List of concert arias, songs and canons by Wolfgang Amadeus Mozart

Arias, canzonettas, cavatinas, recitatives

Soprano

• Conservati fedele

Aria with orchestra, K. 23 (1765-10), libretto by Metastasio

Aria with piano, K. Zu 23 (1766-01), libretto by Metastasio

• A Berenice, K. 70=61c (1767-02 or 1769-02)

Recitative for soprano and orchestra, librettist unknown

• Sol nascente, K. 70=61c (1767-02 or 1769-02)

Aria for soprano and orchestra, librettist unknown

• Non curo l'affetto, K⁶ 74b (1771)

Aria for soprano and orchestra, librettist unknown

• Misero me!, K. 77=73e (1770-03)

Recitative for soprano and orchestra, libretto by Metastasio

• Misero pargoletto, K. 77=73e (1770-03)

Aria for soprano and orchestra, libretto by Metastasio

• O temerario Arbace!, K. 78=73b (1766)

Recitative for soprano and orchestra, libretto by Metastasio

• Per pietà, bell'idol mio, K. 78=73b (1766)

Aria for soprano and orchestra, libretto by Metastasio

• Per quel paterno amplesso, K. 79-73d (1766)

Aria for soprano and orchestra, libretto by Metastasio

• Se ardire, e speranza, K. 82=73o (1770-04-25)

Aria for soprano and orchestra, libretto by Metastasio

• Se tutti i mali miei, K. 83=73p (1770)

Aria for soprano and orchestra, libretto by Metastasio

• Fra cento affanni e cento, K. 88=73c (1770)

Aria for soprano and orchestra, libretto by Metastasio

• Der Liebe himmlisches Gefühl, K. 119=382h (1782)

Arrangement of aria for soprano and orchestra, librettist unknown

• Ridente la calma, K. 152=210a (Between 1772 and 1775)

Canzonetta for soprano and piano accompaniment, libretto by G. Migliavacca

Piano arrangement of Josef Mysliveček's aria 'Ridente la calma' for the opera Armida

• Voi avete un cor fedele, K. 217 (1775-10-26

Aria for soprano and orchestra, libretto by Carlo Goldoni

• Ah, lo previdi!, K. 272 (1777-08)

Recitative for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi

• Ah, t'invola agl'occhi miei, K. 272 (1777-08)

Aria for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi

• Deh, non varcar quell'onda, K. 272 (1777-08)

Cavatina for soprano and orchestra, libretto by Vittorio Amedio Cigna-Santi

• Alcandro, Io confesso, K. 294 (1778-02-24)

Recitative for soprano and orchestra, libretto by Metastasio

• Non sò d'onde viene, K. 294 (1778-02-24)

Aria for soprano and orchestra, libretto by Metastasio

• Basta, vincesti, K. 295a (1778-02-28)

Recitativo for soprano and orchestra, libretto by Metastasio

• Ah, non lasciarmi, no, K. 295a (1778-02-28)

Aria for soprano and orchestra, libretto by Metastasio

• Popoli di Tessaglia!, K. 316=300b (1779-01-08)

Recitative for soprano and orchestra, libretto by Ranieri de' Calzabigi.

• Io non chiedo, eterni Dei, K. 316=300b (1779-01-08)

Aria for soprano and orchestra, libretto by Ranieri de' Calzabigi.

• Ma che vi fece, o stelle, K. 368 (1781-01)

Recitavo for soprano and orchestra, libretto by Metastasio

• Sperai vicino il lido, K. 368 (1781-01)

Aria for soprano and orchestra, libretto by Metastasio

• Misera, dove son!, K. 369 (1781-03-08)

Recitative for soprano and orchestra, libretto by Metastasio

• Ah! non son io che parlo, K. 369 (1781-03-08)

Aria for soprano and orchestra, libretto by Metastasio

• A questo seno deh vieni, K. 374 (1781-04)

Recitative for soprano and orchestra, libretto by Giovanni de Gamerra

• Or che il cielo a me ti rende, K. 374 (1781-04)

Aria for soprano and orchestra, libretto by Giovanni de Gamerra

• Nehmt meinen Dank, ihr holden Gönner, K. 383 (1782-04-10)

Aria for soprano and orchestra, librettist unknown

• Mia speranza adorata, K. 416 (1783-01-08)

