In journalism, a story refers to a single article, news item or feature. A story is usually relevant to a single event, issue, theme, or profile of a person. Stories are usually inspired through news pegs (the central premise of the story). Correspondents report on news occurring in the main, locally, from their own country, or from foreign cities where they are stationed.
Today, most reporters file information or write their stories electronically from remote locations. In many cases, breaking stories are written by random staff members, through information collected and submitted by other reporters who are out on the field gathering information for an event that has just occurred and needs to be broadcast instantly. Radio and television reporters often compose stories and report "live" from the scene. Some journalists also interpret the news or offer opinions and analysis to readers, viewers, or listeners. In this role, they are called commentators or columnists.
In television or broadcast journalism, news analysts (also called news-casters or news anchors) examine, interpret, and broadcast news received from various sources of information. Anchors present this as news, either videotaped or live, through transmissions from on-the-scene reporters (news correspondents).
News clips can vary in length; there are some which may be as long as ten minutes, others that need to fit in all the relevant information and material in two or three minutes. News channels these days have also begun to host special documentary films that stretch for much longer durations and are able to explore a news subject or issue in greater detail.
Often, routine news is sourced directly from these agencies, by the news desk. Routine news is information related to announcements, press conferences, statements made by government or corporate officials, and any other mundane facts. The news desk receives updates from agencies every few minutes. Information related to the outbreak of a calamity, or important developments concerning national issues is usually obtained from agencies itself. These news items often go without any reporter's byline, that is, the credit is given to the newspaper in general, or is attributed to the agency that has sent out the information (or "broken the story"). If not very impactful, they are carried as small news briefs. On television, these items are the snippets displayed on the ticker: the rolling text at the bottom of the screen. Reporters who work for agencies do not usually get any credit for their work, as it is sent out as an "agency copy". Wire agencies are extremely important to the functioning of journalism; they are the backbones of most news organisations today, who heavily depend on them for important, routine content. They provide the material that an organisation may not be able to cover through its own limited resources alone.
Exclusive stories on the contrary, are the stories or news items that a publication or channel has obtained through its own resources; it is when a reporter associated with a particular organisation has found certain information through personal sources, and not through public announcements or from PR officials. The exclusivity of a story is also dependent on the condition that no other news channel or publication carries it simultaneously. Often, a reporter may find an exclusive story, but finds that it has lost its exclusivity when his or her source gives out that information to other newspapers and channels. While routine stories may provide the basic material that is required, exclusive stories are the ones that form the editorial identity or the voice of the newspaper.
Morning newspapers are obliged to carry both routine and exclusive news; afternoon editions usually have to go a step further and work hard on follow-ups and their own exclusive stories. Most afternoon dailies do not carry routine news at all. Their content is lighter, and is meant to be a second reflection of the day's events. Magazines and weeklies also focus entirely on features and exclusive stories.
Most of the time, journalists are expected to be responsible and objective in their analysis, and are supposed to refrain from personal biases or prejudices. However, this is one of the most debated of all journalistic values, and many today feel that objectivity is a myth.
Grade the News, an American website, identified seven yardsticks on the basis of which it judges the standards of some local media houses' news quality. These yardsticks are newsworthiness, context, explanation, local relevance, civic contribution, enterprise and fairness.
Newspapers and periodicals often contain features (see under heading feature style at article news style) written by journalists, many of whom specialize in this form of in-depth journalistic writing.
Feature articles are usually longer forms of writing; more attention is paid to style than in straight news reports. They are often combined with photographs, drawings or other "art." They may also be highlighted by typographic effects or colors.
Writing features can be more demanding than writing straight news stories, because while a journalist must apply the same amount of effort to accurately gather and report the facts of the story, he or she must also find a creative and interesting way to write it. The lead (or first two paragraphs of the story; see Nut graf) must grab the reader's attention and yet accurately embody the ideas of the article.
In the last half of the 20th Century the line between straight news reporting and feature writing has blurred. Journalists and publications today experiment with different approaches to writing. Tom Wolfe, Gay Talese, Hunter S. Thompson are some of these examples. Urban and alternative weekly newspapers go even further in blurring the distinction, and many magazines include more features than straight news.
Some television news shows experimented with alternative formats, and many TV shows that claimed to be news shows were not considered as such by traditional critics, because their content and methods do not adhere to accepted journalistic standards. National Public Radio, on the other hand, is considered a good example of mixing straight news reporting, features, and combinations of the two, usually meeting standards of high quality. Other US public radio news organizations have achieved similar results. A majority of newspapers still maintain a clear distinction between news and features, as do most television and radio news organizations.
