Faust, Drew Gilpin (Catharine Drew Gilpin Faust), 1947-, American historian and educator, b. New York City, grad. Bryn Mawr (B.A. 1968), Univ. of Pennsylvania (M.A. 1971, Ph.D. 1975). A professor of history at the Univ. of Pennsylvania from 1976 to 2000, she has written several works on the antebellum and Civil War South, including Mothers of Invention: Women of the Slaveholding South in the American Civil War (1997), which won the Francis Parkman Prize, and This Republic of Suffering: Death and the American Civil War (2008). In 2001 she became the first dean of Harvard's Radcliffe Institute for Advanced Study, and oversaw the transformation of the former Radcliffe College into a multidisciplinary center for scholarly and creative work. Also a professor of history at Harvard from 2001, Faust was named president of the university in 2007, becoming the first woman to hold the post.

Faust, Faustus, or Johann Faust, fl. 16th cent., learned German doctor who traveled widely, performed magical feats, and died under mysterious circumstances. According to legend he had sold his soul to the devil (personified by Mephistopheles in many literary versions) in exchange for youth, knowledge, and magical power.

Innumerable folk tales and invented stories were attached to his name. The first printed version is the Volksbuch (1587) of Johann Spiess, which, in English translation, was the basis of Christopher Marlowe's play Dr. Faustus (c.1588). Many versions followed, ranging from popular buffoonery to highly developed art forms. Spiess and Marlowe represent Faust as a scoundrel justly punished with eternal damnation, but Lessing instead saw in him the symbol of man's heroic striving for knowledge and power and therefore as worthy of praise and salvation.

Lessing's view of Faust as seeker was continued by Goethe in one of the greatest dramatic poems ever written. He enlarged upon the old legend, adding the element of love and the saving power of woman and giving the story a philosophical treatment. Goethe first came to grips with the theme in 1774 (in what is called the Urfaust). The first part of Faust appeared in 1808; it is more suitable for the theater than the more profound and philosophic second part (1833).

The many subsequent Faust novels and dramas, among them those of Klinger, Chamisso, Grabbe, and Lenau, could not rival the power and fame of Goethe's work. A recent variant of the Faust legend is Thomas Mann's novel Doktor Faustus (1947, tr. 1948). Goethe's Faust inspired innumerable composers of operas, oratorios, stage music, and symphonic works, including Berlioz, Gounod, Schumann, Liszt, and Boito. Spohr's and Busoni's Faust operas are based on other literary models.

Legendary German necromancer or astrologer who sold his soul to the devil for knowledge and power. There was a historical Faust (perhaps two; both died circa 1540), who traveled widely performing magic, referred to the devil as his crony, and had a wide reputation for evil. The Faustbuch (1587), a collection of tales purportedly by Faust, told of such reputed wizards as Merlin and Albertus Magnus. It was widely translated; an English version inspired Christopher Marlowe's Tragicall History of D. Faustus (1604), which emphasized Faust's eternal damnation. Magic manuals bearing Faust's name did a brisk business; the classic Magia naturalis et innaturalis was known to Johann W. von Goethe, who, like Gotthold Lessing, saw Faust's pursuit of knowledge as noble; in Goethe's great Faust the hero is redeemed. Inspired by Goethe, many artists took up the story, including Hector Berlioz (in the dramatic cantata The Damnation of Faust) and Charles Gounod (in the opera Faust).

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