See his autobiography, An Only Child (1961); biography by J. McKeon (1999).
See biography by B. Gooch (1993); memoir by J. LeSueur (2003); M. Perloff, Frank O'Hara: Poet among Painters (1997); D. Lehman, The Last Avant-Garde: The Making of the New York School of Poets (1999); G. Ward, Statutes of Liberty: The New York School of Poets (2d ed. 2001).
See study by S. Fine (1979).
See A. I. Lonstein, The Compleat Sinatra (1970); G. Ringgold and C. McCarthy, The Films of Frank Sinatra (1971); R. Peters, The Frank Sinatra Scrapbook (1982); K. Kelley, His Way (1986); W. Friedwald, Sinatra! The Song Is You (1995); S. Petkov and L. Mustazza, ed., The Frank Sinatra Reader (1995); P. Hamill, Why Sinatra Matters (1998).
Capra's naively decent American heroes triumph over the forces of greed, cynicism, corruption, or self-doubt in such films as Mr. Deeds Goes to Town (1936; Academy Award), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and the richly textured classic It's a Wonderful Life (1946). Among his movie-making innovations were accelerated pacing, conversational and sometimes overlapping dialogue, and previews that gauged audience reaction. Capra's many other films include Lost Horizon (1937), You Can't Take It With You (1938; Academy Award), Arsenic and Old Lace (1944), State of the Union (1948), A Hole in the Head (1959), and his last, Pocketful of Miracles (1961).
See his autobiography (1971); biography by J. McBride (1992, repr. 2000); C. Wolfe, Frank Capra: A Guide to References and Resources (1987).
Anne's diary was discovered by one of the family's helpers and after the war was given to her father, the only immediate family member to survive the Holocaust. Edited by him, The Diary of a Young Girl (1947) became an international bestseller and has been translated into English (1952) and 66 other languages. It was also adapted into a play (1955) and a film (1959). A critical edition was published in 1986, and a complete edition, containing almost a third more material, appeared in 1995 on the 50th anniversary of her death. Anne Frank also wrote stories, fables, and essays, which were published in 1959. The Franks' Amsterdam hiding place is now a museum, there is a foundation established by her father, and institutions devoted to her exist in New York, Berlin, London, and other cities.
See biographies by M. Müller (tr. 1998) and C. A. Lee (1999); M. Gies, Anne Frank Remembered (1988); R. Van Der Rol and R. Verhoeven, Anne Frank, Beyond the Diary: A Photographic Remembrance (1995); C. A. Lee, The Hidden Life of Otto Frank (2003); F. Prose, Anne Frank: The Book, the Life, the Afterlife (2009); W. Lindwer, The Last Seven Months of Anne Frank (documentary film, 1988 and book, 1992); J. Blair, dir., Anne Frank Remembered (documentary film, 1995).
See his Speaking Frankly (1992); P. Bollen, ed., Frank Talk: The Wit and Wisdom of Barney Frank (2006); B. Everly, dir., Let's Get Frank (documentary film, 2003).
See biography by L. H. Larsen (1965).
See his book of photographs Lines of My Hand (1972); S. Greenough, ed., Looking In: Robert Frank's "The Americans" (museum catalog, 2009).
See W. G. Fay and C. Carswell, The Fays of the Abbey Theatre (1935, repr. 1971).
See biography by J. R. McElrath, Jr. and J. S. Crisler (2005); study by B. Hochman (1988).
See biography by R. J. Connors (1971); study by D. D. McKean (1940, repr. 1967).
Stella's work became fully three-dimensional in the early 1990s in a series of dense abstract sculptures composed of found and cast elements in stainless steel and bronze. These unpainted and often large-scale metal wall constructions, with their tangled, layered, and looping shapes, project an air of vibrant spontaneity. One of his most important and monumental sculptures is Prince of Homburg (1995-2001), installed outside the National Gallery of Art's East Building, Washington, D.C. Throughout his career, Stella also has been a prolific printmaker. The Whitney Museum, New York City, has several of his paintings, and his works are included in numerous museum and corporate collections worldwide.
See Frank Stella: An Illustrated Biography (1996) by S. Guberman; studies by W. Rubin (1980), L. Rubin, ed. (1986), and A. Pacquement (1988).
See his biography by his daughter, S. Loesser (1993, repr. 2001); The Frank Loesser Songbook (1994).