Sports journalism covers many aspects of human athletic competition, and is an integral part of most journalism products, including newspapers, magazines, and radio and television news broadcasts. While some critics don't consider sports journalism to be true journalism, the prominence of sports in Western culture has justified the attention of journalists to not just the competitive events in sports, but also to athletes and the business of sports.
Sports journalism in the United States has traditionally been written in a looser, more creative and more opinionated tone than traditional journalistic writing; the emphasis on accuracy and underlying fairness is still a part of sports journalism. An emphasis on the accurate description of the statistical performances of athletes is also an important part of sports journalism.
Science journalism is a relatively new branch of journalism, in which journalists' reporting conveys information on science topics to the public. Science journalists must understand and interpret very detailed, technical and sometimes jargon-laden information and render it into interesting reports that are comprehensible to consumers of news media.
Scientific journalists also must choose which developments in science merit news coverage, as well as cover disputes within the scientific community with a balance of fairness to both sides but also with a devotion to the facts.
Many, but not all, journalists covering science have training in the sciences they cover, including several medical journalists who cover medicine.
Investigative journalism, in which journalists investigate and expose unethical immoral and illegal behavior by individuals, businesses and government agencies, can be complicated, time-consuming and expensive — requiring teams of journalists, months of research, interviews (sometimes repeated interviews) with numerous people, long-distance travel, computers to analyze public-record databases, or use of the company's legal staff to secure documents under freedom of information laws.
Because of its inherently confrontational nature, this kind of reporting is often the first to suffer from budget cutbacks or interference from outside the news department. Investigative reporting done poorly can also expose journalists and media organizations to negative reaction from the subjects of investigations and the public, and accusations of gotcha journalism. When conducted correctly it can bring the attention of the public and government to problems and conditions that the public deem need to be addressed, and can win awards and recognition to the journalists involved and the media outlet that did the reporting.
New Journalism was the name given to a style of 1960s and 1970s news writing and journalism which used literary techniques deemed unconventional at the time. The term was codified with its current meaning by Tom Wolfe in a 1973 collection of journalism articles.
It is typified by using certain devices of literary fiction, such as conversational speech, first-person point of view, recording everyday details and telling the story using scenes. Though it seems undisciplined at first, new journalism maintains elements of reporting including strict adherence to factual accuracy and the writer being the primary source. To get "inside the head" of a character, the journalist asks the subject what they were thinking or how they felt.
Because of its unorthodox style, new journalism is typically employed in feature writing or book-length reporting projects.
Many new journalists are also writers of fiction and prose. In addition to Wolfe, writers whose work has fallen under the title "new journalism" include Norman Mailer, Hunter S. Thompson, Joan Didion, Truman Capote, George Plimpton and Gay Talese.
Another area of journalism that grew in stature in the 20th Century is 'celebrity' or 'people' journalism, which focuses on the personal lives of people, primarily celebrities, including movie and stage actors, musical artists, models and photographers, other notable people in the entertainment industry, as well as people who seek attention, such as politicians, and people thrust into the attention of the public, such as people who do something newsworthy.
Once the province of newspaper gossip columnists and gossip magazines, celebrity journalism has become the focus of national tabloid newspapers like the National Enquirer, magazines like People and Us Weekly, syndicated television shows like Entertainment Tonight, Inside Edition, The Insider, Access Hollywood, and Extra, cable networks like E!, A&E Network and The Biography Channel, and numerous other television productions and thousands of websites. Most other news media provide some coverage of celebrities and people.
Celebrity journalism differs from feature writing in that it focuses on people who are either already famous or are especially attractive, and in that it often covers celebrities obsessively, to the point of these journalists behaving unethically in order to provide coverage. Paparazzi, photographers who would follow celebrities incessantly to obtain potentially embarrassing photographs, have come to characterize celebrity journalism.
An emerging form of journalism, which combines different forms of journalism, such as print, photographic and video, into one piece or group of pieces. Convergence journalism can be found in the likes of CNN and many other news sites. The Washington Post has a notable amount of this.
Ambush journalism refers to aggressive tactics practiced by journalists to suddenly confront with questions people who otherwise do not wish to speak to a journalist. The practice has particularly been applied by television journalists, such as those on the CBS-TV news show 60 Minutes and by Geraldo Rivera and other local television reporters conducting investigations.
The practice has been sharply criticized by journalists and others as being highly unethical and sensational, while others defend it as the only way to attempt to provide those subject to it an opportunity to comment for a report. Ambush journalism has not been ruled illegal in the United States, although doing it on private property could open a journalist to being charged with trespassing.