Recitavo for soprano and orchestra, libretto by Gaetano Sertor

• Ah, non sai qual pena, K. 416 (1783-01-08)

Aria for soprano and orchestra, libretto by Gaetano Sertor

• Vorrei spiegarvi, oh Dio!, K. 418 (1783-06-20)

Aria for soprano and orchestra, librettist unknown

• No, che non sei capace, K. 419 (1783-06)

Aria for soprano and orchestra, librettist unknown

• In te spero, oh sposo amato, K. 440=383h (1782-02)

Aria for soprano and orchestra, libretto by Metastasio

• Ch'io mi scordi di te?, K. 505 (1786-12-26)

Recitative for soprano and orchestra, librettist unknown

• Bella mia fiamma, addio!, K. 528 (1787-11-03)

Recitative for soprano and orchestra, libretto by D. Michele Sarcone

• Resta, oh cara!, K. 528 (1788-03-04)

Aria for soprano and orchestra, libretto by Metastasio

• Ah se in ciel, benigne stelle, K. 538 (1788-03-04)

Aria for soprano and orchestra, libretto by Metastasio

• Ohne Zwang aus eignem Triebe, K. 569 (?)

Aria for soprano, LOST

• Alma grande e nobil core, K. 578 (1789-08)

Aria for soprano and orchestra, libretto by Giuseppe Palomba

• Schon lacht der holde Fruhling, K. 580 (1789-09-17)

Aria for soprano and orchestra, librettist unknown

• Chi sà, chi sà, qual sia, K. 582 (1789-10)

Aria for soprano and orchestra, libretto by Lorenzo Da Ponte

• Vado, ma dove? oh Dei!, K. 583 (1789-10)

Aria for soprano and orchestra, libretto by Lorenzo Da Ponte

• Io ti lascio, oh cara, addio, NMA II/7/4 Anh III (?)

Cavatina for soprano and orchestra, libretto by Metastasio

• Cara, se le mie pene, NMA II/7/1 No. 7 (1769)

Aria with soprano, 2 horns, violin, viola & bass, librettist unknown

• "Aria for Gretl Marchard", K. deest

Aria for soprano, LOST

• "Aria for daughter of Joseph Wolf", K. deest

Aria for soprano, LOST

Contralto

• Ombra felice!, K. 255 (1776-09)

Recitativo for contralto and orchestra, libretto by Giovanni de Gamerra

• Io ti lascio, e questo addio, K. 255 (1776-09)

Aria for contralto and orchestra, libretto by Giovanni de Gamerra

Tenor

• Va, dal furor portata, K. 21=19c (1765)

Aria with Orchestra, libretto by Metastasio

• Or che il dover, K. 36=33i (1766-12)

Recitative for tenor and orchestra, librettist unknown

• Tali e cotanti sono, K. 36=33i (1766-12)

Aria for tenor and orchestra, librettist unknown

• Ah, più tremar non voglio, K. 71 (1769 or 1770)

Aria for tenor and orchestra, libretto by Metastasio

• Si mostra la sorte, K. 209 (1775-05-19)

Aria for tenor and orchestra, librettist unknown

• Con ossequio, con rispetto, K. 210 (1775-05)

Aria for tenor and orchestra, librettist unknown

• Clarice cara mia sposa, K. 256 (1776-09)

Aria for tenor and orchestra, librettist unknown

• Se al labbro mio non credi, KV 295 (1778-02-28)

Aria for tenor and orchestra, libretto by Antonio Salvi

• Per pietà, non ricercate, K. 420 (1783-06-21)

Aria for tenor and orchestra, librettist unknown

• Misero! O sogno, K. 431=425b (1783)

Recitative for tenor and orchestra, librettist unknown

• Aura, che intorno spiri, K. 431=425b (1783)

Aria for tenor and orchestra, librettist unknown

Bass

• Un dente guasto e gelato, K⁶ 209a (1775)

Aria for bass and orchestra, librettist unknown

• Così dunque tradisci, K. 432=421a (1783)

Recitative for bass and orchestra, libretto by Metastasio

• Aspri rimorsi atroci, K. 432=421a (1783)

Aria for bass and orchestra, libretto by Metastasio

• Warnung: "Maenner suchen stets zu naschen", K. 433=416c (1783)

Aria for bass and orchestra, librettist unknown

• Alcandro, Io confesso, K. 512 (1787-03-[18 or 19])

