O. V. Vijayan was born in Palakkad on 2nd July 1930. His father O. Velukkutty was an officer in Malabar Special Police of the erstwhile Madras Province in British India. As a child, Vijayan was largely homeschooled. Formal schooling began at the age of twelve, when he joined Raja’s High School, Kottackal in Malabar, directly to sixth standard. The informal education arranged by his father during his absentee years was sufficient to keep him at par with his peers. The following year, Velukkutty was transferred and Vijayan joined the school at Koduvayur in Palakkad. He graduated from Victoria College in Palakkad and obtained a masters degree in English literature from Presidency College.
Vijayan wrote his first short story, "Tell Father Gonsalves", in 1953. He went on to write five novels and translated some of his own work into English. His first and most famous novel, Khasakinte Ithihasam (The Legends of Khasak, 1969) tells the story of a teacher named Ravi dispatched to a newly created school in remote Khasak. He brought about a sea-change in Malayalam literature with this novel: so much so that it can be divided into pre-Khasak and post-Khasak eras, named after Vijayan's pioneering first novel. The former era was romantic and formal; the latter is modernist, post-modernist and post-post-modernist, with tremendous experimentation in style and content. In a way, Vijayan released Malayalam fiction writing from the shackles of tradition. He wrote many other short stories, essays and satire. He was also an editorial cartoonist whose works appeared in various news publications including The Statesman and the Far Eastern Economic Review. He worked for The Hindu also.
O. V. Vijayan was almost certainly India's foremost fabulist in the recent past. An extraordinary writer with enormous range, he wrote everything from a semi-fictional history of his feudal-landlord family, 'Generations' to the scatological 'The Saga of Dharmapuri'. His works have often been compared with those of William Faulkner and Gabriel García Márquez.
While Khasak continues to be his best-known work as an angry young man, his later works, Gurusagaram (The Eternity of Grace), Pravachakante Vazhi (The Path of the Prophet) and Thalamurakal (Generations) bespeak a mature transcendentalist.
While he lived outside Kerala for most of his adult life, spending time in Delhi and in Hyderabad (where his wife Teresa was from), he never forgot his beloved Palakkad, where the 'wind whistles through the passes and the clattering black palms'. He created a magical Malabar in his works, one where the mundane and the inspired lived side-by-side. His Vijayan-land, a state of mind, is portrayed vividly in his work.
O V Vijayan was unlucky not to win India's principal literary prize, the Jnanpith, possibly because he did not endear himself to the political powers-that-be through his trenchant cartoons. Vijayan's fans were also perennially hopeful that the Nobel Prize would finally recognize him. In 2003, he was awarded the Padma Bhushan.
Vijayan struggled with Parkinson's Disease for 10 years and finally succumbed to organ failure in a Hyderabad hospital at age 75. His wife Dr. Teresa Vijayan died a year after his death. Their son Madhu Vijayan lives in Los Angeles, CA.
The first novel of Vijayan, appeared in 1969, took twelve years’ writing and rewriting to reach its present form. It set off a great literary revolution and cleaved the history of Malayalam fiction into pre Khasak and post Khasak. It appeared serialised first and in book form later. The novel is about Ravi, a teacher in an informal education centre in Khasak and his existential crises. The central character is a great visionary in Astrophysics who completed his post graduate programme in Physics from the famous college at Thambaram. The novel ends when Ravi begins his journey to some other realms of existence.The existential puzzle of man as to why he should exist is thoroughly explored in this novel, it was a kind of stepping stone to writer himself to that world.marked the arrival of a truly visionary writer.
Dharmapuranam (The Saga of Dharmapuri) is outwardly a great political satire where the author knows no restraint in lampooning political establishments. The language, the setting, and the characters are intended to create as great as possible abhorrence towards the tools and means of governance. The central character is Sidhartha, modeled after the illustrious predecessor of the same name, who lends a supernatural enlightenment to those who are attracted by his enchanting personality. Beyond the apparent level of political meaning the novel keeps in store spiritual and environmental levels of meaning also.
This novel has been termed as "a fantastic allegory fusing mythology, spirituality and ecology".
This novel emphasizes the vision that intuition is perennial and it is one and the same always. This oneness of the revelation makes the ways of all prophets the same. This great education in spirituality is got in those barbarous days of Delhi when the Sikhs were maniacally hunted after and mercilessly butchered following the murder of Indira Gandhi.
Vijayan’s latest novel Thalamurakal is autobiographic to a great extent. It is historic to a still greater extent. Beyond autobiography and history, the novel is a journey down the collective experiences of a family in search of an awareness about oneself and his clan. This search is of great importance when the collective experiences of the subculture are very bitter and the individual sense of the clan identity is very superior. The novel is a narration of four generations in Ponmudi family in Palakkad, Kerala. Review
He has written many volumes of Short Stories, the first volume of which was published in 1957 - Three Wars. He has also written many essays, and also published one book of cartoons- Ithiri neramboke, Ithiri Darshanam (A Little Pastime, A little Vision) - 1990.
O V Vijayan's best known collection in English is 'After the Hanging and other stories' which contains several jewel-like masterpieces, in particular the title story about a poor, semi-literate peasant going to the jail to receive the body of his son who has been hanged; 'The Wart' and 'The Foetus' about the trauma of the fascist Emergency; the transcendental 'The Airport', 'The Little Ones', and several others.
An incisive writer in English as well, Vijayan translated most of his own works from Malayalam to English. His Selected Works has been published as an omnibus volume by Penguin India.