See biography by H. A. Yeomans (1948).
See biographies by H. Gregory (1958) and S. F. Damon (1935, repr. 1966).
See C. F. Ware, The Early New England Cotton Manufacture (1931, repr. 1966).
See his collected works (12 vol., 1890-92); biographies by H. E. Scudder (2 vol., 1901, repr. 1969) and M. B. Duberman (1966); studies by L. Howard (1952, repr. 1971) and E. C. Wagenknecht (1971).
See biography by A. L. Lowell (1935).
Lowell's poetry is individualistic and intense, rich in symbolism and marked by great technical skill. His later work indicates a philosophic acceptance of life and the world. His Life Studies (1959) is a frank and highly autobiographical volume in verse and prose, one of the first and most influential works of what is widely called "confessional" poetry. Lowell often used his life as raw material for his verse, writing, for instance, of his family, his relationships with his wives, and his frequent bouts of depression and madness. Among his other poetry collections are Lord Weary's Castle (1946; Pulitzer Prize), For the Union Dead (1964), Near the Ocean (1967), Notebook: Nineteen Sixty-Seven to Nineteen Sixty-Eight (1969), The Dolphin (1973; Pulitzer Prize), Day by Day (1977), and Last Poems (1977). His translations include Racine's Phèdre (1969), Aeschylus' Prometheus Bound (1969), and miscellaneous European verse, collected as Imitations (1961). His dramatic adaptation of Melville's story "Benito Cereno" is part of Lowell's trilogy of plays, The Old Glory (1968).
See his collected poems ed. by F. Bidart and D. Gewanter (2003) and collected prose ed. by R. Giroux (1987); Robert Lowell: Interviews and Memoirs (1988), ed. by J. Meyers; The Letters of Robert Lowell (2005), ed. by S. Hamilton; T. Travisano and S. Hamilton, ed., Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell (2008); biographies by I. Hamilton (1982), P. Mariani (1994), R. Tillinghast (1995), and S. P. Stuart (1998); studies by M. Perloff (1973), J. Crick (1974), J. Price, ed. (1974), S. Yenser (1975), S. G. Axelrod (1978), B. Raffel (1981), M. Rudman (1983), N. Procopiow (1984), J. Meyers (1985), S. G. Axelrod, ed. (1986 with H. Deese and 1999), H. Bloom, ed. (1987), K. Wallingford (1988), and W. Doreski (1999).
See J. P. Coolidge, Mill and Mansion (1942, repr. 1967); T. Bender, Toward an Urban Vision (1982).
Lowell Mason had four sons, all active musically. The two eldest, Daniel Gregory and Lowell, formed a publishing company in New York City. Lowell, the third son, Henry, and Emmons Hamlin founded Mason & Hamlin, a firm that first made organs and later made pianos. The youngest son, William Mason, 1829-1908, b. Boston, was a distinguished concert pianist and teacher. He studied in Europe with Liszt and others. With Theodore Thomas he organized a chamber-music ensemble that did much to interest Americans in chamber music. He wrote Memories of a Musical Life (1901).
The son of Henry Mason, Daniel Gregory Mason, 1873-1953, b. Brookline, Mass., was important as a composer, writer, and lecturer. He studied with John K. Paine at Harvard and with D'Indy in Paris. In 1905 he joined the faculty of Columbia, where he was professor of music from 1929 to 1940. His writings include Music in My Time (1938) and The Quartets of Beethoven (1947). Among his compositions are the festival overture Chanticleer (1928); three symphonies, of which the third, known as Lincoln Symphony (1936), is outstanding; and chamber music.
(born March 13, 1855, Boston, Mass., U.S.—died Nov. 12, 1916, Flagstaff, Ariz.) U.S. astronomer. He was born into a distinguished Boston family. In the 1890s he built a private observatory in Flagstaff, Ariz., to study Mars. He championed the now-abandoned theory that intelligent inhabitants of a dying Mars had constructed a planetwide system of irrigation. He thought that the so-called canals of Mars (see Mars, canals of) were bands of cultivated vegetation dependent on this irrigation. Lowell's theory, long vigorously opposed, was finally put to rest by images received from the U.S. Mariner spacecraft. His prediction of a planet beyond Neptune and his organization of a search for it contributed to the discovery of Pluto in 1930.
