marquesa Vélez in 1648.
This church has an art museum made possible by a donation from Doña Pilar de la Canal, widow of Don Pedro Luis Blaya, in 1940. It collection spans from the sixteenth to the twentieth centuries.
There are many documents that tell of the castle. It was mentioned by Al-Idrisi, the famous traveler of the twelfth century and King Alfonso X. In the fifteenth century it had a massive wall to the north. There was one wall to protect the cisterns of the city and another wall to watch over the city's two parishes recently converted to Christianity; these walls remain.
The architecture of the castle is Renaissance in its defensive character nad simple forms, situated over a crag of rock. Of the two entrances, one of them accedes better to the high part of the wall and the towers of the old Muslim fortress in addition to a drawbridge. It contains four differentiating elements: the torre del homenaje, a central nave with a barrel vault, a structure semidetached from the nave and a cistern. The cistern is an indication of Muslim influence because it is an essential element of a mosque.
It is believed that this tradition of playing drums comes from the principles of the fourteenth century. It is possible to think that through the ages in which the playing of the drum in this locality, Saint Week, it could have been thought that it is a form of religious demonstration, but it is not at all the case that the people of Mula begin to play drums in protest of the restrictions and prohibitions imposed by the civil and catholic authorities in the locality.
The night of Saint Tuesday and Saint Wednesday, in the plaza of the town hall, thousands of persons dressed up in black tunics with huge drums plan to come, intent on entering the plaza but already it is impossible. It is almost twelve at night, the lights of the plaza are dimmed, people seek a great outcry, when suddenly, the little drummers raise their hands and begin to shake their drumsticks in the air, they begin to seek a heart beat, and sound the so hoped for fanfare of trumpets, finish the music and thousands of drums begin to play at once, the ground begins to tremble... and in this way begins the Night of the Drums of Mula.
The little drummers don't stop the playing of the drums in all of the night. Hour after hour they do not stop the beating of the skins of the drums with their big drumsticks, give equal age, sex and their origin. We are allowed to see little boys carried by their fathers in small chairs, until persons very good play their ancient drums, of which that long ago were used with cords to tauten. The drums do not understand the age or sex, they envelop you with their peculiar sound, from the night until the following day the only thing that is sought for anyone in the area is the playing of the drum.
It is a magical mixture, the night, the noise, the people dressed in black, and about all the quaint must of anise that is consumed for the stamina of the body, that is offered to them for the pains of the drums. In that way they make sure that until the dawn the body has stamina.
The instrument is fabricated in a homemade form by craftsmen from Mula. The modern drum may have changed over the length of the years, perhaps losing something of the originality, taking many of the elements of the next town of Moratalla. But moving toward perfection in many perceptions.
The instruments, whose diameters seldom approached 45 centimeters, had a like complement of drumsticks with fine points, that served to drumroll and beat without great force. Now, the drum that is highly valued is that with large dimensions (55, 60 or 65 centimeters in diameter) and drumsticks with point in form of a "club" with which one can strike with force on the skin of the drum.
The method of manufacture of the drum also has changed. In the past it was not possible to commission a blacksmith for a box and screws. The people used their ingenuity with laths, to constitute the base of the drum. In those cases the skins were tightened using some holes punched in the rings and winding a cord to constrict them. The strings were made with intestines of animals. In the present day, the drums are made with a metallic box, screws to tighten and the strings are guitar cords.