See study by S. Gittleman (1969, repr. 1980).
(born June 8, 1867, Richland Center, Wis., U.S.—died April 9, 1959, Phoenix, Ariz.) U.S. architect. After studying engineering briefly at the University of Wisconsin, he worked for the firm of Dankmar Adler (1844–1900) and Louis Sullivan in Chicago before opening his own practice there in 1893. Wright became the chief practitioner of the Prairie school, building about 50 Prairie houses from 1900 to 1910. Early nonresidential buildings include the forward-looking Larkin Building in Buffalo, N.Y. (1904; destroyed 1950), and Unity Temple in Oak Park, Ill. (1906). In 1911 he began work on his own house, Taliesin, near Spring Green, Wis. The lavish Imperial Hotel in Tokyo (1915–22, dismantled 1967) was significant for its revolutionary floating cantilever construction, which made it one of the only large buildings to withstand the earthquake of 1923. In the 1930s he designed his low-cost Usonian houses, but his most admired house, Fallingwater, in Bear Run, Pa. (1936), is an extravagant country retreat cantilevered over a waterfall. His Johnson Wax Building (1936–39), an example of humane workplace design, touched off an avalanche of major commissions. Of particular note is the Guggenheim Museum (1956–59), which has no separate floor levels but instead uses a spiral ramp, realizing Wright's ideal of a continuous space. Throughout his career he retained the use of ornamental detail, earthy colours, and rich textural effects. His sensitive use of materials helped to control and perfect his dynamic expression of space, which opened a new era in American architecture. Often considered the greatest U.S. architect of all time, his greatest legacy is “organic architecture,” or the idea that buildings harmonize both with their inhabitants and with their environment.
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(born Nov. 24, 1925, New York, N.Y., U.S.—died Feb. 27, 2008, Stamford, Conn.) U.S. writer and editor. He attended Yale University, where he was chairman of the Yale Daily News. In 1955 he founded the National Review; as editor in chief, he used the journal as a forum for his conservative views. His column “On the Right” was syndicated in 1962 and eventually appeared in more than 200 newspapers. From 1966 to 1999 he hosted Firing Line, a weekly television interview program in which he often employed his wit and debating skills against ideological opponents. His books include God and Man at Yale (1951), Rumbles Left and Right (1963), and a series of spy novels.
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(born Dec. 17, 1908, Grand Valley, Colo., U.S.—died Sept. 8, 1980, Los Angeles, Calif.) U.S. chemist. He studied at the University of California at Berkeley and later taught there and at the University of Chicago and UCLA. With the Manhattan Project, he helped develop a method for separating uranium isotopes and showed that tritium is a product of cosmic radiation. In 1947 he and his students developed carbon-14 dating, which proved to be an extremely valuable tool for archaeology, anthropology, and earth science and earned him a 1960 Nobel Prize.
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(born June 1, 1907, Coventry, Warwickshire, Eng.—died Aug. 8, 1996, Columbia, Md., U.S.) British aviation engineer and pilot who invented the jet engine. He obtained his first patent for a turbojet engine in 1930, and in 1936 he cofounded Power Jets Ltd. The outbreak of World War II spurred the British government to support Whittle's work, and the first jet-powered aircraft took off in 1941. He was knighted in 1948 and awarded the Order of Merit in 1986.
Learn more about Whittle, Sir Frank with a free trial on Britannica.com.
(born July 24, 1864, Hannover, Hanover—died March 9, 1918, Munich, Ger.) German actor and playwright. He lived in Switzerland (1872–84) and then in Munich, where he worked at various jobs, including journalist and cabaret performer. He wrote plays from 1891, when his tragedy The Awakening of Spring created a scandal with its theme of awakening adolescent sexuality. In his “Lulu” cycle, Earth Spirit (1895) and Pandora's Box (1904), he extended the theme of sex to the underworld of society and introduced the amoral Lulu. His plays used episodic scenes, fragmented dialogue, distortion, and caricature, prefiguring the Theatre of the Absurd and forming a transition from realism to Expressionism.
Learn more about Wedekind, Frank with a free trial on Britannica.com.
