Herbert Jabez Green (aka Herbert Greene) (1907-1980) was a talented English professional musician and virtuoso of the 81 key Wheatstone Duet Concertina and accomplished player of many different concertinas, the accordion and the piano.
He had an excellent technique and ability to exploit the full capabilities of his instrument, particularly the double keyboards with his use of counterpoint, rich harmonies, tricky embellishments and improvisation. During his lifetime he was fairly well known for his ability and he played in many prestigious and famous venues throughout the UK as well as on BBC radio's Variety Bandbox programme. He began performing in public in the 1920s and continued through to the 1960's.
He grew up in hard times and experienced family difficulties, eventually marrying Bertha Maude Skelton in 1930 whom he also taught to play the concertina, so that she could become his musical partner under the stage name of Marion Vane in a popular and successful double act. They played together for many years at live events all over the UK, entertaining the troops with ENSA during the Second World War and at the same time raising four children, some of whom also later performed with them on stage. They appeared in shows with many well known performers of the day including; Joyce Grenfell, Ivor Novello, Norman Wisdom, Bransby Williams, Kate Carney and Bea Lillie. Mrs Green died in 1962.
Herbert Greene also played live on BBC radio and provided background music for The Magic Box (film) (1951), although this was largely edited out in the final release, and Captain Horatio Hornblower (1951) in which a little more of his music can be heard.
Inspired by his admiration for Sir Charles Wheatstone, Herbert Green went on invent the "Concordeon" (a unique musical instrument constructed from part concertina and part accordion) and later an electronic organ that was connected to the keys of his concertina and able to produce many different sounds and effects. He also wrote detailed memoirs about his life and career as an entertainer although these are currently unpublished. Towards the end of his life he became disappointed by the decline in popularity of the concertina in the UK and disillusioned with the direction in which the entertainment industry was heading, feeling that true musical skill and talent were not respected or appreciated as they should be.