Frobisher, Sir Martin, 1535?-1594, English mariner. He went to sea as a boy, and spent much of his youth in the African trade. He later gained the friendship of Sir Humphrey Gilbert, through whom he became interested in the Northwest Passage. Licensed by Queen Elizabeth I and backed by a group of merchant adventurers, Frobisher made three voyages (1576, 1577, and 1578) to the Arctic in search of the passage. On his first voyage he sailed into Frobisher Bay to S Baffin Island, and from its shores brought back some black ore thought to contain gold and an Eskimo to prove his belief that he had actually reached fabled Cathay. Returning to Baffin Island on his next two journeys, he explored Frobisher Bay to its head and penetrated a short distance up Hudson Strait. Since his geographical discovery was slight and no gold was revealed in his cargoes of ore, Frobisher's name was discredited for a time. In 1585, however, he won glory as commander of a ship in Sir Francis Drake's expedition to the West Indies and was knighted for his services with Drake and Sir John Hawkins in the defeat of the Spanish Armada (see Armada, Spanish) in 1588. He died as the result of wounds received at Brest during an English campaign against the Spanish. The narratives of his voyages, first published in 1578, have passed through several editions. The Three Voyages of Martin Frobisher by George Best was edited from the original 1578 text by Vilhjalmur Stefansson (1937).

Sir Martin Mar-all, or The Feign'd Innocence is an English Restoration comedy, first performed on August 16, 1667. Written by John Dryden and based on a translation of L'Étourdi by Molière, it was one of Dryden's earliest comedies, and also one of the greatest theatrical successes of his career.

The play's 1666 entry into the Stationers' Register assigned it to William Cavendish, 1st Duke of Newcastle. John Downes, in his Roscius Anglicanus (1708), maintained that Newcastle executed "a bare translation" of Molière's play, which was revised and adapted by Dryden. The play was first published in quarto in 1668, in an anonymous volume, which was re-issued in 1678; a third edition in 1691 carried Dryden's name, and the play was included in the 1695 edition of Dryden's collected works.

The initial production of the play was a huge success; it ran for thirty-two performances and was acted four times at Court. Samuel Pepys saw the play seven times, and called it "the most entire piece of mirth...that certainly was ever writ. According to Downes, the play made "more money than any preceding comedy" at the Duke of York's Theatre. Sir Martin Mar-all was referenced by other poets for the foolishness of the title character, who, in order to impress his mistress Millicent, mimes playing a lute and lip-syncs while another character makes music from within. Of course, he continues lip-syncing and strumming his quiet lute after the true player ceases to make any sounds and exposes himself as a fraud.

In addition to Newcastle's translation of Molière, Dryden also adapted material from L'Amant Indiscrit by Philippe Quinault, from the Francion of Charles Sorel, and from The Antiquary by Shackerley Marmion.

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