(born May 12, 1936, Malden, Mass., U.S.) U.S. painter. He moved to New York City after studying history at Princeton University and there began his innovative “black paintings” (1958–60), incorporating symmetrical series of thin white stripes that replicated the canvas shape when seen against their black backgrounds. As a leading figure of Minimalism, in the mid 1960s he began using polychromy in an influential series marked by intersecting geometric curvilinear shapes and plays of vivid and harmonious colours. In the 1970s he began producing sensuously coloured, mixed-media reliefs featuring more organic shapes. He was given retrospective exhibitions at the Museum of Modern Art in 1970 and 1987.
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Musial
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(born June 1, 1907, Coventry, Warwickshire, Eng.—died Aug. 8, 1996, Columbia, Md., U.S.) British aviation engineer and pilot who invented the jet engine. He obtained his first patent for a turbojet engine in 1930, and in 1936 he cofounded Power Jets Ltd. The outbreak of World War II spurred the British government to support Whittle's work, and the first jet-powered aircraft took off in 1941. He was knighted in 1948 and awarded the Order of Merit in 1986.
Learn more about Whittle, Sir Frank with a free trial on Britannica.com.
(born Sept. 3, 1899, Traralgon, Vic., Austl.—died Aug. 31, 1985, Melbourne, Vic.) Australian physician and virologist. Burnet received his medical degree from the University of Melbourne. He later discovered a method for identifying bacteria by the viruses (bacteriophages) that attack them, and he shared a 1960 Nobel Prize with Peter Medawar for the discovery of acquired immunological tolerance to tissue transplants. He was knighted in 1951.
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(born Dec. 12, 1915, Hoboken, N.J., U.S.—died May 14, 1998, Los Angeles, Calif.) U.S. singer and actor. Sinatra began his singing career in the mid-1930s and was “discovered” by trumpeter Harry James, who immediately recruited him. Sinatra achieved sweeping national popularity in 1940–42 while singing with the Tommy Dorsey Orchestra. He sang on the radio program Your Hit Parade (1943–45), while becoming a favourite performer in theatres and nightclubs. In the 1940s he co-starred in a number of musical films with dancer Gene Kelly. His popularity suddenly declined about 1948, but his performance in From Here to Eternity (1953, Academy Award) revived his flagging career, and he later starred in many acclaimed films, including musicals such as Guys and Dolls (1955) and dramas such as The Manchurian Candidate (1962). After 1953 he performed and recorded using arrangements by Nelson Riddle, Billy May, and Gordon Jenkins, reaching his peak in albums such as Only the Lonely (1958). In 1961 he founded Reprise Records. His masterly performances, alternately swinging and affectingly melancholic, brought him a success unparalleled in the history of American popular music.
Learn more about Sinatra, Frank with a free trial on Britannica.com.
(born Aug. 31, 1935, Beaumont, Tex., U.S.) U.S. baseball player and the first black manager in major league baseball. Robinson played principally for the Cincinnati Reds (1956–65) and Baltimore Orioles (1966–71). In 1966 he won the triple crown, leading the league in home runs (49), runs batted in (122), and batting average (.316). He later managed the Cleveland Indians (1975–77), San Francisco Giants (1981–84), Baltimore Orioles (1988–91), and Montreal Expos (2002–06; the franchise moved to Washington, D.C., in 2005 and was renamed the Nationals).
Learn more about Robinson, Frank with a free trial on Britannica.com.
(born Nov. 9, 1924, Zürich, Switz.) Swiss-born U.S. photographer. In the 1940s he worked as a fashion photographer for Harper's Bazaar in Paris. He abandoned fashion work in 1947 to travel in the U.S. and South America and explore the use of the 35-mm camera. His collection The Americans (1959), with its gritty, discordant images of 1950s America, had enormous influence and established him as a major figure. After 1959 Frank turned to filmmaking; his short film Pull My Daisy (1959), a collaboration with Jack Kerouac, became an underground classic. A major later collection is Robert Frank: Moving Out (1994).
Learn more about Frank, Robert with a free trial on Britannica.com.
(born 1903, Cork, County Cork, Ire.—died March 10, 1966, Dublin) Irish writer. Brought up in poverty, O'Connor became a librarian and a director of Dublin's Abbey Theatre. He won popularity in the U.S. for short stories in which apparently trivial incidents illuminate Irish life. They appeared in volumes including Guests of the Nation (1931) and Crab Apple Jelly (1944) and in The New Yorker magazine. He also wrote critical studies on Irish life and literature and translations of Gaelic works of the 9th–20th centuries, including the great 17th-century satire The Midnight Court (1945).
