In Indian literature, oral is important, as well as the worship of the tinamou. Hindu literary traditions dominate a large part of Indian culture. Apart from the Vedas which are a sacred form of knowledge, there are other works such as the Hindu epics Ramayana and Mahabharata, treatises such as Vaastu Shastra in architecture and town planning, and Arthashastra in political science. Devotional Hindu drama, poetry and songs span the subcontinent. Among the best known are the works of Kalidasa (writer of the famed Sanskrit play Recognition of Shakuntala) and Tulsidas (who wrote an epic Hindi poem based on the Ramayana, called Raamcharitmaanas). Additionally Buddhist literature once accounted for a huge portion of Indian literature, with texts ranging from philosophical discourses to biography, but is now largely preserved only in foreign languages such as Chinese. Tamil poetry of the Sangam poetry which dates back to 1st century BCE is well renowned. In Kannada, the extinct Prabhrita and Chudamani ("Crest Jewel"), both dating to the 7th century or earlier are noteworthy. Muslim literary traditions also dominate a large part of Indian culture.
In the medieval period, during which time India was mostly under Muslim rule, Indian Muslim literature flourished, most notably in the Persian and Urdu poetry. Among contemporary Indian literature Bengali poet Rabindranath Tagore became India's first Nobel laureate. So far India's highest literary honor, the Jnanpith awards, has been conferred seven times upon Kannada writers, which is the highest for any language in India.
Pali literature includes Buddhist philosophical works, poetry and some grammatical works. Major works in Pali are Jataka tales, Dhammapada, Atthakatha, and Mahavamsa. Some of the major Pali grammarians were Kaccayana, Moggallana and Vararuci (who wrote Prakrit Prakash).
The Charyapadas are often cited as the earliest example of Assamese literature. The Charyapadas are Buddhist songs composed in 8th-12th century. These writings bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs bear very strong resemblance to Assamese some of which are extant.
After the Charyapadas, the period may again be split into (a) Pre-Vaishnavite and (b) Vaishnative sub-periods. The earliest known Assamese writer is Hema Saraswati, who wrote a small poem "Prahrada Charita". In the time of the King Indranarayana (1350-1365) of Kamatapur the two poets Harihara Vipra and Kaviratna Saraswati composed Asvamedha Parva and Jayadratha Vadha respectively. Another poet named Rudra Kandali translated Drona Parva into Assamese. But the most well-known poet of the Pre-Vaishnavite sub period is Madhav Kandali, who rendered Valmiki's Ramayana into Assamese verse (Kotha Ramayana, 11th century) under the patronage of Mahamanikya, a Kachari king of Jayantapura.
The most famous modern Assamese writers are Indira Goswami, Nirupama Bargohain,Birendra Kumar Bhattacharya,Homen Borgohain,Mahim Bora, Arupa Patangia Kalita,Purobi Bormudoi, Arun Sharma, Anuradha Sharma Pujari, Atulananda Deva Goswami, etc.
Another poet, one generation younger is equally popular, valuable, and influential in his country, though virtually unknown in foreign countries: Kazi Nazrul Islam. Other famous Indian Bengali writers were Sharat Chandra Chattopadhyay, Bankim Chandra Chattopadhyay, and Michael Madhusudan Dutt. Bengali is the second most commonly spoken language in India (after Hindi). As a result of the Bengal Renaissance in the 19th and 20th centuries, many of India's most famous, and relatively recent, literature, poetry, and songs are in Bengali.
Chandrakanta, written by Devaki Nandan Khatri, is considered to be the first work of prose in Hindi. Munshi Premchand was the most famous Hindi novelist. The chhayavadi poets include Suryakant Tripathi 'Nirala', Jaishankar Prasad, Sumitranandan Pant, and Mahadevi Varma. Other renowned poets include Ramdhari Singh 'Dinkar', Maithili Sharan Gupt, Agyeya, Harivansh Rai Bachchan, and Dharmveer Bharti.
