Concrete art and design or
concretism is an
abstractionist movement that evolved in the 1930s out of the work of
De Stijl, the
futurists and
Kandinsky around the Swiss painter
Max Bill. The term "concrete art" was first introduced by
Theo van Doesburg in his "Manifesto of Concrete Art" (1930). In his understanding, this form of abstractionism must be free of any symbolical association with reality, arguing that lines and colors are concrete by themselves.
Max Bill further promoted this idea, organizing the first international exhibition in 1944. The movement came to fruition in Northern Italy and France in the 1940s and 1950's through the work of the groups Movimento d'arte concreta (MAC) and Espace.
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