Learn more about O'Connor, Frank with a free trial on Britannica.com.
(born March 5, 1870, Chicago, Ill., U.S.—died Oct. 25, 1902, San Francisco, Calif.) U.S. novelist and short-story writer. Norris initially worked as an overseas correspondent and in publishing. He became the first important American author to embrace naturalism. McTeague (1899) is a portrait of an acquisitive society. He adopted a more humanitarian ideal beginning with his masterpiece, The Octopus (1901), the first novel of a projected trilogy dealing with the economic and social forces involved in the wheat industry. The second part, The Pit, appeared in 1903, but the third was unwritten at his death. Despite romanticizing tendencies, his works present a vivid, authentic picture of life in California in his day.
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Musial
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Frank Murphy
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(born Aug. 21, 1854, Mercer, Maine, U.S.—died Dec. 22, 1925, New York City, N.Y.) U.S. newspaper and magazine publisher. He managed a telegraph office before moving to New York City, where he founded Golden Argosy (1882), later renamed Argosy Magazine; and Munsey's Magazine (1889), the first inexpensive, general-circulation, illustrated magazine in the U.S. He acquired several newspapers in Baltimore and New York, some of which disappeared in profitable mergers. He viewed his publications purely as moneymaking enterprises and maintained colourless editorial policies. He left most of his large fortune to the Metropolitan Museum of Art in New York City.
Learn more about Munsey, Frank Andrew with a free trial on Britannica.com.
(born May 15, 1856, Chittenango, N.Y., U.S.—died May 6, 1919, Hollywood, Calif.) U.S. writer of children's books. Baum achieved commercial success with his first book, Father Goose (1899), and followed it the next year with the even more popular Wonderful Wizard of Oz. He wrote 13 more Oz books, which acquired a huge readership. The series was continued by Ruth Plumly Thompson after his death.
Learn more about Baum, L(yman) Frank with a free trial on Britannica.com.
(born June 29, 1910, New York, N.Y., U.S.—died July 28, 1969, New York City) U.S. composer, librettist, and lyricist. The son of a piano teacher, in 1936 he moved to Hollywood, where he worked with Burton Lane, Jule Styne, Jimmy McHugh, and Hoagy Carmichael. His wartime songs include “Praise the Lord and Pass the Ammunition” and “What Do You Do in the Infantry?”; postwar hits include “On a Slow Boat to China” and “Baby It's Cold Outside” (Academy Award, 1949). His first Broadway musical was Where's Charley? (1948; film, 1952). In 1950 he produced Guys and Dolls (film, 1955), one of the greatest American musicals. It was followed by The Most Happy Fella (1956) and How to Succeed in Business Without Really Trying (1962, Pulitzer Prize). His work for film includes the score for Hans Christian Andersen (1952).
Learn more about Loesser, Frank (Henry) with a free trial on Britannica.com.
(born Dec. 17, 1908, Grand Valley, Colo., U.S.—died Sept. 8, 1980, Los Angeles, Calif.) U.S. chemist. He studied at the University of California at Berkeley and later taught there and at the University of Chicago and UCLA. With the Manhattan Project, he helped develop a method for separating uranium isotopes and showed that tritium is a product of cosmic radiation. In 1947 he and his students developed carbon-14 dating, which proved to be an extremely valuable tool for archaeology, anthropology, and earth science and earned him a 1960 Nobel Prize.
Learn more about Libby, Willard (Frank) with a free trial on Britannica.com.
(born May 15, 1856, Chittenango, N.Y., U.S.—died May 6, 1919, Hollywood, Calif.) U.S. writer of children's books. Baum achieved commercial success with his first book, Father Goose (1899), and followed it the next year with the even more popular Wonderful Wizard of Oz. He wrote 13 more Oz books, which acquired a huge readership. The series was continued by Ruth Plumly Thompson after his death.
Learn more about Baum, L(yman) Frank with a free trial on Britannica.com.
(born Nov. 7, 1885, White Oak township, McLean county, Ill., U.S.—died April 15, 1972, Chicago, Ill.) U.S. economist. He received his Ph.D. from Cornell University in 1916. He taught at the University of Chicago from 1927 to 1952; Milton Friedman was one of the many students he influenced. His book Risk, Uncertainty and Profit (1921) distinguished between insurable and uninsurable risks and asserted that profit was the reward entrepreneurs earned for bearing uninsurable risk. His monograph “Economic Organization” is a classic exposition of microeconomic theory. He is considered the founder of the Chicago school of economics.
