Brummagem and Brummagem Ware are also terms for cheap and shoddy imitations, in particular when referring to mass-produced goods. This use is archaic in the UK, but persists in some specialist areas in the USA and Australia.
Birmingham's expanding metal industries included the manufacture of weapons, in 1637, a London cutler protested against the import of 'Bromedgham blades' stating "they are no way serviceable or fit for his Majesty's store." John F. Hayward , an experienced historian on swords, suggests that London's snobbery towards these blades at that time was based on petty commercial rivalry, at that time London was the largest provider of weapons in Britain and Birmingham was fast becoming a viable commercial threat to their trade.
The word passed into political slang in the 1680s. The Protestant supporters of the Exclusion Bill were called by their opponents Birminghams or Brummagems (a slur, in allusion to counterfeiting, implying hypocrisy). Their Tory opponents were known as anti-Birminghams or anti-Brummagems.
Around 1690 Alexander Missen, visiting Bromichan in his travels, said that "swords, heads of canes, snuff-boxes, and other fine works of steel," could be had, "cheaper and better here than even in famed Milan."
In 1691, The New State of England by Guy Miege said that "Bromichan drives a good trade in iron and steel wares, saddles and bridles, which find good vent at London, Ireland, and other parts." By another writer, "Bromicham" is described as "a large and well-built town, very populous, much resorted to, and particularly noted a few years ago for the counterfeit groats made here, and dispersed all over the kingdom".
In 1731, an old "Road-book" said that "Birmingham, Bromicham, or Bremicham, is a large town, well built and populous. The inhabitants, being mostly smiths, are very ingenious in their way, and vend vast quantities of all sorts of iron wares."
Around 1750, the "England's Gazetteer" described Birmingham or Bromichan as "a large, well-built, and populous town, noted for the most ingenious artificers in boxes, buckles, buttons, and other iron and steel wares; wherein such multitudes of people are employed that they are sent all over Europe; and here is a continual noise of hammers, anvils, and files."
The town was renowned for its miscellany of metal and silver industries, some of these manufacturers used cheap materials and were of poor quality and design. The poorer quality "Brummagem ware" was beginning to give the better more skilled metal workers of the town a bad name, Matthew Boulton of the Lunar Society and several toy makers and silversmiths realized this and campaigned to have the town's first Assay Office constructed, great opposition came from the Worshipful Company of Goldsmiths in London but Royal assent was given for assay offices in both Birmingham and Sheffield on the same day. Eventually this filtered out much of the poor workmanship of silver and jewellery in Birmingham keeping mainly the higher quality produced jewellery which ultimately allowed the town to become one of the most important Silver manufacturing centers in the 19th century.
It is thought by some, including historian Carl Chinn, that around this time Matthew Boulton favoured "Birmingham" over "Brummagem" to cut loose from the previous negative connotations with the word.
With such a vast array of items being produced it was inevitable that not all would have been of high quality, the advances of the industrial revolution enabled machines to mass produce cheaper items such as buttons, toys, trinkets and costume jewellery, a proportion of these gave rise to a pejorative use of the word "Brummagem ware" although - such items were not exclusive to the city.
The significant button industry gave rise to the term 'Brummagem button': the 1836 The Pickwick Papers by Charles Dickens mentions it as a term for counterfeit silver coins, but Samuel Sidney's 1851 Rides on Railways refers to it as "an old-fashioned nickname for a Birmingham workman".
By the late 19th century, "Brummagem" was still used as a term for Birmingham. Some people still used it as a general term for anything cheap and shoddy disguised as something better. It was used figuratively in this context to refer to moral fakery: for instance, the Times leader, January 29th 1838, reported Sir Robert Peel's slur on an opponent: "[he] knew the sort of Brummagem stuff he had to deal with, treated the pledge and him who made it with utter indifference".
The negative use of the word was included in several dictionaries around the world. citation needed
"Carts were passing to and fro; groups of Indians squatting on their haunches were chattering together, and displaying to one another the flaring red and yellow handkerchiefs, the scarlet blankets, and muskets of the most worthless Brummagem make, for which they had been exchanging their bits of gold, while their squaws looked on with the most perfect indifference." .
The equipages were generally much more gorgeous than at a later period, when democracy invaded the parks, and introduced what may be termed a "brummagem society," with shabby-genteel carriages and servants.
The furs, fossil ivory, sheepskins and brick tea brought by them after voyages often reaching a year and eighteen months, come, strictly enough, under the head of raw products. Still, it is the best they can bring; which cannot be said of what Europe offers in exchange — articles mostly of the class and quality succinctly described as "Brummagem."
The term was not always used with negative meaning, Jeffrey Farnol wrote: "A belt, now," he suggested mournfully, "a fine leather belt wi' a steel buckle made in Brummagem as ever was, and all for a shillin'; what d'ye say to a fine belt?"
and The Rev. Richard H. Barham:"He whipp'd out his oyster-knife, broad and keenA Brummagem blade which he always bore, To aid him to eat, By way of a treat, The 'natives' he found on the Red Sea shore; He whipp'd out his Brummagem blade so keen, And he made three slits in the Buffalo's hide, And all its contents, Through the rents, and the vents, Come tumbling out,-- and away they all hied!"
However, as shown by James Dobbs' song I can't find Brummagem (see below), it remained in use as a geographical name for the city.
In the Henry James story The Lesson of the Master (1888), the novelist Henry St. George refers to his "beautiful fortunate home" as Brummagem.
The Birmingham politician Joseph Chamberlain was nicknamed 'Brummagem Joe' (affectionately or satirically depending on the speaker). See, for instance, The Times, August 6, 1895: "'Chamberlain and his crew' dominated the city ... Mr Geard thought it was advisable to have a candidate against 'Brummagem Joe'".
A Punch book review for December 1917 said: "But, to be honest, the others (with the exception of one quaint little comedy of a canine ghost) are but indifferent stuff, too full of snakes and hidden treasure and general tawdriness—the kind of Orientalism, in fact, that one used to associate chiefly with the Earl's Court Exhibition. Mrs. PERRIN must not mingle her genuine native goods with such Brummagem ware".
By the late 20th century and 21st century, British usage had shifted toward a purely geographical and even positive sense. The Housing Design Awards 1998 said of one Birmingham project, City Heights, "this gutsy Brummagem bruiser of a building handles its landmark status with ease and assurance". In The Guardian "Notes from the touchline" sport report, March 21, 2003, journalist Frank Keating used the headline "World Cup shines with dinkum Brummagem" to praise the performance of Birmingham-born Australian cricketer Andrew Symonds.
A particular activist in reclaiming the term as a traditional name reflecting positive aspects of the city's heritage is historian Carl Chinn MBE, Professor of Community History at the University of Birmingham, who produces Brummagem Magazine.
Currently US collectors of political memorabilia use "brummagem" to refer to imitations. The Dictionary of Sexual Terms and Expressions by Farlex Inc, maintainers of TheFreeDictionary.com, lists several related terms such as "Brummagem buttons", tufts sewn to brassiere cups to give the appearance of larger nipples.