Lippmann understood that journalism's role at the time was to act as a mediator or translator between the public and policymaking elites. The journalist became the middleman. When elites spoke, journalists listened and recorded the information, distilled it, and passed it on to the public for their consumption. His reasoning behind this was that the public was not in a position to deconstruct the growing and complex flurry of information present in modern society, and so an intermediary was needed to filter news for the masses. Lippman put it this way: The public is not smart enough to understand complicated, political issues. Furthermore, the public was too consumed with their daily lives to care about complex public policy. Therefore the public needed someone to interpret the decisions or concerns of the elite to make the information plain and simple. That was the role of journalists. Lippmann believed that the public would affect the decision-making of the elite with their vote. In the meantime, the elite (i.e. politicians, policy makers, bureaucrats, scientists, etc.) would keep the business of power running. In Lippman's world, the journalist's role was to inform the public of what the elites were doing. It was also to act as a watchdog over the elites, as the public had the final say with their votes. Effectively that kept the public at the bottom of the power chain, catching the flow of information that is handed down from experts/elites.
Dewey, on the other hand, believed the public was not only capable of understanding the issues created or responded to by the elite, it was in the public forum that decisions should be made after discussion and debate. When issues were thoroughly vetted, then the best ideas would bubble to the surface. Dewey believed journalists should do more than simply pass on information. He believed they should weigh the consequences of the policies being enacted. Over time, his idea has been implemented in various degrees, and is more commonly known as "community journalism."
This concept of community journalism is at the centre of new developments in journalism. In this new paradigm, journalists are able to engage citizens and the experts/elites in the proposition and generation of content. It's important to note that while there is an assumption of equality, Dewey still celebrates expertise. Dewey believes the shared knowledge of many is far superior to a single individual's knowledge. Experts and scholars are welcome in Dewey's framework, but there is not the hierarchical structure present in Lippman's understanding of journalism and society. According to Dewey, conversation, debate, and dialogue lie at the heart of a democracy.
While Lippman's journalistic philosophy might be more acceptable to government leaders, Dewey's approach is a better description of how many journalists see their role in society, and, in turn, how much of society expects journalists to function. Americans, for example, may criticize some of the excesses committed by journalists, but they tend to expect journalists to serve as watchdogs on government, businesses and other actors, enabling people to make informed decisions on the issues of the time.
According to The Elements of Journalism, a book by Bill Kovach and Tom Rosensteil, there are nine elements of journalism In order for a journalist to fulfill their duty of providing the people with the information they need to be free and self-governing. They must follow these guidelines:
Since the development of professional journalism at the beginning of the 20th Century, journalists have been expected to follow a stringent code of journalistic conduct that requires them to, among other things:
This was in stark contrast to the media climate prior to the 20th Century, where the media market was dominated by smaller newspapers and pamphleteers who usually had an overt and often radical agenda, with no presumption of balance or objectivity. E.g., see (1)
There are several professional organizations, universities and foundations that recognize excellence in journalism in the USA. The Pulitzer Prize, administered by Columbia University in New York City, is awarded to newspapers, magazines and broadcast media for excellence in various kinds of journalism. The Columbia University Graduate School of Journalism gives the Alfred I. duPont-Columbia University Awards for excellence in radio and television journalism, and the Scripps Howard Foundation gives the National Journalism Awards in 17 categories. The Society of Professional Journalists gives the Sigma Delta Chi Award for journalism excellence. In the television industry, the National Academy of Television Arts & Sciences gives awards for excellence in television journalism.
As much as reporters try to set aside their prejudices, they may simply be unaware of them. Young reporters may be blind to issues affecting the elderly. A 20-year veteran of the "police beat" may be deaf to rumours of departmental corruption. Publications marketed to affluent suburbanites may ignore urban problems. And, of course, naive or unwary reporters and editors alike may fall prey to public relations, propaganda or disinformation.
News organizations provide editors, producers or news directors whose job is to check reporters' work at various stages. But editors can get tired, lazy, complacent or biased. An editor may be blind to a favorite reporter's omissions, prejudices or fabrications. (See Jayson Blair.) Provincial editors also may be ill-equipped to weigh the perspective (or check the facts of) a correspondent reporting from a distant city or foreign country. (See News management.)
A news organization's budget inevitably reflects decision-making about what news to cover, for what audience, and in what depth. Those decisions may reflect conscious or unconscious bias. When budgets are cut, editors may sacrifice reporters in distant news bureaus, reduce the number of staff assigned to low-income areas, or wipe entire communities from the publication's zone of interest.
Publishers, owners and other corporate executives, especially advertising sales executives, can try to use their powers over journalists to influence how news is reported and published. Journalists usually rely on top management to create and maintain a "firewall" between the news and other departments in a news organization to prevent undue influence on the news department. One journalism magazine, Columbia Journalism Review, has made it a practice to reveal examples of executives who try to influence news coverage, of executives who do not abuse their powers over journalists, and of journalists who resist such pressures.
