Bausch, Pina, 1940-2009, German dancer and choreographer. After training with Kurt
Jooss, she studied in New York with Antony
Tudor, Paul
Taylor, José Limon, and Paul Sanasardo. She began choreographing in 1968 and in 1973 assumed the post of ballet master of the Wuppertal State Opera Dance Theatre. While this theater remained the base for her company, it frequently performed throughout Europe and the United States. Bausch became known for her rather bleak vision of humanity and for her neoexpressionist approach, and was also noted for her dramatic, surreal stagings, e.g., in
Carnations (1983) the stage was covered with thousands of silk carnations that were trampled during the performance, and in
Arien (1985) the dance area was filled with ankle-deep water. Her experimental concert ballets included productions of Kurt
Weill's
Seven Deadly Sins. She also choreographed
Stravinsky's
Sacre du printemps (1975) and
Bandoneon (1980). Bausch's later works, which tended to be mellower in tone and more romantic than her earlier dances, include
Two Cigarettes in the Dark (1994),
The Window Washer (1997), and
Danzón (1999). After 1986 Bausch also created full-length pieces inspired and usually commissioned by various cities; these include
Palermo, Palermo (1991), Hong Kong in
Der Fensterputzer (1997), Lisbon and São Paulo in
Masurca Fogo (2001), and Istanbul in
Nefés (2003).
See studies by N. Servos (1979, tr. 1984), C. Fernandes (2001), D. Mulrooney (2002), and R. Climenhaga (2008).
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