Crime of inflicting physical or emotional injury on a child. The term can denote the use of inordinate physical violence or verbal abuse; the failure to furnish proper shelter, nourishment, medical treatment, or emotional support; incest, rape, or other instances of sexual molestation; and the making of child pornography. Child abuse can cause serious harm to its victims. Estimates of the numbers of children who suffer physical abuse or neglect by parents or guardians range from about 1 percent of all children to about 15 percent, and figures are far higher if emotional abuse and neglect are included. In many cases, the abuser himself suffered abuse as a child. When abuse results in death, evidence of child abuse or battered-child syndrome (e.g., broken bones and lesions, either healed or active) is often used to establish that death was not accidental.
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Body of written works produced to entertain or instruct young people. The genre encompasses a wide range of works, including acknowledged classics of world literature, picture books and easy-to-read stories, and fairy tales, lullabies, fables, folk songs, and other, primarily orally transmitted, materials. It emerged as a distinct and independent form only in the second half of the 18th century and blossomed in the 19th century. In the 20th century, with the attainment of near-universal literacy in most developed nations, the diversity in children's books came almost to rival that of adult popular literature.
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Special United Nations program for aiding national efforts to improve the health, nutrition, education, and general welfare of children. Its original purpose was to provide relief to children in countries devastated by World War II. After 1950 it turned to general programs for the improvement of children's welfare. It was awarded the Nobel Prize for Peace in 1965. UNICEF has focused its efforts on areas in which relatively small expenditures can have a significant impact on the lives of the most disadvantaged children, such as the prevention and treatment of disease. UNICEF also provides funding for health services, educational facilities, and other welfare services. It is headquartered in New York City.
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(1212) Religious movement in Europe in which thousands, including many children and young people, set out to take the Holy Land from the Muslims by love instead of by force. The events of the Crusade are disputed. According to one version, only partially accurate, the first group of approximately 30,000 was led by a French shepherd boy, Stephen of Cloyes, who had a vision of Jesus and received a letter from him. Stephen led the Crusade to Paris and delivered the letter to King Philip II Augustus, who dispersed the Crusaders. A German boy led the second group across the Alps; a few survived to reach Rome, where Innocent III released them from their vows. Contemporary accounts describing horrible fates of the participants should be treated cautiously because they were written by those hostile to the movement. Though the movement ended without reaching the Holy Land, it excited religious fervour that helped initiate the Fifth Crusade (1217–21).
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Children's literature is an age category of literature written for, published for, or marketed to children, roughly through age 12. Children's literature spans various literary genres of interest to children.
In addition to genres, books can also be categorized by their various formats, such as picture books, easy-to-read books, illustrated books, chapter books, hardcover books, paperback books, grocery store books, and series books. There is considerable controversy on whether grocery store (particularly merchandise) books are considered literature. Included in this debate are comic books and graphic novels.
While most children's literature is specifically written for children, many classic books that were originally intended for adults are now commonly thought of as works for children, including Mark Twain's Adventures of Huckleberry Finn. Conversely, some works of fiction originally written or marketed for children are also read and enjoyed by adults, such as Philip Pullman's The Amber Spyglass, and Mark Haddon's The Curious Incident of the Dog in the Night-Time, both of which received the Whitbread Awards, which are typically awarded to adult novels. Also included are the works of J. K. Rowling and Shel Silverstein. Additionally, the Nobel prize for literature has also been given to authors who made great contributions to children's literature, such as Selma Lagerlöf and Isaac Bashevis Singer. Often no consensus is reached whether a given work is best categorized as adult or children's literature, and many books are marketed in adult, children's, and young adult editions.
There are a number of problems inherent in defining a class of books as "children’s literature": For example, much of what is commonly regarded as "classic" children's literature speaks on multiple levels, and as such is able to be enjoyed by both adults and children. For example, many people will reread Alice's Adventures in Wonderland or The Wind in the Willows as adults and appreciate aspects of each that they failed to notice when they read the books as children. Many critics regard such multiplicity as having drawbacks, however; an adult may see the darker themes of a book and deem it unsuitable for children, despite the fact that such themes will likely be lost on younger readers.
One example of this is Mark Twain's Huckleberry Finn, throughout which the word "nigger" is used liberally. Many people feel that the word's racist and discriminatory connotations make it unacceptable to use anywhere, and particularly in a book aimed at children. Others, however, claim that to call the book racist because of this usage is to miss its point; Huckleberry Finn shows an admirable black character who becomes the voice of reason for a cast-off urchin and a middle- class white boy. Peter Hollindale, the educator and literary critic, applauded the book as "one of the greatest anti-racist texts of all time and T. S. Eliot called it a "masterpiece".
Parents wishing to protect their children from the unhappier aspects of life often find the traditional fairy tales, nursery rhymes and other voyages of discovery problematical, because often the first thing a story does is remove the adult influence, leaving the central character to learn to cope on his or her own: prominent examples of this include Snow White, Hansel and Gretel, Bambi and A Series of Unfortunate Events. Many regard this as necessary to the story; after all, in most cases the whole point of the story is the characters' transition into adulthood.
