The artist can be recognised from his distinctive emblem present in one or more of the frescoes in all three churches. His warm colours ranging from dark red and russet to pastel shades of yellow, green, grey and black are distinctive as are the faces of his figures who all have sleepy eyes whether in scenes of heaven or hell. Vines, flowers and tree branches complete the images.
In the 16th century, following the Reformation, the frescoes were covered with coats of whitewash which hid them from view until quite recently. It was in the 1880s that they were first rediscovered in the church at Elmelunde with the result that the artist became known as the Elmelunde Master. It is however the frescoes in Fanefjord Church uncovered in the 1930s which are considered to be the most interesting and comprehensive.
The Elmelunde Master's school is also credited with the frescoes in churches on the neighbouring island of Falster at Tingsted, Nørre Alslev, Kettinge and Åstrup.
And the following images from Fanefjord Church: