Soon after the introduction of fue instruments, a sect of Zen Buddhists called the ‘’Priests of Nothingness’’ began normal use of the instruments, particularly the Shakuhachi. These monks would play the instruments face down, as to preserve anonymity and promote humility. The Zen Buddhists viewed the instruments as spiritual tools, using them for Sui-Zen, translated ‘’blowing meditation’’
Modern fue performance may include a soloist or either a chamber or large orchestra of the instruments.
| Image | Name | Type | Description | |
|---|---|---|---|---|
| Shakuhachi | End-blown | One of the most popular and oldest of the Japanese fue | ||
| Hichiriki | End-blown | A unique fue, in that it is a double double reed instrument. It is often played during | ||
| Gakubue | Transverse | Traditional fue | ||
| Komabue | Transverse | This fue is for Komagaku, a type of music used for dances in Gagaku Imperial Court music | ||
| Ryuteki | Transverse | Used in Japan music seeming to have a Chinese origin. Its sound is said to represent the ascension of dragons. | ||
| Noh kan | Transverse | A flute used in the Noh and Hayashi ensemble. | ||
| Shinobue | Transverse | Also called the bamboo flute, it is used for Nagauta, the background music used in Kabuki | ||
| Kagurabue | This fue is used in a type of Japanese music called Mikagura. At 45.5 cm long, it is the longest fue. | |||
| Minteki aka Seiteki | Transverse | Used in ceremony |