Learn more about Knight, Frank H(yneman) with a free trial on Britannica.com.
(born Dec. 22, 1856, Potsdam, N.Y., U.S.—died Dec. 21, 1937, St. Paul, Minn.) U.S. lawyer and diplomat. He represented the U.S. government in antitrust cases before serving in the U.S. Senate (1917–23) and as U.S. ambassador to Britain (1923–25). Appointed U.S. secretary of state (1925–29) by Pres. Calvin Coolidge, he negotiated the multinational Kellogg-Briand Pact, for which he was awarded the Nobel Prize for Peace in 1929. He later served on the Permanent Court of International Justice (1930–35).
Learn more about Kellogg, Frank B(illings) with a free trial on Britannica.com.
(born 1726, Berezanka or Korolowka, Galicia, Pol.—died Dec. 10, 1791, Offenbach, Hessen) Jewish false messiah. He was an uneducated visionary who claimed to be the reincarnation of Shabbetai Tzevi. He proclaimed himself messiah in 1751 and founded the Frankist, or Zoharist, sect, based on the Sefer ha-zohar, which he sought to put in the place of the Torah. The sect rejected traditional Judaism, and their practices, including orgiastic rites, led the Jewish community to excommunicate them in 1756. Protected by Roman Catholic authorities, who hoped Frank would help in the conversion of the Jews, Frank and his followers were baptized in Poland. In 1760 he was imprisoned by the Inquisition, who had realized that Frank's followers regarded Frank, not Jesus, as the messiah. Freed in 1773 by invading Russians, he settled in Germany and lived as a baron until his death.
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(born Feb. 28, 1929, Toronto, Ont., Can.) Canadian-born U.S architect. He studied at the University of Southern California and Harvard University. In his early buildings, his use of inexpensive materials (chain-link fencing, plywood, corrugated steel) gave many of his projects an unfinished, whimsical air. His structures are often characterized by unconventional or distorted shapes that have a sculptural, fragmented, or collagelike quality. In designing public buildings, he tends to cluster small units within a larger space rather than creating monolithic structures, thus emphasizing human scale. Of particular note is his Guggenheim Museum Bilbao (1991–97) in Spain, a shimmering pile of sharply twisting, curving shapes surfaced in titanium. Gehry won the Pritzker Architecture Prize in 1989.
Learn more about Gehry, Frank O(wen) with a free trial on Britannica.com.
(born Nov. 9, 1924, Zürich, Switz.) Swiss-born U.S. photographer. In the 1940s he worked as a fashion photographer for Harper's Bazaar in Paris. He abandoned fashion work in 1947 to travel in the U.S. and South America and explore the use of the 35-mm camera. His collection The Americans (1959), with its gritty, discordant images of 1950s America, had enormous influence and established him as a major figure. After 1959 Frank turned to filmmaking; his short film Pull My Daisy (1959), a collaboration with Jack Kerouac, became an underground classic. A major later collection is Robert Frank: Moving Out (1994).
Learn more about Frank, Robert with a free trial on Britannica.com.
(born 1726, Berezanka or Korolowka, Galicia, Pol.—died Dec. 10, 1791, Offenbach, Hessen) Jewish false messiah. He was an uneducated visionary who claimed to be the reincarnation of Shabbetai Tzevi. He proclaimed himself messiah in 1751 and founded the Frankist, or Zoharist, sect, based on the Sefer ha-zohar, which he sought to put in the place of the Torah. The sect rejected traditional Judaism, and their practices, including orgiastic rites, led the Jewish community to excommunicate them in 1756. Protected by Roman Catholic authorities, who hoped Frank would help in the conversion of the Jews, Frank and his followers were baptized in Poland. In 1760 he was imprisoned by the Inquisition, who had realized that Frank's followers regarded Frank, not Jesus, as the messiah. Freed in 1773 by invading Russians, he settled in Germany and lived as a baron until his death.
