For Zorthian... the beautiful human body was ... not merely an object but a potent means of communication for any and all ideas, as well as a source of inspiration and aesthetic delight
In a very real sense, his nudes are autobiographical, telling more about him than his subjects.
But Zorthian was perhaps better known in Southern California art circles for his free-form lifestyle than for his prodigious art. Each spring during the last decade of his life he threw a primavera birthday party, dubbing himself Zor-Bacchus, wearing a toga over long red underwear, and nibbling grapes from the hands of nude, garlanded nymphs (many of which were his artist models). Zorthian joined the nymphs in dancing to the pipes of a cavorting Pan garbed in furry goat leggings. Alcohol flowed freely and a roasted pig fed hundreds of guests who could include scientists, movie stars, internationally known artists, writers and musicians and ordinary people.
The ranch served as a haven of bohemian life and a backdrop for items of Zorthian’s artistic expression -- salvaged wood, bed springs, rusted vehicles, broken concrete, beer bottles, old shoes and other junk he could recycle into various sculptures and architecture. Zorthian called the ranch The Center for Research and Development with an Emphasis on Aesthetics, and fashioned rental houses out of discarded items including telephone poles and railroad ties. He also built rock walls, towers, inlaid bridges and walkways. He painted in a studio and bred horses for his horse ring.
Zorthian and his wife, Dabney (March 21, 1933 - May 10, 2006) , lived in a small pseudo-brick house on the ranch, well-loved by friends as welcoming although very cluttered. The couple often preferred to sleep outdoors. They slaughtered their own livestock and made their own sausage, milked their own goats and made cheese, raised their own vegetables and gathered eggs from their chickens. As a young immigrant, Zorthian had been startled by how wasteful Americans seemed and vowed to recycle everything he could and to create his own self-sufficient environment.
Proudly, Zorthian offered his own down-to-earth appraisal of his art ranch for the Los Angeles Times in 1990: This entire property has sort of been sculpted with a skip-loader. I have 40 more years of work. I don’t have time to die.... A lot of people my age have given up being curious or vital. Can you imagine me in a retirement home playing shuffleboard?
Zorthian was equally at home attending posh art events in a tuxedo as in digging through restaurant trash cans for recyclable objects. He chaired the Pasadena Art Fair in 1954 and 1955 and staged a show of his work at what was then the Pasadena Art Museum in 1953.