See A. Einstein, The Italian Madrigal (1949); G. Reese, Music in the Renaissance (2d ed. 1961); and studies by W. Boettiches (1958) and H. Leuchtmann (1976).
(born 1530/32, Mons, Spanish Hainaut—died June 14, 1594, Munich) Flemish composer. He began as a choirboy (with such a beautiful voice that he is said to have been kidnapped to sing elsewhere), and his first known position was in service to the Gonzaga family in Italy (1544). After 1556 he was based in Munich as kapellmeister to the duke of Bavaria, but he pursued an international career, traveling in Italy, Germany, Flanders, and France. He wrote more than 1,200 works, in every contemporary style and genre, sacred (including some 60 masses and 500 motets) and secular (including hundreds of madrigals and chansons), his attention to the correspondence of music and words being especially remarkable. Because of his range of styles (he always kept up with fashion) and because his works were printed widely during and after his lifetime, he influenced many composers and is regarded as one of the greatest masters of his century.
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Reata redirects here. For the comic book character, see Reata (comics)
A lasso, lariat, or riata(from the Spanish reata) is a loop of rope that is designed to be thrown around a target and tighten when pulled. It is a well-known tool of the American cowboy. The word is also a verb; to lasso is to successfully throw the loop of rope around something. When referring to the entire length of rope used, before or after a loop is formed, the rope itself is more properly called a lariat. Many cowboys simply call it a "rope."
A lariat is made from stiff rope so that the noose stays open when the lasso is thrown. It also allows the cowboy to easily open up the noose from horseback to release the cattle because the rope is stiff enough to be pushed a little. A high quality lasso is weighted for better handling. The lariat has a small reinforced loop at one end, called a hondo, through which the rope passes to form a loop. The other end is usually tied simply in a small, tight, overhand knot to prevent fraying. Most modern lariats are made of stiff nylon rope, usually about 5/16" or 3/8" in diameter.
The lariat is used today in rodeos as part of the competitive events such as calf roping and team roping. It is also still used on working ranches to capture cattle or other livestock when necessary. After catching the cattle, the lasso can be tied or wrapped (dallied) around the horn, a typical feature on the front of a western saddle. With the lariat around the horn, the cowboy can use his horse as the equivalent of a towtruck with a winch.
Part of the historical culture of both the vaqueros of Mexico and the cowboys of the Western United States, is a related skill now called "trick roping", a performance of assorted lasso spinning tricks. Will Rogers was a well-known practitioner of trick roping and the natural horsemanship practitioner Buck Brannaman also got his start as a trick roper when he was a child.
Lassos are not only part of North American culture; relief carvings at the ancient Egyptian temple of Pharaoh Seti I at Abydos, built c.1280 BC, show the pharaoh holding a lasso, then holding onto a bull roped around the horns. They were also used by Tatars and are still used by the Sami people. In Mongolia, a variant of the lasso called an uurga (уурга) is used, consisting of a rope loop at the end of a long pole.