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(born June 12, 1929, Frankfurt am Main, Ger.—died March 1945, Bergen-Belsen concentration camp, near Hannover) German diarist. Frank was a young Jewish girl who kept a record of the two years her family spent in hiding in Amsterdam to escape Nazi persecution. After their discovery by the Gestapo in 1944, the family was transported to concentration camps; Anne died of typhus at Bergen-Belsen. Friends searching the hiding place found her diary, which her father published as The Diary of a Young Girl (1947). Precocious in style and insight, it traces her emotional growth amid adversity and is a classic of war literature.
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(born July 24, 1864, Hannover, Hanover—died March 9, 1918, Munich, Ger.) German actor and playwright. He lived in Switzerland (1872–84) and then in Munich, where he worked at various jobs, including journalist and cabaret performer. He wrote plays from 1891, when his tragedy The Awakening of Spring created a scandal with its theme of awakening adolescent sexuality. In his “Lulu” cycle, Earth Spirit (1895) and Pandora's Box (1904), he extended the theme of sex to the underworld of society and introduced the amoral Lulu. His plays used episodic scenes, fragmented dialogue, distortion, and caricature, prefiguring the Theatre of the Absurd and forming a transition from realism to Expressionism.
Learn more about Wedekind, Frank with a free trial on Britannica.com.
(born Dec. 12, 1915, Hoboken, N.J., U.S.—died May 14, 1998, Los Angeles, Calif.) U.S. singer and actor. Sinatra began his singing career in the mid-1930s and was “discovered” by trumpeter Harry James, who immediately recruited him. Sinatra achieved sweeping national popularity in 1940–42 while singing with the Tommy Dorsey Orchestra. He sang on the radio program Your Hit Parade (1943–45), while becoming a favourite performer in theatres and nightclubs. In the 1940s he co-starred in a number of musical films with dancer Gene Kelly. His popularity suddenly declined about 1948, but his performance in From Here to Eternity (1953, Academy Award) revived his flagging career, and he later starred in many acclaimed films, including musicals such as Guys and Dolls (1955) and dramas such as The Manchurian Candidate (1962). After 1953 he performed and recorded using arrangements by Nelson Riddle, Billy May, and Gordon Jenkins, reaching his peak in albums such as Only the Lonely (1958). In 1961 he founded Reprise Records. His masterly performances, alternately swinging and affectingly melancholic, brought him a success unparalleled in the history of American popular music.
Learn more about Sinatra, Frank with a free trial on Britannica.com.
(born Aug. 31, 1935, Beaumont, Tex., U.S.) U.S. baseball player and the first black manager in major league baseball. Robinson played principally for the Cincinnati Reds (1956–65) and Baltimore Orioles (1966–71). In 1966 he won the triple crown, leading the league in home runs (49), runs batted in (122), and batting average (.316). He later managed the Cleveland Indians (1975–77), San Francisco Giants (1981–84), Baltimore Orioles (1988–91), and Montreal Expos (2002–06; the franchise moved to Washington, D.C., in 2005 and was renamed the Nationals).
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(born July 14, 1895, Cambridge, Cambridgeshire, Eng.—died April 14, 1978, Cambridge) British literary critic. He attended and later taught at Cambridge University. He brought a new seriousness to criticism, believing that the critic's duty is to assess works according to the author's moral position. He cofounded Scrutiny, a journal (published 1932–53) often regarded as his greatest contribution to English letters. His books include New Bearings in English Poetry (1932) and The Great Tradition (1948), in which he reassessed the English novel.
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(born May 12, 1936, Malden, Mass., U.S.) U.S. painter. He moved to New York City after studying history at Princeton University and there began his innovative “black paintings” (1958–60), incorporating symmetrical series of thin white stripes that replicated the canvas shape when seen against their black backgrounds. As a leading figure of Minimalism, in the mid 1960s he began using polychromy in an influential series marked by intersecting geometric curvilinear shapes and plays of vivid and harmonious colours. In the 1970s he began producing sensuously coloured, mixed-media reliefs featuring more organic shapes. He was given retrospective exhibitions at the Museum of Modern Art in 1970 and 1987.
Learn more about Stella, Frank (Philip) with a free trial on Britannica.com.
