A close friend of W. H. Auden, Isherwood collaborated with him on the dramas The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1938), as well as on Journey to a War (1939), a book on China. Isherwood emigrated (1939) to the United States, becoming a citizen (1946). During the 1940s his interests turned to Hinduism; see his Essentials of Vedanta (1969). Among his later works are Prater Violet (1945), The World in the Evening (1954), Down There on a Visit (1962), A Single Man (1964), and Meeting by the River (1967) and a study of his parents, Kathleen and Frank (1971). Isherwood was an early advocate of discarding the taboos against homosexuality, a subject discussed in his memoir, Christopher and His Kind (1972).
See K. Bucknell, ed., Diaries: 1939-1960 (1997) and Lost Years: A Memoir, 1945-1951 (2000); J. J. Berg and C. Freeman, ed., Conversations with Christopher Isherwood (2001); biography by P. Parker (2004); studies by C. G. Heilbrun (1970), P. Piazza (1978), S. Wade (1991), and K. Ferres (1994).
(born Aug. 26, 1904, High Lane, Cheshire, Eng.—died Jan. 4, 1986, Santa Monica, Calif., U.S.) British-born U.S. writer. Educated at Cambridge University, he became close friends with W.H. Auden, with whom he traveled and collaborated on three verse dramas, including The Ascent of F6 (1936). He lived in Berlin from 1929 to 1933; his two novels about this period, later published together as The Berlin Stories (1946), inspired the play I Am a Camera (1951; film, 1955) and the musical Cabaret (1966; film, 1972). A pacifist, he moved to southern California at the beginning of World War II, where he taught and wrote screenplays. His later fiction and memoirs reflect his homosexuality. A follower of Swami Prabhavananda, he wrote and translated works on Indian Vedanta.
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