Hermann Ludwig Ferdinand von Helmholtz (August 31, 1821 – September 8, 1894) was a German physician and physicist who made significant contributions to several widely varied areas of modern science. In physiology and physiological psychology, he is known for his mathematics of the eye, theories of vision, ideas on the visual perception of space, color vision research, and on the sensation of tone, perception of sound, and empiricism. In physics, he is known for his theories on the conservation of energy, work in electrodynamics, chemical thermodynamics, and on a mechanical foundation of thermodynamics. As a philosopher, he is known for his philosophy of science, ideas on the relation between the laws of perception and the laws of nature, the science of aesthetics, and ideas on the civilizing power of science. A large German association of research institutions, the Helmholtz Association, is named after him.
As a young man, Helmholtz was interested in natural science, but his father wanted him to study medicine at the Charité because there was financial support for medical students.
Helmholtz wrote about many topics ranging from the age of the Earth to the origin of the solar system.
His first important scientific achievement, an 1847 physics treatise on the conservation of energy was written in the context of his medical studies and philosophical background. He discovered the principle of conservation of energy while studying muscle metabolism. He tried to demonstrate that no energy is lost in muscle movement, motivated by the implication that there were no vital forces necessary to move a muscle. This was a rejection of the speculative tradition of Naturphilosophie which was at that time a dominant philosophical paradigm in German physiology.
Drawing on the earlier work of Sadi Carnot, Émile Clapeyron and James Prescott Joule, he postulated a relationship between mechanics, heat, light, electricity and magnetism by treating them all as manifestations of a single force (energy in modern terms). He published his theories in his book Über die Erhaltung der Kraft (On the Conservation of Force, 1847).
In the 1850s and 60s, building on the publications of William Thomson, Helmholtz and William Rankine popularized the idea of the heat death of the universe.
The sensory physiology of Helmholtz was the basis of the work of Wilhelm Wundt, a student of Helmholtz, who is considered one of the founders of experimental psychology. He, more explicitly than Helmholtz, described his research as a form of empirical philosophy and as a study of the mind as something separate. Helmholtz had in his early refutal of the speculative early nineteenth century tradition of Naturphilosophie stressed the importance of materialism, and was focusing more on the unity of "mind" and body.
In 1851, Helmholtz revolutionized the field of ophthalmology with the invention of the ophthalmoscope; an instrument used to examine the inside of the human eye. This made him world famous overnight. Helmholtz's interests at that time were increasingly focused on the physiology of the senses. His main publication, entitled Handbuch der Physiologischen Optik (Handbook of Physiological Optics), provided empirical theories on spatial vision, color vision, and motion perception, and became the fundamental reference work in his field during the second half of the nineteenth century. It was first translated into English under the editorship of James P. C. Southall on behalf of the Optical Society of America in 1924-5. His theory of accommodation went unchallenged until the final decade of the 20th century.
Helmholtz continued to work for several decades on several editions of the handbook, frequently updating his work because of his dispute with Ewald Hering who held opposite views on spatial and color vision. This dispute divided the discipline of physiology during the second half of the 1800s.
In 1863 Helmholtz published Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik (On the Sensations of Tone as a Physiological Basis for the Theory of Music), once again demonstrating his interest in the physics of perception. This book influenced musicologists into the twentieth century. Helmholtz invented the Helmholtz resonator to show the strength of the various tones.
The book was translated by Alexander J. Ellis in 1885 (first English edition from third German edition completed June 1885, and second English edition from fourth German edition completed July 1885; see external links for download).