Self-censorship is a growing problem in journalism, particularly in covering countries that sharply restrict press freedom. As commercial pressure in the media marketplace grows, media organizations are loath to lose access to high-profile countries by producing unflattering stories. For example, CNN admitted that it had practiced self-censorship in covering the Saddam Hussein regime in Iraq in order to ensure continued access after the regime had thrown out other media. CNN correspondent Christiane Amanpour also complained of self-censorship during the invasion of Iraq due to the fear of alienating key audiences in the US. There are claims that the media are also avoiding covering stories about repression and human rights violations by the Iranian regime in order to maintain a presence in the country.
Generally, publishers and consumers of journalism draw a distinction between reporting — "just the facts" — and opinion writing, often by restricting opinion columns to the editorial page and its facing or "op-ed" (opposite the editorials) page. Unsigned editorials are traditionally the official opinions of the paper's editorial board, while op-ed pages may be a mixture of syndicated columns and other contributions, frequently with some attempt to balance the voices across some political or social spectrum.
The distinction between reporting and opinion can break down. Complex stories often require summarizing and interpretation of facts, especially if there is limited time or space for a story. Stories involving great amounts of interpretation are often labelled "news analysis," but still run in a paper's news columns. The limited time for each story in a broadcast report rarely allows for such distinctions.
Journalists around the world often write about the governments in their nations, and those governments have widely varying policies and practices towards journalists, which control what they can research and write, and what press organizations can publish. Many Western governments guarantee the freedom of the press, and do relatively little to restrict press rights and freedoms, while other nations severely restrict what journalists can research and/or publish.
Journalists in many nations have enjoyed some privileges not enjoyed by members of the general public, including better access to public events, crime scenes and press conferences, and to extended interviews with public officials, celebrities and others in the public eye. These privileges are available because of the perceived power of the press to turn public opinion for or against governments, their officials and policies, as well as the perception that the press often represents their consumers. These privileges extend from the legal rights of journalists but are not guaranteed by those rights. Sometimes government officials may attempt to punish individual journalists who irk them by denying them some of these privileges extended to other journalists.
Nations or jurisdictions that formally license journalists may confer special privileges and responsibilities along with those licenses, but in the United States the tradition of an independent press has avoided any imposition of government-controlled examinations or licensing. Some of the states have explicit shield laws that protect journalists from some forms of government inquiry, but those statutes' definitions of "journalist" were often based on access to printing presses and broadcast towers. A national shield law has been proposed.
In some nations, journalists are directly employed, controlled or censored by their governments. In other nations, governments who may claim to guarantee press rights actually intimidate journalists with threats of arrest, destruction or seizure of property (especially the means of production and dissemination of news content), torture or murder.
Journalists who elect to cover conflicts, whether wars between nations or insurgencies within nations, often give up any expectation of protection by government, if not giving up their rights to protection by government. Journalists who are captured or detained during a conflict are expected to be treated as civilians and to be released to their national government.
Journalists' interaction with sources sometimes involves confidentiality, an extension of freedom of the press giving journalists a legal protection to keep the identity of a source private even when demanded by police or prosecutors; withholding sources can land journalists in contempt of court, or in jail.
The scope of rights granted to journalists varies from nation to nation; in the United Kingdom, for example, the government has had more legal rights to protect what it considers sensitive information, and to force journalists to reveal the sources of leaked information, than the United States. Other nations, particularly Zimbabwe and the People's Republic of China, have a reputation of persecuting journalists, both domestic and foreign.
In the United States, there has never been a right to protect sources in a federal court. Some states provide varying degrees of such protection. However, federal courts will refuse to force journalists to reveal sources, unless the information the court seeks is highly relevant to the case, and there's no other way to get it. Journalists, like all citizens, who refuse to testify even when ordered to can be found in contempt of court and fined or jailed.
Some states have more open policies for making information available, and some states have acted in the last decade to broaden those rights. New Jersey has updated and broadened its freedom of information legislation to better define what kinds of government documents can be withheld from public inquiry.
Media: It's 3am, and the Party Isn't over ; Celebrity Journalism Is Changing, and - as Vanity Fair's Profile of the Mirror's 3am Girls Shows - Showbiz Writers Are Increasingly Part of the Story. Where Will It All End, Asks DAVID LISTER, and Is There a Spin-Off for the Broadsheets?
Apr 09, 2002; When Jessica Callan decided to become a celebrity-chasing 3am Girl on The Mirror, she was working on The Daily Telegraph as a...