In American furniture, the Empire style was most notably exemplified by the work of New York cabinetmakers Duncan Phyfe and Paris-trained Charles-Honoré Lannuier. Other major furniture centers renowned for regional interpretations of the American Empire style were Boston, Philadelphia, and Baltimore. Many examples of American Empire cabinetmaking are characterized by antiquities-inspired carving, gilt-brass furniture mounts, and decorative inlays such as stamped-brass banding with egg-and-dart, diamond, or Greek-key patterns, or individual shapes such as stars or circles.
The most elaborate furniture in this style was made around 1815-25, often incorporating columns with rope-twist carving, animal-paw feet, anthemion, stars, and acanthus-leaf ornamentation, sometimes in combination with gilding and vert antique (antique green, simulating aged bronze). The Red Room at the White House is a fine example of American Empire style. A simplified version of American Empire furniture, often referred to as the Grecian style, generally displayed plainer surfaces in curved forms, highly figured mahogany veneers, and sometimes gilt-stencilled decorations.
This Americanized interpretation of the Napoleonic Empire style continued in popularity in conservative regions outside the major metropolitan centers well past the mid-nineteenth century.