Director John Boorman
As ever with Boorman, 'Leo the Last' is dazzling, visually dense cinema. Despite this, and despite the fact that Boorman won the director's prize at the 1970 Cannes Film Festival for the film, 'Leo the Last' has become something of a 'lost' work in Boorman's filmography and it as yet not available on DVD in the UK.
The film's exteriors were shot in a street due to be demolished near Ladbrooke Grove tube station in West London. The distinctive look of the film is mainly due to the careful use of colour - reds, browns and blacks predominate - and the superb cinematography of Peter Suschitsky. Boorman is renowned for 'casting' and working closely with his cinematographers and he has employed some of the very best (Philip Lathrop, Conrad Hall, Vilmos Zsigmond, Geoffrey Unsworth, Alex Thomson, etc.). 'Leo the Last' has often been referred to as a 'Brechtian' piece, and certainly the film does 'play' with the notion of cinema and voyeurism.
Film: Man, He Felt like a Woman ; from Slapstick Comedy to Existential Angst, Marcello Mastroianni Made It All Look So Easy. and Perhaps for That Reason the Subversive Quality of Many of His Roles Has Been Forgotten. David Thomson Applauds a Long Overdue Retrospective at the National Film Theatre
Aug 04, 2000; Marcello Mastroianni was an actor who could hardly endure not working - though he was only 72 when he died in 1996, he had made...