Many authors specialize in books for children. Other authors are more known for their writing for adults, but have also written books for children, such as Alexey Tolstoy's The Adventures of Burratino, and Carl Sandburg's "Rootabaga Stories". In some cases, books intended for adults, such as Swift's Gulliver's Travels have been edited (or bowdlerized) somewhat, to make them more appropriate for children.
Another type of children's literature is work written by children, such as The Young Visiters by Daisy Ashford (aged 9) or the juvenilia of Jane Austen or Lewis Carroll, written to amuse brothers and sisters.
An attempt to identify the characteristics shared by works called "children's literature" leads to some good general guidelines that are generally accepted by experts in the field. No one rule is perfect, however, and for every identifying feature there are many exceptions, as well as many adult books that share the characteristic. (For further discussion, see Hunt 1991: 42-64, Lesnik-Oberstein 1996, Huck 2001: 4-5.)
Publishers have attempted to further break down children's literature into subdivisions appropriate for different ages. In the United States, current practice within the field of children's books publishing is to break children's literature into pre-readers, early readers, chapter books, and young adults. This is roughly equivalent to the age groups 0-5, 5-7, 7-11 (sometimes broken down further into 7-9 and pre-teens), and books for teenagers. However, the criteria for these divisions are just as vague and problematic as the criteria for defining children's books as a whole. One obvious distinction is that books for younger children tend to contain illustrations, but picture books which feature art as an integral part of the overall work also cross all genres and age levels (as can be seen with the Caldecott Honor Book Tibet: Through the Red Box, by Peter Sis, which has an adult implied reader). As a general rule the implied reader of a children's or young adult book is 1-3 years younger than the protagonist. (Counter example: Orson Scott Card's Ender's Game, not necessarily written for children, but co-opted by a child and young-adult audience.)
Anderson suggests that literary elements should be found throughout all of children's literature. These important elements include characters, point of view, setting, plot, theme, style, and tone.
Anderson also suggests that every teacher should have at least 300 books in their classroom library.
Anderson states that there are "several common themes in traditional literature" they follow along the lines of "Triumph of good over evil, trickery, hero's quest, reversal of fortune, and small outwitting the big," "Because one of the purposesof folklore was to transmit cultural values and beliefs, the theme is uaually quite apparent.
Children's books are often illustrated, sometimes lavishly, in a way that is rarely used for adult literature. As a rule of thumb, the younger the intended reader (or commonly pre-literate children), the more attention is paid to the artwork. Many authors work with a preferred artist who illustrates their words; others create books together, achieving "a marriage of words and pictures."
Many authors and illustrators belong to the Society of Children's Book Writers and Illustrators (SCBWI).
According to Anderson, "Even after children learn to read, illustrations continue to aid to their comprehension. Among the many components of a child's visual world, book illustrations are a beautiful medium through which to learn about their world". Children's picture books can be a cognitively accessible source of high quality Art for young children. You can help children appreciate the artwork in children's literature by calling attention to the techniques that artists use, such as space, line, shape, color, texture, scale and dimension, and composition.
Watercolor is the most popular medium for picture book illustrations.
The bulk of traditional Literature consists of folktales, which conveys the legends, customs, superstitions, and beliefs of people in past times. This large genre can be further broken down into subgenres. The subgenres of folktales are myths, fables, ballads and songs, legends, tall tales, and fairy tales.
The success of a book for children often prompts the author to continue the story in a sequel, or even to launch into an entire series of books. Some works are originally conceived as series: J. K. Rowling has always stated in interviews that her original plan was to write no fewer than seven books about Harry Potter, and some authors, such as the prolific Enid Blyton and R. L. Stine, have specialized in open-ended series. In several cases, series have outlived their authors, whether publishers openly hired new authors to continue after the death of the original creator of the series (such was the case when Reilly and Lee hired Ruth Plumly Thompson to continue The Oz series after L. Frank Baum's death), or whether the pen name of the original author was retained as a brand-nom-de-plume for the series (as with Franklin W. Dixon and the Hardy Boys series, Harry G. Allard's Miss Nelson series, Carolyn Keene and the Nancy Drew series, and V. C. Andrews and the Flowers in the Attic series). Sequels and series are of course also popular in adult writing, where they are most common in genre novels such as crime fiction, thrillers, and so on. Genres in children's literature include pony stories (including the works of the Pullein-Thompson sisters and Pat Smythe) and school stories (e.g. Rudyard Kipling's Stalky and Co. and Angela Brazil's oeuvre). More genres would include modern fantasy, contemporary realistic fiction, historical fiction, picture books, picture story books and traditional literature. However, each genre has many sub-genres as well. For example traditional literature includes folktales, fables, myths and legends. Genres can also be classified by two organizational methods which are length and complexity as well as content.
Multidisciplinary scholarship has examined gender and culture within children's literatures.
Courses on children's literature are often required in initial and advanced (early childhood/elementary) teacher training in the United States.