Recitativo for bass and orchestra, libretto by Metastasio

• Non so d'onde viene, K. 512 (1787-03-[18 or 19])

Aria for bass and orchestra, libretto by Metastasio

• Mentre ti lascio, oh figlia, K. 513 (1787-03-23)

Aria for bass and orchestra, libretto by Duca Sant' Angioli-Morbilli

• Ich möchte wohl der Kaiser sein, K. 539 (1788-03-05)

German War Song for bass and orchestra, libretto by Johann Wilhelm Ludwig Gleim

• Un bacio di mano, K. 541 (1788-06)

Arietta for bass and orchestra, libretto by Lorenzo Da Ponte

• Io ti lascio, oh cara, addio, K⁶ 621a (1791)

Aria for bass and orchestra, librettist unknown

Group

• Del gran regno delle amazzone, K. 434=480b (End of 1785)

Aria for tenor, 2 basses, and orchestra, libretto by Guiseppe Petrosellini

• Dite almeno, in che mancai, K. 479 (1785-11-05)

Aria for soprano, tenor, 2 basses, and orchestra, librettist unknown

• Mandina amabile, K. 480 (1785-11-21)

Aria for soprano, tenor, bass, and orchestra, librettist unknown

• Per questa bella mano, K. 612 (1791-03-08)

Aria for bass, contrabass, and orchestra, librettist unknown

Songs

• Abendempfindung an Laura: Abend ist's, die Sonne ist verschwunden: K. 523 (1787-06-24)
• Ach, was müssen wir erfahren! K. 43a (1767-10-15)
• Ah, spiegarti, oh Dio: K. 417e (1783)
• Als aus Ägypten Israel: K. 336c/2 (1787-02)
• Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte: Erzeugt von heißer Phantasie: K. 520 (1787-05-26)
• An Chloe: Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht: K. 524 (1787-06-24)
• An die Freude: Freude, Königin der Weisen: K. 47e (1768-11)
• Auf die feierliche Johannisloge: O heiliges Band der Freundschaft treuer Brüder: K. 125h (1772)
• Caro mio Druck und Schluck: K. 571a (1789)
• Dans un bois solitaire: K. 295b (1777-10-30 to 1778-03-14)
• Das Kinderspiel: Wir Kinder, wir schmecken der Freuden recht viel! K. 598 (1791-01-14)
• Das Lied der Trennung: Die Engel Gottes weinen: K. 519 (1787-05-23)
• Das Traumbild: Wo bist du, Bild: K. 530 (1787-11-06)
• Das Veilchen: Ein Veilchen auf der Wiese stand: K. 476 (1785-06-08)
• Der Frühling: Erwacht zum neuen Leben: K. 597 (1791-01-14)
• Der Zauberer: Ihr Mädchen, flieht Damöten: K. 472 (1785-05-07)
• Des kleinen Friedrichs Geburtstag: Es war einmal, ihr Leute: K. 529 (1787-11-06)
• Die Alte: Ein bißchen aus der Nase: K. 517 (1787-05-18)
• Die betrogene Welt: Der reiche Tor: K. 474 (1785-05-07)
• Die kleine Spinnerin: Was spinnst du? K. 531 (1787-12-11)
• Die Verschweigung: Sobald Damötas Chloen sieht: K. 518 (1787-05-20)
• Die Zufriedenheit: Was frag' ich viel nach Geld und Gut: K. 367a (1777-11-8 to 1778-03-14)
• Die Zufriedenheit: Wie sanft, wie ruhig: K. 473 (1785-05-07)
• Due pupille amabili: K. 439 (1783)
• Ecco quel fiero istante: K. 436 (1783)
• Einsam bin ich, meine Liebe: K. 475a (Possibly 1785)
• Bardengesang auf Gibraltar: O Calpe! Dir donnert's am Fusse: K. 386d (1782-12)
• God is our refuge: K. 20 (1765-07)
• Grazie agl'inganni tuoi: K. 532 (1787)
• Ich würd' auf meinem Pfad: K. 340c (1781-08 to 1782-05)
• Ihr unsre neuen Leiter: K. 484 (1785-12)
• Komm, libe Zither, komm: K. 367b (1780-11 to 1781-03)
• Leid beim Auszugin in das Feld: Dem hohen Kaiserworte treu K. 552: (1788-08-11)
• Liebes Manndel, wo ist's Bandel? K. 441 (1783)
• Lied der Freiheit: Wer unter eines Mädchens Hand: K. 506 (end of 1785)
• Lied zur Gesellenreise: Die ihr einem neuen Grad: K. 468 (1785-03-26)
• Luci care, luci belle: K. 439a (1783)
• Mi lagnerò tacendo: K. 437 (1783)
• O Gotteslamm: K. 336c/1 (1787-02)
• Oiseaux, si tous les ans: K. 284d (1777-10-30)
• Più non si trovano: K. 549 (1788-07-16)
• Ridente la calma: K. 210a (Between 1772 and 1775)
• Se lontan, ben mio, tu sei: K. 438 (1783)
• Sehnsucht nach dem Frühling: Komm, lieber Mai, und mache: K. 596 (1791-01-14)
• Sei du mein trost: K. 340b (1781-08 to 1782-05)
• Verdankt sei es dem Glanz der Großen: K. 340a (1781-08 to 1782-05)
• Wie unglücklich bin ich nit: K. 125g (1772)
• Zerfließet heut', geliebte Brüder: K. 483 (1785-12)

Canons

• 14 Interval Canons No. 1 for 2 in 1: Canoni in unisono: NMA III/10 No. 26 No. 1 (1786-06-03)
• 14 Interval Canons No. 2 for 2 in 1: Canoni in seconda di sopra: NMA III/10 No. 26 No. 2 (1786-06-03)
• 14 Interval Canons No. 3 for 2 in 1: Canoni in seconda di sotto: NMA III/10 No. 26 No. 3 (1786-06-03)
• 14 Interval Canons No. 4 for 2 in 1: Canoni in terza di sopra: K. 508a No. 3 (1786-06-03)
• 14 Interval Canons No. 5 for 2 in 1: Canoni in terza di sotto: NMA III/10 No. 26 No. 5 (1786-06-03)
• 14 Interval Canons No. 6 for 2 in 1: Canoni in quarta di sopra: K. 508a No. 4 (1786-06-03)
• 14 Interval Canons No. 7 for 2 in 1: Canoni in quarta di sotto: NMA III/10 No. 26 No. 7 (1786-06-03)
• 14 Interval Canons No. 8 for 2 in 1: Canoni in quinta di sopra: K. 508a No. 5 (1786-06-03)
• 14 Interval Canons No. 9 for 2 in 1: Canoni in quinta di sotto: NMA III/10 No. 26 No. 9 (1786-06-03)
• 14 Interval Canons No. 10 for 2 in 1: Canoni in sesta di sopra: K. 508a No. 6 (1786-06-03)
• 14 Interval Canons No. 11 for 2 in 1: Canoni in sesta di sotto: NMA III/10 No. 26 No. 11 (1786-06-03)
• 14 Interval Canons No. 12 for 2 in 1: Canoni in settima di sopra: K. 508a No. 7 (1786-06-03)
• 14 Interval Canons No. 13 for 2 in 1: Canoni in settima di sotto: K. 508a NMA III/10 No. 26 No. 13 (1786-06-03)
• 14 Interval Canons No. 14 for 2 in 1: Canoni in settima di sotto: K. 508a No. 8 (1786-06-03)
• 2 Canons for 2 in 1: NMA III/10 Anh II No. 7a (1786-06-03)
• 2 Canons for 2 in 1: NMA III/10 Anh II No. 7b (1786-06-03)
• 4 Riddle Canons No. 1 for 3 Male Voices in 1: Ter ternis canite vocibus: Incipe Menalios: K. 73r (July or August 1770)
• 4 Riddle Canons No. 2 for 9 Female Voices in 1: Clama ne cesses. Tertia pars si placet: Cantate Domino: K. 73r (July or August 1770)
• 4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice: Ter voce ciemus. Voce ter insonuit: Confitebor tibi Domine: K. 73r (July or August 1770)
• 4 Riddle Canons No. 4 for 6 Mixed Voices in 2: Thebana bella cantus / Troiana cantat: K. 73r (July or August 1770)
• Canon for 2 Voices in 1: Selig, selig: K. 382b (1782)
• Canon for 3 in 1: K. 508A (1786-06-03)
• Canon for 3 in 1: NMA III/10 Anh II No. 6 (1786-06-03)
• Canon for 3 in 3: NMA III/10 Anh II No. 1b (1781 or 1782)
• Canon for 4 Instruments in 1 for 2 Violins, Viola & Bass: K. 562c (?)
• Canon for 3 Voices in 1: Canone a tre soprani: Auf das Wohl aller Freunde: K. 508 (1786-06-03)
• Canon for 3 Voices in 1: Ave Maria: K. 554 (1788-09-02)
• Canon for 3 Voices in 1: Bei der Hitz im Sommer eß ich: K. 382e (1782)
