Santayana emigrated to the United States in 1872. A graduate of Harvard (1886), he taught in the department of philosophy from 1889 until 1912. After resigning from Harvard he returned to Europe, eventually settling in Italy where he lived in a convent after the outbreak of World War II until his death. He detached himself from the social turmoil of the 20th cent., secluding himself from relationships with either people or events.
Santayana's philosophic stance has been given the apparently opposite descriptions of materialism and Platonism. The contradiction is partly understandable as resulting from his view of the mind as being firmly placed in and responsive to a physical, biological context, and his simultaneous emphasis on and high evaluation of the mind's rational and imaginative vision of physical reality. In an important early work, The Sense of Beauty (1896), he enunciated a qualified hedonism that placed high value on aesthetic pleasure; it was a pleasure that was understood to be an irrational expression of vital interests but was distinguished from direct, sensual pleasures.
The Life of Reason (1905-6) investigates the mind's evolving attempts to define its relationship to its natural context. In that work he saw the relationship of thought and reality as one of ideal correspondence. Santayana's earlier work is marked by a psychological approach to the life of the mind. With the publication of Scepticism and Animal Faith (1923) and The Realms of Being, a four-volume work (The Realm of Essence, 1927; The Realm of Matter, 1930; The Realm of Truth, 1937; The Realm of Spirit, 1940; 1-vol. ed. 1942), he adopted a more classical philosophic approach, making ontological distinctions between the objects of mental activity. Against Cartesian skepticism and idealism he advanced the notion of "animal faith" as the basis of the life of reason.
Religion he viewed as an imaginative creation of real value but without absolute significance. Although he continued to value imaginative and rational consciousness he warned against the mind's tendency to confer substantial reality and causal efficacy on its own creations. His personal withdrawal from active life was paralleled in his philosophy by a decided moral detachment. The whole of Santayana's philosophic writing displays a characteristic richness of style; he also wrote poetry, a volume of which appeared in 1923. His only novel, The Last Puritan (1935), had great popular success. His Dominations and Powers, on political philosophy, was published in 1951.
See The Works of George Santayana (15 vol., 1936-40) and The Philosophy of Santayana, ed. by I. Edman (rev. ed. 1953, repr. 1973); his letters (ed. by D. Cory, 1955; repr. 1973); his memoirs, Persons and Places (3 vol., 1944-53). See also B. J. Singer, The Rational Society (1970); T. N. Munson, The Essential Wisdom of George Santayana (1962, repr. 1983); W. E. Arnett, Santayana and the Sense of Beaury (1955, repr. 1984).
(born Dec. 16, 1863, Madrid, Spain—died Sept. 26, 1952, Rome, Italy) Spanish-born U.S. philosopher, poet, and humanist. Santayana moved to the U.S. as a boy in 1872. After graduating from Harvard, he taught philosophy there (with William James and Josiah Royce) from 1889 to 1912, and he began producing important contributions to aesthetics, speculative philosophy, and literary criticism, including The Sense of Beauty (1896), Interpretations of Poetry and Religion (1900), and The Life of Reason (1905–06). He returned to Europe in 1912. Scepticism and Animal Faith (1923) best conveys his theory of immediately apprehended essences and describes the role played by “animal faith” in various forms of knowledge. He also wrote a novel, The Last Puritan (1935), and an autobiography, Persons and Places, 3 vol. (1944–53).
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A lifelong Spanish citizen, Santayana was raised and educated in the United States, wrote in English and is generally considered an American man of letters, although, of his nearly 89 years, he spent only 39 in the U.S. He is perhaps best known as an aphorist, and for the oft-misquoted remark, "Those who cannot remember the past, are condemned to repeat it," from Reason in Common Sense, the first volume of his The Life of Reason.
Like many of the classical pragmatists, and because he was also well-versed in evolutionary theory, Santayana was committed to a naturalist metaphysics, in which human cognition, cultural practices, and social institutions have evolved so as to harmonize with the conditions present in their environment. Their value may then be adjudged by the extent to which they facilitate human happiness. The alternate title to The Life of Reason, "the Phases of Human Progress", is indicative of this metaphysical stance.
Santayana was an early adherent of epiphenomenalism, but also admired the classical materialism of Democritus and Lucretius (of the three authors on whom he wrote in Three Philosophical Poets, Santayana speaks most favorably of Lucretius). He held Spinoza's writings in high regard, without subscribing to the latter's rationalism or pantheism. Although an atheist, he described himself as an "aesthetic Catholic", and spent the last decade of his life at the Convent of the Blue Nuns of the Little Company of Mary on the Celian (Caelius) Hill at 6 Via Santo Stefano Rotondo in Rome, cared for by the Irish sisters there.
In his temperament, judgments and prejudices, many of which do not sit well with present-day fashions, Santayana was very much the Castilian Platonist, cold, aristocratic and elitist, a curious blend of Mediterranean conservative (similar to Paul Valéry) and cultivated Anglo-Saxon, aloof and ironically detached. Russell Kirk discussed Santayana in his The Conservative Mind from Edmund Burke to T. S. Eliot. Like Alexis de Tocqueville, Santayana observed American culture and character from a foreigner's point of view. Like Ralph Waldo Emerson, he wrote philosophy in a literary way. Even though he declined to become an American citizen and happily resided in fascist Italy for decades, he is usually considered an American writer by Americans. He himself admitted to being most comfortable, intellectually and esthetically, at Oxford.
His materialistic, skeptical philosophy was never in tune with the Spanish world of his time. In the post-Franco era he is gradually being recognized and translated. Ezra Pound includes Santayana among the many cultural references in The Cantos, notably in Canto LXXXI and Canto XCV. Chuck Jones used Santayana's description of fanaticism as "redoubling your effort after you've forgotten your aim" to describe his cartoons starring Wile E. Coyote and Road Runner.
Santayana is remembered in large part for his aphorisms, many of which are so common as to have become cliché. His philosophy has not fared quite as well; though he is regarded by most as an excellent prose stylist, Professor John Lachs (who is sympathetic with much of Santayana's philosophy) writes in his book 'On Santayana' that the latter's eloquence may ultimately be the cause of this neglect.
Nonetheless, Santayana influenced those around him, like Bertrand Russell, who in his critical essay admits that Santayana single-handedly steered him away from the ethics of G.E. Moore. He also influenced many of his prominent students, perhaps most notably the eminent poet Wallace Stevens. And, no doubt, any who study the philosophies of naturalism or materialism in the 20th Century come inevitably to Santayana, whose mark upon them has been great.
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