Vreeland, Diana (Diana Dalziel), 1906-89, American fashion editor and consultant, b. Paris. In 1937, she joined Harper's Bazaar, becoming fashion editor in 1939. In 1963, she moved to Vogue magazine, where she was editor in chief from the mid-1960s until 1971. As editor of the two leading fashion magazines, she had considerable influence on fashion and on the success of particular designers and models. In 1971, she became a consultant to the Costume Institute at the Metropolitan Museum of Art. During her tenure, the museum held exhibitions on the work of Cristóbal Balenciaga and treated such themes as "American Women of Style," "The Glory of Russian Costume," and "Man and the Horse." The openings to each exhibition became a major social event in the fashion world.

Diana, princess of Wales, 1961-97, wife of Charles, prince of Wales, heir to the British throne. The daughter of the 8th Earl Spencer, Lady Diana Frances Spencer was a kindergarten teacher in London before her 1981 marriage to Charles. They had two sons, the princes William (b. 1982) and Henry (b. 1984), but separated in 1992 and were divorced in 1996. Diana and Charles were rivals for acceptance by the British public after their marriage unraveled spectacularly; her death in a Paris car crash in Aug., 1997, brought a huge outpouring of sentiment.

Diana, in Roman religion, goddess of the moon, forests, animals, and women in childbirth. She was probably originally a forest goddess and a special patroness of women. She was identified with the Greek Artemis, and at her temple on the Aventine at Rome she was honored as the virgin goddess. Her most famous cult, however, was at Aricia, near Lake Nemi; there she was worshiped as an earth goddess and was associated with fertility rites and with the Great Mother Goddess.

(born Oct. 14, 1893, Springfield, Ohio, U.S.—died Feb. 27, 1993, New York, N.Y.) U.S. film and theater actress. She acted on Broadway and with touring companies from age five, often with her sister, Dorothy (1898–1968). Their screen careers began when D.W. Griffith featured them in An Unseen Enemy (1912). Lillian won international fame in The Birth of a Nation (1915) and starred as the luminous heroine of other Griffith films such as Broken Blossoms (1919), Way Down East (1920), and Orphans of the Storm (1921). Dorothy was a popular star in light comedies through the 1920s, but her career was overshadowed by her sister's durable fame. After the hits La Bohème and The Scarlet Letter (both 1926), Lillian's film career waned and she returned to the stage in plays such as Uncle Vanya (1930), Hamlet (with John Gielgud, 1936), Life with Father (1940), and The Trip to Bountiful (1953). Returning to the screen, she was acclaimed in The Night of the Hunter (1955), A Wedding (1978), and The Whales of August (1987).

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(born Oct. 14, 1893, Springfield, Ohio, U.S.—died Feb. 27, 1993, New York, N.Y.) U.S. film and theater actress. She acted on Broadway and with touring companies from age five, often with her sister, Dorothy (1898–1968). Their screen careers began when D.W. Griffith featured them in An Unseen Enemy (1912). Lillian won international fame in The Birth of a Nation (1915) and starred as the luminous heroine of other Griffith films such as Broken Blossoms (1919), Way Down East (1920), and Orphans of the Storm (1921). Dorothy was a popular star in light comedies through the 1920s, but her career was overshadowed by her sister's durable fame. After the hits La Bohème and The Scarlet Letter (both 1926), Lillian's film career waned and she returned to the stage in plays such as Uncle Vanya (1930), Hamlet (with John Gielgud, 1936), Life with Father (1940), and The Trip to Bountiful (1953). Returning to the screen, she was acclaimed in The Night of the Hunter (1955), A Wedding (1978), and The Whales of August (1987).

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Roman goddess of nature, animals, and the hunt. As a fertility deity, she was invoked for aid in conception and childbirth. She was virtually indistinguishable from the Greek goddess Artemis. In her cult in Rome she was considered the protector of the lower classes, especially slaves.

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