• Canon for 3 Voices in 1: Essen, Trinken / Bei der Hitz im Sommer eß ich: K. 382e (1782)
• Canon for 3 Voices in 1: Heiterkeit und leichtes Blut: K. 507 (1786-06-03)
• Canon for 3 Voices in 1: Leck mir den Arsch fein recht schön sauber / Nichts labt mich mehr als Wein: K. 233/382d (1782)
• Canon for 3 Voices in 1: Nichts labt mich mehr als Wein: K. 382d (1782)
• Canon for 3 Voices in 1: O du eselhafter Peierl: K. 559a (some point between 1785 and 1787)
• Canon for 3 Voices in 1: Sie ist dahin: K. 382a (1782)
• Canon for 3 Voices in 1: V'amo di core: K. 382g (1782)
• Canon for 4 in 1: K. 562a (?)
• Canon for 4 in 1: NMA III/10 No. 28 (Summer 1786)
• Canon for 4 in 3: NMA III/10 Anh II No. 11 (1787 or 1788)
• Canon for 4 in 4: NMA III/10 Anh II No 2 (1781 or 1782)
• Canon for 4 in 4: NMA III/10 Anh II No. 10 (1787 or 1788)
• Canon for 4 in 4: NMA III/10 Anh II No. 3 (1781 or 1782)
• Canon for 4 in 4: NMA III/10 Anh II No. 4 (end of 1785 or 1786)
• Canon for 4 in 4: NMA III/10 Anh II No. 9 (1787 or 1788)
• Canon for 4 Instruments in 1: K. 73i (1770-04)
• Canon for 4 Voices in 1: Alleluia K. 553 (1788-09-02)
• Canon for 4 Voices in 1: Bona nox! bist a rechta Ox K. 561 (1788-09-02)
• Canon for 4 Voices in 1: Caro bell'idol mio K. 562 (1788-09-02)
• Canon for 4 Voices in 1: Difficile lectu mihi mars K. 559 (1788-09-02)
• Canon for 4 Voices in 1: Gehn wir im Prater, gehn wir in d'Hetz K. 558 (1788-09-02)
• Canon for 4 Voices in 1: Grechtelt's enk K. 556 (1788-09-02)
• Canon for 4 Voices in 1: Lacrimoso son'io K. 555 (1788-09-02)
• Canon for 4 Voices in 1: Nascoso è il mio sol K. 557 (1788-09-02)
• Canon for 4 Voices in 1: O du eselhafter Martin (Jakob) K. 560 (1788-09-02)
• Canon for 5 in 5: NMA III/10 Anh II No. 1a (1781 or 1782)
• Canon for 6 Voices in 1: Laßt froh uns sein K. 382c (1782)
• Canon for 6 Voices in 1: Wo der perlende Wein im Glase blinkt K. 382f (1782)
• Canon in 3 Parts for 3 Female Voices in 1: Canone a tre soprani: K. 508a No. 1 (1786-06-03)
• Canon in 3 Parts for 3 Female Voices in 1: Canone a tre soprani: K. 508a No. 2 (1786-06-03)
• Canonical Study for 4 in 2: K. 616b/31 (Summer 1787)
• Double Canon for 4 Voices in 2: K. 515b (1787-04-24)
• Kyrie K. 73k (1770-05)
• Canon for 6 voices in 1: Leck mich im Arsch / Laßt froh uns sein: K. 231/382c (1782)
• Triple Canon for 12 Voices in 3: Lieber Freistädtler, lieber Gaulimauli: K. 509a (1787-07-04)
• Untexted Canon for 4 (or 5) Voices in 1: Sit trium series una: K. 73i (1770-04)

See also

• List of compositions by Wolfgang Amadeus Mozart
• Köchel catalogue