See L. J. Quirk, The Films of Fredric March (1971).
Musical form having an even metre with strongly accented beats, originally intended to facilitate military marching. Development of the European march may have been stimulated by the Ottoman invasions of the 14th–16th centuries. Marches were not notated until the late 16th century; until then, time was generally kept by percussion alone, often with improvised fife embellishment. With the extensive development of brass instruments, especially in the 19th century, marches became widely popular and were often elaborately orchestrated. Composers such as Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Gustav Mahler wrote marches, often incorporating them into their operas, sonatas, or symphonies. The later popularity of John Philip Sousa's band marches was unmatched.
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(born Aug. 31, 1897, Racine, Wis., U.S.—died April 14, 1975, Los Angeles, Calif.) U.S. actor. He began acting on Broadway, and his parody of John Barrymore in a touring production of The Royal Family earned him a five-year contract with Paramount Pictures; he reprised the role in the reh1d screen adaptation, The Royal Family of Broadway (1930). He subsequently appeared in more than 65 films, including Dr. Jekyll and Mr. Hyde (1932, Academy Award), A Star Is Born (1937), The Best Years of Our Lives (1946, Academy Award), Death of a Salesman (1951), and Inherit the Wind (1960). He starred on the stage, often with his wife, Florence Eldridge, in plays such as The Skin of Our Teeth (1942) and Long Day's Journey into Night (1956, Tony Award). A versatile stage and film actor, his cerebral approach occasionally resulted in stolid, emotionally unconvincing performances, but it more often produced compelling, complex characterizations.
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(born Aug. 31, 1897, Racine, Wis., U.S.—died April 14, 1975, Los Angeles, Calif.) U.S. actor. He began acting on Broadway, and his parody of John Barrymore in a touring production of The Royal Family earned him a five-year contract with Paramount Pictures; he reprised the role in the reh1d screen adaptation, The Royal Family of Broadway (1930). He subsequently appeared in more than 65 films, including Dr. Jekyll and Mr. Hyde (1932, Academy Award), A Star Is Born (1937), The Best Years of Our Lives (1946, Academy Award), Death of a Salesman (1951), and Inherit the Wind (1960). He starred on the stage, often with his wife, Florence Eldridge, in plays such as The Skin of Our Teeth (1942) and Long Day's Journey into Night (1956, Tony Award). A versatile stage and film actor, his cerebral approach occasionally resulted in stolid, emotionally unconvincing performances, but it more often produced compelling, complex characterizations.
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March in the Southern Hemisphere is the seasonal equivalent of September in the Northern Hemisphere.
The name of March comes from ancient Rome, when March was the first month of the year and called Martius after Mars, the Roman god of war. In Rome, where the climate is Mediterranean, March is the first month of spring, a logical point for the beginning of the year as well as the start of the military campaign season. The numbered year began on March 1 in Russia until the end of the fifteenth century. Great Britain and her colonies continued to use March 25 until 1752, the same year they finally adopted the Gregorian calendar. Many other cultures and religions still celebrate the beginning of the New Year in March.
In Finnish, the month is called maaliskuu, which originates from maallinen kuu meaning earthy month. This is because in maaliskuu earth started to show from under the snow. Historical names for March include Saxon: Lenctmonat, named for the equinox and eventual lengthening of days and the eventual namesake of Lent. Saxons also called March Rhed-monat or Hreth-monath (for their goddess Rhedam/Hreth), and Angles called it Hyld-monath