Morris, Robert, 1734-1806, American merchant, known as the "financier of the American Revolution," and signer of the Declaration of Independence, b. Liverpool, England. Morris emigrated to America in 1747 and was soon apprenticed to the merchant Charles Willing in Philadelphia. He showed an unusual aptitude for business and by 1754 became a partner in the firm with the son, Thomas Willing, after the elder Willing's death. He opposed British restrictions prior to the Revolution and served (1775-78) as a member of the Continental Congress. Morris voted against the original motion for independence in July, 1776, as premature, but signed the declaration in August. A member of various committees in Congress, Morris was particularly important in obtaining munitions and other supplies and in borrowing money to finance George Washington's army. Although Morris's vast mercantile interests profited greatly from his congressional activities, both he and his firm were acquitted by Congress of charges of fraud. After leaving Congress, Morris expanded his mercantile and investment operations independently of Willing and by 1781 was almost universally acknowledged as the most prominent merchant in America. The collapse of public credit led to his being appointed superintendent of finance (1781-84) by Congress. Morris labored hard and well in this office; he pressed the states for contributions, retrenched expenditures, took steps toward the establishment of a national mint, guided the organization of a national bank, and extensively used his personal credit to raise funds for the government. He framed, but failed to get Congress to approve, a fiscal program including funding at par of the national debt and the assumption of state debts; it paralleled Alexander Hamilton's program of 1790. Morris was later a member of the U.S. Constitutional Convention (1787) and served (1789-95) as U.S. Senator from Pennsylvania. His private business, continued in his terms of office, ultimately ended in bankruptcy as a result of the collapse of extensive land speculation. Morris was in debtors' prison from 1798 to 1801 and never recovered his fortune.

Morris, Robert, 1931-, American artist, b. Kansas City, Mo. He settled in New York City in 1960 and was allied in his early work with the simple, impersonal forms of minimalism, e.g., an untitled 1965 work consisting of four blocks of gray fiberglass. He also often used mirrored surfaces in his sculpture. Implicit in his work is the idea that art can be made of anything. Morris's style and media have changed many times during his career. He has used nonrigid materials such as felt and even steam—precluding reproducible forms and emphasizing the process of art—and was also involved in conceptual art and land art. He is known for his enormous multipart sculptures of the 1980s, which include a wide variety of materials, notably casts of body parts and skeletons. Morris has also experimented in performance art, incorporating dance, theater, and the plastic arts. He is a rigorous theorist of art and an influential teacher.

(born Feb. 9, 1931, Kansas City, Mo., U.S.) U.S. artist. His first one-man exhibition of paintings was held in San Francisco in 1957. In 1960, while living in New York City, he began producing large, monochromatic geometric sculptures, groups of which he exhibited in specific spatial relationships. His work of this period greatly affected the Minimalist movement, which sought to reduce art to its essence by eliminating personal expression and historical allusion. From the late 1960s, however, Morris moved toward a more spontaneous, if anonymous, expressiveness. He experimented in a wide variety of forms, including the “happening”; “dispersal pieces,” in which materials were strewn in apparent randomness on the gallery floor; and environmental projects. His work of the 1970s showed a preoccupation with paradoxes of mental and physical imprisonment.

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