(born Feb. 28, 1929, Toronto, Ont., Can.) Canadian-born U.S architect. He studied at the University of Southern California and Harvard University. In his early buildings, his use of inexpensive materials (chain-link fencing, plywood, corrugated steel) gave many of his projects an unfinished, whimsical air. His structures are often characterized by unconventional or distorted shapes that have a sculptural, fragmented, or collagelike quality. In designing public buildings, he tends to cluster small units within a larger space rather than creating monolithic structures, thus emphasizing human scale. Of particular note is his Guggenheim Museum Bilbao (1991–97) in Spain, a shimmering pile of sharply twisting, curving shapes surfaced in titanium. Gehry won the Pritzker Architecture Prize in 1989.
Learn more about Gehry, Frank O(wen) with a free trial on Britannica.com.
(born 1903, Cork, County Cork, Ire.—died March 10, 1966, Dublin) Irish writer. Brought up in poverty, O'Connor became a librarian and a director of Dublin's Abbey Theatre. He won popularity in the U.S. for short stories in which apparently trivial incidents illuminate Irish life. They appeared in volumes including Guests of the Nation (1931) and Crab Apple Jelly (1944) and in The New Yorker magazine. He also wrote critical studies on Irish life and literature and translations of Gaelic works of the 9th–20th centuries, including the great 17th-century satire The Midnight Court (1945).
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Frank Murphy
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(born June 8, 1867, Richland Center, Wis., U.S.—died April 9, 1959, Phoenix, Ariz.) U.S. architect. After studying engineering briefly at the University of Wisconsin, he worked for the firm of Dankmar Adler (1844–1900) and Louis Sullivan in Chicago before opening his own practice there in 1893. Wright became the chief practitioner of the Prairie school, building about 50 Prairie houses from 1900 to 1910. Early nonresidential buildings include the forward-looking Larkin Building in Buffalo, N.Y. (1904; destroyed 1950), and Unity Temple in Oak Park, Ill. (1906). In 1911 he began work on his own house, Taliesin, near Spring Green, Wis. The lavish Imperial Hotel in Tokyo (1915–22, dismantled 1967) was significant for its revolutionary floating cantilever construction, which made it one of the only large buildings to withstand the earthquake of 1923. In the 1930s he designed his low-cost Usonian houses, but his most admired house, Fallingwater, in Bear Run, Pa. (1936), is an extravagant country retreat cantilevered over a waterfall. His Johnson Wax Building (1936–39), an example of humane workplace design, touched off an avalanche of major commissions. Of particular note is the Guggenheim Museum (1956–59), which has no separate floor levels but instead uses a spiral ramp, realizing Wright's ideal of a continuous space. Throughout his career he retained the use of ornamental detail, earthy colours, and rich textural effects. His sensitive use of materials helped to control and perfect his dynamic expression of space, which opened a new era in American architecture. Often considered the greatest U.S. architect of all time, his greatest legacy is “organic architecture,” or the idea that buildings harmonize both with their inhabitants and with their environment.
Learn more about Wright, Frank Lloyd with a free trial on Britannica.com.
(born Nov. 7, 1885, White Oak township, McLean county, Ill., U.S.—died April 15, 1972, Chicago, Ill.) U.S. economist. He received his Ph.D. from Cornell University in 1916. He taught at the University of Chicago from 1927 to 1952; Milton Friedman was one of the many students he influenced. His book Risk, Uncertainty and Profit (1921) distinguished between insurable and uninsurable risks and asserted that profit was the reward entrepreneurs earned for bearing uninsurable risk. His monograph “Economic Organization” is a classic exposition of microeconomic theory. He is considered the founder of the Chicago school of economics.
Learn more about Knight, Frank H(yneman) with a free trial on Britannica.com.
(born June 29, 1910, New York, N.Y., U.S.—died July 28, 1969, New York City) U.S. composer, librettist, and lyricist. The son of a piano teacher, in 1936 he moved to Hollywood, where he worked with Burton Lane, Jule Styne, Jimmy McHugh, and Hoagy Carmichael. His wartime songs include “Praise the Lord and Pass the Ammunition” and “What Do You Do in the Infantry?”; postwar hits include “On a Slow Boat to China” and “Baby It's Cold Outside” (Academy Award, 1949). His first Broadway musical was Where's Charley? (1948; film, 1952). In 1950 he produced Guys and Dolls (film, 1955), one of the greatest American musicals. It was followed by The Most Happy Fella (1956) and How to Succeed in Business Without Really Trying (1962, Pulitzer Prize). His work for film includes the score for Hans Christian Andersen (1952).
