He has involved himself with many different aspects of photography and photography over the last twenty years. He incorporates processes including digital, polaroid, polaroid transfer, pinhole photography, digital as well as color photography of all sorts and gelatin silver.
He has photographed with and for many artists and works with numerous companies. He has been published by Alabama Symphony Orchestra, American Sports Medicine, Time Warner/Southern Living/Cooking Light Magazine, Cumberland School of Law, First Alabama Bank, Krupp International, McWane Inc, MedPartners, Money Magazine, Russell Athletic, Samford University, Southern Company, Standard Deluxe, University of Alabama at Birmingham (UAB).
James Nelson, said, "Using the human torso as a point of departure, Lee Isaacs' digital photographs turn undulating flesh and bone into sand dunes that become beautiful landscapes.
As an active member of the Photography Guild of the Birmingham Museum of Art, Isaacs helps provide support to the museum's photography collection through programming and fund-raising. Through this guild, Isaacs recently participated in the "Pinhole Camera" exhibit at Watley Drake along with Sylvia Martin, Sonja Rieger and Wayne Sides.
He participates in Worldwide Pinhole Photography Day.
Curator Jon Coffelt selected Isaacs' work as one of 17 artists to be part of "Contour: The Definitive Line". The artists were asked to defined the concept of 'contour' and the exhibit was the culmination of this subjective approach. This exhibit also included Clayton Colvin and Sean Slemon.
Isaacs exhibited his work at Agnes, a Birmingham photography gallery from 1992 to 2000, and was photography editor for Alabama Art Monthly, a state-wide magazine established and published through the gallery.
As the photography editor, Isaacs contributed photowork to over 20 editions of the Alabama Art Monthly published by Agnes as a statewide art magazine with photospreads, portraits and tableaux work.
Isaacs was the still photographer for the film Johnny Flynton.