Jacques Henri

Jacques Henri

Lartigue, Jacques Henri, 1894-1986, French photographer. The first exhibition of Lartigue's work, at New York City's Museum of Modern Art (MoMA) in 1962, revealed a remarkable personal use of the photographic medium. Trained as a painter, he considered taking pictures a hobby until the MoMA show brought him wide recognition as a photographer. Presented with his first camera at seven, he illustrated a witty, sophisticated, and detailed large-format diary of his life (in some 125 volumes) with thousands of photographs. They form a moving and exuberant composite portrait of the family, friends, and lifetime of a man of the world. Lartigue's diary and photographs have been published as Diary of a Century (ed. by R. Avedon, 1970).
Bernardin de Saint-Pierre, Jacques Henri, 1737-1814, French naturalist and author. He was a friend of Rousseau, by whom he was strongly influenced. His chief work, Études de la nature (1784), sought to prove the existence of God from the wonders of nature; it is rich in descriptive passages, and it added specific color terms and plant names to the French language. A section of this was the sentimental prose idyll Paul et Virginie (1788), which attained immense vogue and influenced the French romanticists.
Jacques-Henri Bernardin de Saint-Pierre (also called Bernardin de St. Pierre) (January 19, 1737 Le HavreJanuary 21, 1814 Éragny, Val-d'Oise) was a French writer and botanist. He is best known for his 1787 novel Paul et Virginie. In 1795 he was elected to the Institut de France, and in 1803 to the Académie Française.

From Antoine-Louis Barye: Sculptor of Romantic Realism by Glenn F. Benge, p.8:

"Bayre's predators devouring their living prey indulge the emotions in a Romantic way of course, but they also embody a romantically moralizing point of view like those held by Bernardin de Saint-Pierre, Mme de Staël, and Victor Hugo. The Oeuvres complètes of Bernardin de Saint-Pierre appeared in Paris in 1834 and was surely known to Bayre, for the author was the former director of the zoo in the Jardin des Plantes and one of the "masters of genuine poetry" for the archromantic Mme de Staël. Bernardin de Saint-Pierre maintained that a carnivorous animal in devouring its prey alive committed a sin against the laws of its own nature."

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