dance of death

or danse macabre or skeleton dance

Medieval allegorical concept of the all-conquering and equalizing power of death, expressed in the drama, poetry, music, and visual arts of western Europe, mainly in the late Middle Ages. It is a literary or pictorial representation of a procession or dance of both living and dead figures, the living arranged in order of their rank, from pope and emperor to child, clerk, and hermit, and the dead leading them to the grave. It was given impetus by the Black Death and the Hundred Years' War. Though depictions declined after the 16th century, the theme was revived in literature and music of the 19th–20th centuries.

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Macabre is a quality of certain artistic or literary works, characterized by a grim or ghastly atmosphere. In these works, there is an emphasis on the details and symbols of death. Macabre themes are often preoccupations in the Goth subculture. Themes are usually deliberate.

Etymology

The etymology of the word "macabre" is uncertain. According to Gaston Paris it first occurs in the form macabre in Jean le Fèvre's Respit de la mort (1376), Je fis de Macabré la danse, and he takes this accented form to be the true one, and traces it in the name of the first painter of the subject. The more usual explanation is based on the Latin name, Machabaeorum chorea (Dance of Maccabees). The seven tortured brothers, with their mother and Eleazar were prominent figures on this hypothesis in the supposed dramatic dialogues. Other connections have been suggested, as for example with St. Macarius, or Macaire, the hermit, who, according to Vasari, is to be identified with the figure pointing to the decaying corpses in the Pisan Triumph of Death, or with an Arabic word maqaber (مقابر), cemeteries (plural of maqbara). Another claim is that the word "Macabre" comes from the two Hebrew words "מן הקבר " (Min Hakever), meaning "from the grave".

See also

• Memento mori

Notes