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(born May 18, 1897, near Palermo, Sicily, Italy—died Sept. 3, 1991, La Quinta, Calif., U.S.) U.S. film director. At age six he immigrated with his family to the U.S. After holding various jobs in the film industry, he emerged as a major director with That Certain Thing (1928) and Platinum Blonde (1931). He won Academy Awards for It Happened One Night (1934) and Mr. Deeds Goes to Town (1936), stories that portray naive idealists who triumph over more worldly types. He chose the same theme for his next film, Mr. Smith Goes to Washington (1939) but departed from his usual style in Lost Horizon (1937) and Meet John Doe (1941). Capra also won a third Academy Award for You Can't Take It with You (1938). He made the documentary series Why We Fight during World War II and the Christmas classic It's a Wonderful Life (1946).
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(born Dec. 22, 1856, Potsdam, N.Y., U.S.—died Dec. 21, 1937, St. Paul, Minn.) U.S. lawyer and diplomat. He represented the U.S. government in antitrust cases before serving in the U.S. Senate (1917–23) and as U.S. ambassador to Britain (1923–25). Appointed U.S. secretary of state (1925–29) by Pres. Calvin Coolidge, he negotiated the multinational Kellogg-Briand Pact, for which he was awarded the Nobel Prize for Peace in 1929. He later served on the Permanent Court of International Justice (1930–35).
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(born Aug. 21, 1854, Mercer, Maine, U.S.—died Dec. 22, 1925, New York City, N.Y.) U.S. newspaper and magazine publisher. He managed a telegraph office before moving to New York City, where he founded Golden Argosy (1882), later renamed Argosy Magazine; and Munsey's Magazine (1889), the first inexpensive, general-circulation, illustrated magazine in the U.S. He acquired several newspapers in Baltimore and New York, some of which disappeared in profitable mergers. He viewed his publications purely as moneymaking enterprises and maintained colourless editorial policies. He left most of his large fortune to the Metropolitan Museum of Art in New York City.
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(born May 18, 1897, near Palermo, Sicily, Italy—died Sept. 3, 1991, La Quinta, Calif., U.S.) U.S. film director. At age six he immigrated with his family to the U.S. After holding various jobs in the film industry, he emerged as a major director with That Certain Thing (1928) and Platinum Blonde (1931). He won Academy Awards for It Happened One Night (1934) and Mr. Deeds Goes to Town (1936), stories that portray naive idealists who triumph over more worldly types. He chose the same theme for his next film, Mr. Smith Goes to Washington (1939) but departed from his usual style in Lost Horizon (1937) and Meet John Doe (1941). Capra also won a third Academy Award for You Can't Take It with You (1938). He made the documentary series Why We Fight during World War II and the Christmas classic It's a Wonderful Life (1946).
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(born Sept. 3, 1899, Traralgon, Vic., Austl.—died Aug. 31, 1985, Melbourne, Vic.) Australian physician and virologist. Burnet received his medical degree from the University of Melbourne. He later discovered a method for identifying bacteria by the viruses (bacteriophages) that attack them, and he shared a 1960 Nobel Prize with Peter Medawar for the discovery of acquired immunological tolerance to tissue transplants. He was knighted in 1951.
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(born Nov. 24, 1925, New York, N.Y., U.S.—died Feb. 27, 2008, Stamford, Conn.) U.S. writer and editor. He attended Yale University, where he was chairman of the Yale Daily News. In 1955 he founded the National Review; as editor in chief, he used the journal as a forum for his conservative views. His column “On the Right” was syndicated in 1962 and eventually appeared in more than 200 newspapers. From 1966 to 1999 he hosted Firing Line, a weekly television interview program in which he often employed his wit and debating skills against ideological opponents. His books include God and Man at Yale (1951), Rumbles Left and Right (1963), and a series of spy novels.
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(born June 12, 1929, Frankfurt am Main, Ger.—died March 1945, Bergen-Belsen concentration camp, near Hannover) German diarist. Frank was a young Jewish girl who kept a record of the two years her family spent in hiding in Amsterdam to escape Nazi persecution. After their discovery by the Gestapo in 1944, the family was transported to concentration camps; Anne died of typhus at Bergen-Belsen. Friends searching the hiding place found her diary, which her father published as The Diary of a Young Girl (1947). Precocious in style and insight, it traces her emotional growth amid adversity and is a classic of war literature.
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