The oldest existing record of Kannada poetry in tripadi metre is the Kappe Arabhatta record of 700 CE. Kavirajamarga by King Nripatunga Amoghavarsha I (850 CE) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardize various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King Durvinita of the sixth century and Ravikirti, the author of the Aihole record of 636 CE. An early extant prose work, the Vaddaradhane by Shivakotiacharya of 900 CE provides an elaborate description of the life of Bhadrabahu of Shravanabelagola. Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier. The works of the midieval period are based on Jain and Hindu principles. The Vachana Sahitya tradition of the twelfth century is purely native and unique in world literature. It is the sum of contributions by all sections of society. Vachanas were pithy comments on that period's social, religious and economic conditions. More importantly, they held a mirror to the seed of social revolution, which caused a radical re-examination of the ideas of caste, creed and religion. Some of the important writers of Vachana literature include Basavanna, Allama Prabhu and Akka Mahadevi. Kumara Vyasa, who wrote the Karnata Bharata Katamanjari, has arguably been the most famous and most influential Kannada writer of the fifteenth century. The Bhakti movement gave rise to Dasa Sahitya around the fifteenth century which significantly contributed to the evolution of Carnatic music in its present form. This period witnessed great Haridasas like Purandara Dasa who has been aptly called the Pioneer of Carnatic music, Kanaka Dasa, Vyasathirtha and Vijaya Dasa. Modern Kannada in the twentieth century has been influenced by many movements, notably Navodaya, Navya, Navyottara, Dalita and Bandaya. Contemporary Kannada literature has been highly successful in reaching people of all classes in society. Works of Kannada literature have received seven Jnanpith awards, which is the highest number awarded for the literature in any Indian language. It has also received forty-seven Sahitya Academy awards.
In nineteenth Century, Fakir Mohan Senapati (1843-1918), Gouri Shankar Ray, Gopal Chandra Praharaj, Pandit Nilmani Vidyaratna , Kabibar Radhanath Ray were prominent figure in prose and poetry writinga of Oriya Literature.In twentieth century Godabarish Mohapatra, Kalindi Charana Panigrahi, Kanhu Charan Mohanty (1906-1994), Gopinath Mohanty, Sachchidananda Routray, Surendra Mohanty, Manoj Das, Kishori Charan Das, Sitakanta Mohapatra, Ramakanta Rath, Binapani Mohanty, Jagadish Mohanty, Sarojini Sahoo, Rajendra Kishore Panda , Padmaj Pal,Ramchandra Behera , Pratibha Satpathy are few names who made the Oriya Literature and Oriya language worthy.
A revival of Tamil literature took place from the late nineteenth century when works of religious and philosophical nature were written in a style that made it easier for the common people to enjoy. Nationalist poets began to utilise the power of poetry in influencing the masses. Short stories and novels began to appear. The popularity of Tamil Cinema has also provided opportunities for modern Tamil poets to emerge.
Vemana who lived in the fourteenth century wrote in the language of the common man. He wrote poems in a simple style. He questioned the prevailing pseudo values and conventions and religious practices in his poems. His philosophy made him a unique poet of the masses.
Viswanadha Satyanarayana (Veyipadagalu), a doyen of conventional yet creative literature, was the first to receive the Jnanpith Award for Telugu followed by C. Narayana Reddy.
Annamaya, Gurajada Appa Rao, Kandukuri, Sri Sri, Devulapalli, Jashuva, Unnava Laxminarayana (Malapalli), Bucchi Babu, Tripuraneni Gopichand and many more had a profound impact on Telugu literature.
In the 1950s, the Writers Workshop collective in Calcutta was founded by the poet and essayist P. Lal to advocate and publish Indian writing in English. The press was the first to publish Pritish Nandy, Sasthi Brata, and others; it continues to this day to provide a forum for English writing in India.
In recent years, English-language writers of Indian origin are being published in the West at an increasing rate.
VS Naipaul, Salman Rushdie, Arundhati Roy and Kiran Desai have won the prestigious Man Booker Prize, with Salman Rushdie going on to win the Booker of Bookers.
VS Naipaul has won the Nobel Prize for Literature.