It reflects Williams' own sensibility -- a combination of California "Big Daddy" Ed Roth-style pop surrealism (identified by some as synonymous with low brow art and others as its own genre, as detailed in low brow art entry) and the serious figurative craftsmanship that is more likely to be found among illustrators than fine artists today.
Many famed illustrators and painters received their first serious recognition in Juxtapoz, including Lori Earley, Mark Ryden, among others.
Currently, Juxtapoz has the largest circulation of any art magazine in the United States.
Gwynned Vitello, C.R. Stecyk III, along with Williams, are executive editors.
June 22 - Oct 5, 2008. The Laguna Art Museum. This exhibition presents the work of 150 artists and posits that there has been a huge, but unacknowledged art movement taking place in this country for the last 40 years. Since 1994, this ground swelling of lowbrow, surrealistic, pop, figurative, narrative work has coalesced and found a voice in the pages of Juxtapoz magazine published in San Francisco.
This exhibition is organized by Laguna Art Museum and curated by Meg Linton, Director of the Ben Maltz Gallery and Public Programs at Otis College of Art and Design in Los Angeles. The exhibition is accompanied by a full-color catalogue with essays by the curator and Laguna Art Museum director Bolton Colburn.
Lowbrow summons Pop spirit; Inspired by graffiti, comics, horror flicks, science fiction, indie music, taxidermy and whatall, Lowbrow art flourishes in two Minneapolis galleries.(SCENE)
Mar 31, 2006; Byline: Mary Abbe; Staff Writer Highbrow, lowbrow, no brow at all. New art hasn't looked so wild and wacky since the 1960s, when...