Learn more about Lowell, Percival with a free trial on Britannica.com.
(born March 13, 1855, Boston, Mass., U.S.—died Nov. 12, 1916, Flagstaff, Ariz.) U.S. astronomer. He was born into a distinguished Boston family. In the 1890s he built a private observatory in Flagstaff, Ariz., to study Mars. He championed the now-abandoned theory that intelligent inhabitants of a dying Mars had constructed a planetwide system of irrigation. He thought that the so-called canals of Mars (see Mars, canals of) were bands of cultivated vegetation dependent on this irrigation. Lowell's theory, long vigorously opposed, was finally put to rest by images received from the U.S. Mariner spacecraft. His prediction of a planet beyond Neptune and his organization of a search for it contributed to the discovery of Pluto in 1930.
Learn more about Lowell, Percival with a free trial on Britannica.com.
![]()
James Russell Lowell.
Learn more about Lowell, James Russell with a free trial on Britannica.com.
(born April 7, 1775, Newburyport, Mass., U.S.—died Aug. 10, 1817, Boston) U.S. businessman. Born into a prominent Massachusetts family, Lowell closely studied the British textile industry while visiting Britain. With Paul Moody he devised an efficient power loom and spinning apparatus. His Boston Manufacturing Co. in Waltham (1812–14) was apparently the world's first mill in which were performed all operations converting raw cotton into finished cloth. His example greatly stimulated the growth of New England industry. Lowell, Mass., is named for him.
Learn more about Lowell, Francis Cabot with a free trial on Britannica.com.
(born Feb. 9, 1874, Brookline, Mass., U.S.—died May 12, 1925, Brookline) U.S. critic and poet. Born into the prominent Lowell family of Boston, she devoted herself to poetry at age 28 but published nothing until 1910. Her first volume, A Dome of Many-Coloured Glass (1912), was succeeded by Sword Blades and Poppy Seed (1914), which included her first poems in free verse and what she called “polyphonic prose.” She became a leader of Imagism and was noted for her vivid and powerful personality and her scorn of conventional behaviour. Her other works include Six French Poets (1915), Tendencies in Modern American Poetry (1917), and John Keats, 2 vol. (1925).
Learn more about Lowell, Amy with a free trial on Britannica.com.
City (pop., 2000: 105,167), northeastern Massachusetts, U.S. Settled in 1653 as East Chelmsford, it became a major centre of cotton-textile manufacturing in the 19th century. It was renamed for industrialist Francis Lowell and was incorporated as a town in 1826. In the 20th century it began losing textile manufacturing to southern states, and it diversified into other industries. The Lowell National Historical Park (established 1978) commemorates the first textile mills in the U.S. It is the birthplace of the artist James McNeill Whistler and the seat of the University of Massachusetts Lowell.
Learn more about Lowell with a free trial on Britannica.com.
![]()
James Russell Lowell.
Learn more about Lowell, James Russell with a free trial on Britannica.com.
(born April 7, 1775, Newburyport, Mass., U.S.—died Aug. 10, 1817, Boston) U.S. businessman. Born into a prominent Massachusetts family, Lowell closely studied the British textile industry while visiting Britain. With Paul Moody he devised an efficient power loom and spinning apparatus. His Boston Manufacturing Co. in Waltham (1812–14) was apparently the world's first mill in which were performed all operations converting raw cotton into finished cloth. His example greatly stimulated the growth of New England industry. Lowell, Mass., is named for him.
Learn more about Lowell, Francis Cabot with a free trial on Britannica.com.
(born Feb. 9, 1874, Brookline, Mass., U.S.—died May 12, 1925, Brookline) U.S. critic and poet. Born into the prominent Lowell family of Boston, she devoted herself to poetry at age 28 but published nothing until 1910. Her first volume, A Dome of Many-Coloured Glass (1912), was succeeded by Sword Blades and Poppy Seed (1914), which included her first poems in free verse and what she called “polyphonic prose.” She became a leader of Imagism and was noted for her vivid and powerful personality and her scorn of conventional behaviour. Her other works include Six French Poets (1915), Tendencies in Modern American Poetry (1917), and John Keats, 2 vol. (1925).
Learn more about Lowell, Amy with a free trial on Britannica.com.