Other monuments still surviving on O'Connell Street include statues honouring Charles Stewart Parnell at the north end of the street; at the southern end stands a statue of Daniel O'Connell. Other statues on the street include one of trade union leader James Larkin.
Nearby, outside St. Mary's Pro-Cathedral stands a statue honouring the Dublin Martyrs, Mayor Francis Taylor and his grandmother-in-law Mayoress Margaret Ball.
On the site of the Pillar, a new monument was erected in January 2003. Officially named the Spire of Dublin, this tall needle-like structure has already received a number of nicknames including The Spike, The Binge Syringe, The Stiletto in the Ghetto, The Nail in the Pale (see the Pale), The Pin in the Bin, The Stiffy at the Liffey, and The Erection in the Intersection. To erect the new monument, a notorious 1980s monument to the personified river Liffey, Anna Livia, was removed from nearby on O'Connell St. A woman sitting on a slope with bubbling water running down past her represented the river. It rapidly came to be nicknamed the Floozie in the Jacuzzi, the Hoor in the Sewer ("hoor" is a dialectal Irish version of "whore", and in a "working class" Dublin accent, rhymes with sewer).
North Earl Street runs right onto the base of the Spire. At this junction is a statue of James Joyce, the world-famous Irish writer, walking with a cane in his hand. It is known to the Dublin populace as "The Prick with the Stick".
Just by the Ha'penny Bridge is a statue of two women sitting on a bench engaged in conversation with their shopping bags at their feet — they are known famously as "The Hags with the Bags".
A short distance away from O'Connell Street by the banks of the Liffey lies the site of an ill-fated millennium clock, erected in the mid-1990s to count down the hours, minutes and seconds to the year 2000. The clock, with a green-illuminated digital face, was placed underneath the surface of the river by the bank so that the time shone up through the water. A postcard booth was placed on the bridge above the clock that printed postcards for £1, each bearing the exact amount of time left at that moment until the dawn of the new millennium. However, the clock entered a period of chronic ill health: it had to be temporarily removed to allow a rowing-boat race to pass by and in the months that followed, it had repeated problems with letting in water and failing to display the time correctly. It was removed after a brief period, but not before it had been variously nicknamed "The Time in the Slime", and "The Chime in the Slime" by the people of Dublin. Also it received the nickname "An Rud in the Mud" (a usage of the Gaelic word rud, meaning "thing" or an object of no actual function — the implication being that the clock was of no practical use, even when it worked). A rectangular hole left in the side of the bridge was later filled with a hoax plaque commemorating a fictitious priest, Father Pat Noise.
On College Street, outside Trinity College, the traffic island that a statue to the nineteenth-century lyricist Thomas Moore shares with a public toilet has long been known as "The Meeting of the Waters", thus neatly honouring both the civic facility and a famous poem of the writer.
Another statue to earn a dubious but comical nickname is a monument at the bottom of Grafton Street representing Molly Malone, a fictitious fishmonger featured in Dublin's anthem, Molly Malone, who is shown, with ample cleavage, wheeling a cart. The statue was erected to celebrate Dublin's millennium in 1988 (although Dublin was more than 1,000 years old at the time, see History of Dublin), and is generally known in Dublin as "The Tart with the Cart", "The Dolly with the Trolley", "The Trollop with the Scallop", "The Dish with the Fish" or "The Flirt in the Skirt".
On the north-east corner of St Stephen's Green, a semi-circle of rough stone pillars commemorating the Irish Famine and surrounding a statue of Wolfe Tone, is sometimes called Tone-henge (after Stonehenge). In Merrion Square, inside the north west corner gateway, there is a statue of Oscar Wilde composed of different coloured stone, sitting on a large granite boulder. This has been nicknamed The Queer with the Leer, The Fag on the Crag or The Quare in the Square ("quare" being a dialectal Irish pronunciation of queer).
Curiously, given that Ireland has been independent for over 80 years, no Dublin statues commemorate independent Irish leaders. Statues were never erected to figures like Éamon de Valera, W. T. Cosgrave, Seán Lemass, or any of the presidents of Ireland. One of the few elected politicians commemorated with a statue is Henry Grattan, a leading politician of the 1780s in the old Irish Parliament. A nearby statue of patriot Thomas Davis has earned the nickname "Frankenstein" due to the out of scale hands and odd shaped body given to the nationalist leader in the 1960s work.
Dublin was once famed for its high quality equestrian statues, including the Lord Gough monument in the Phoenix Park, the William of Orange statue in College Green and the King George II statue in St Stephen's Green. No statues of people on horseback remain today, as the IRA has since blown them all up. There is, however, a modern equestrian statue outside the "Break for the Border" nightclub on Stephen Street. The statue consists of an American Indian mounted on horseback.
One statue not destroyed was the statue of Queen Victoria by Irish sculptor John Hughes, which was unveiled outside Leinster House, now the seat of Oireachtas Éireann, by Edward VII in 1904. Noel Lemass TD remarked of the statute in Dáil Éireann "I think we all agree it is one of the most ugly statues of that royal lady... Nicknamed "The Auld Bitch", it was removed in 1947 and transferred to storage at the Royal Hospital Kilmainham. In the late 1980s, it was given to the city of Sydney, Australia, where it now stands outside the Queen Victoria Building in the city centre.