See her autobiography (with David Ritz, 1999).
(born March 25, 1942, Memphis, Tenn., U.S.) U.S. popular singer. Franklin's family moved from Memphis to Detroit when she was two. Her father, C.L. Franklin, was a well-known revivalist preacher; his church and home were visited by musical luminaries such as Clara Ward, Mahalia Jackson, B.B. King, and Dinah Washington. Franklin made her first recording at age 12. At first she performed only gospel music, but at age 18 she switched from sacred to secular music. After struggling for a number of years to achieve crossover success, in 1967 her powerful and fervent voice took the country by storm as she began to release a string of songs including “I Never Loved a Man,” “Respect,” “Chain of Fools,” “Think,” and “Natural Woman.” Her rousing mixture of gospel and rhythm and blues defined the golden age of soul music of the 1960s. In 1987 she became the first woman inducted into the Rock and Roll Hall of Fame.
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Franklin is the second most honored female singer in Grammy history (after Alison Krauss). She has won twenty Grammy Awards, which includes the Living Legend Grammy and the Lifetime Achievement Grammy. Aretha won eight consecutive awards between 1968 and 1975, during which time the category of Best Female R&B Vocal Performance was nicknamed "The Aretha Award".
Franklin has had a total of twenty number-one singles on the Billboard R&B Singles Chart, two of which became #1 hits on the Billboard Hot 100 as well: "Respect" in the 1960s and her 1980s duet with George Michael, "I Knew You Were Waiting (For Me)".
On 3 January 1987, she became the first female artist to be inducted in the Rock and Roll Hall of Fame.
Teenage pregnancies derailed Franklin's gospel career when she gave birth to the first and second of her four sons at age 14 and 16. By the time she returned to singing, instead of performing gospel and inspired by the successes of idols Dinah Washington and Sam Cooke, Aretha decided to secure herself a deal as a pop artist. After being offered contracts from Motown and RCA, Franklin signed with Columbia Records in 1960. Her recordings during that time reflected a jazz influence inspired by Washington and moved away from her gospel roots. Franklin initially scored a few hits on Columbia including her version of "Rock-A-Bye Your Baby (With A Dixie Melody)", which peaked at number 37 on the Billboard Pop Singles chart in 1961, and the Top 10 R&B hits, "Today I Sing The Blues", "Won't Be Long" and "Operation Heartbreak". However, by the end of 1966, with little commercial success in six years with Columbia and desperate for a sound, she accepted an offer to sign with Atlantic Records. According to Franklin years later, "they made me sit down on the piano and the hits came".
Her next single, "Respect", written and originally recorded by Otis Redding, firmly launched Franklin on the road to superstardom. Franklin's feminist version of the song became her signature tune for life, reaching #1 on both the R&B and the Pop charts - holding the top spot on the former chart for a record 8 weeks - and helping her Atlantic debut album, I Never Loved A Man The Way I Love You, reach million-seller status. In the next ten months, Franklin released a number of top ten hits including "Baby I Love You", "Chain of Fools" and "(You Make Me Feel Like) A Natural Woman".
In early 1968 Franklin won her first two Grammies (for "Respect"), including the first Grammy awarded in the "Best Female R&B Vocal Performance" category. She went on to win eight "Best Female R&B Vocal Performance" awards in a row. Over the next seven years, Franklin continued to score hit singles including "Think", "The House That Jack Built", "I Say A Little Prayer" (a cover of Dionne Warwick's hit), "Call Me" and "Don't Play That Song (You Lied)". "Spanish Harlem" reached #2 on Billboard's Hot 100 and even gave Aretha her first Top 10 Adult Contemporary (at the time labeled Easy Listening) hit.
By the end of the 1960s, Franklin's position as The Queen of Soul was firmly established. Her albums were also hot sellers; one in particular, 1972's Amazing Grace, eventually sold over two million US copies, becoming "the best-selling gospel album of all time". Franklin's hit streak continued into the mid-1970s. 1973's emotional plea "Angel", produced by Quincy Jones and written by Franklin's sister Carolyn, was a stand-out single that became yet another #1 on the R&B chart, although the subsequent album Hey Now Hey (The Other Side of the Sky) was not successful.
1974's gold-certified single "Until You Come Back to Me (That's What I'm Gonna Do)" hit #1 R&B and #3 on the Billboard Hot 100. By 1975, however, with the expanding exposure of Disco and the popularity of fellow Atlantic artist Roberta Flack, relations between Franklin and Atlantic Records were starting to strain. As a result, Aretha was recording poor material such as 1975's listless You album, and her record sales declined dramatically. Franklin had peaked, and the music industry was moving on to younger black female singers such as Natalie Cole, Chaka Khan and Donna Summer.
The following year Franklin and Vandross collaborated again on the disappointing Get It Right. But in 1985, Franklin's sound was commercialized into a glossy pop sound as she experienced her first-ever Platinum-certified album, Who's Zoomin' Who?. Yielding smash hits like the Motown-influenced "Freeway of Love" (#3 Pop/#1 R&B), the title track (#7 Pop/#2 R&B), and her duet with rock duo Eurythmics, "Sisters Are Doing It For Themselves" (#18 Pop/#66 R&B), the album became the first Platinum certification of Aretha's entire career, introducing her sound to a younger generation of fans. In 1986, Franklin did nearly as well with an album simply titled Aretha, which yielded her first number-one pop single in two decades with the George Michael duet, "I Knew You Were Waiting (For Me)". The album is noteworthy for the striking cover which was Andy Warhol's last work before his death. Other hits included her cover of The Rolling Stones' "Jumpin' Jack Flash" and the girl group-inspired "Jimmy Lee". When Aretha was taken out of print, it had sold over 900,000 US copies.
Aretha returned to gospel in 1987 with her album One Lord, One Faith, One Baptism which was recorded live at her New Bethel Baptist Church in Detroit. However, the disc was a far cry from her 1972 effort Amazing Grace and had middling sales. Follow-ups such as 1989's Through The Storm and 1991's What You See Is What You Sweat sold poorly and failed to produce any major mainstream hits - other than the former album's Elton John-featured title track - but her career got a slight boost in 1993 when she scored a dance-club hit with "Deeper Love" from the Sister Act 2: Back In The Habit soundtrack. In 1994, she scored another hit with the Babyface-produced ballad, "Willing To Forgive", which hit the Top 5 of Billboard's R&B chart and #26 on the Hot 100.
Franklin returned to prominence with her 1998 album, A Rose Is Still A Rose. The album's mixture of urban contemporary, hip-hop soul and soul was a departure from Franklin's previous material. The title track, produced by Lauryn Hill, gave her a smash hit on the R&B and Pop charts and earned a gold single while the album was certified gold also, the first time since 1986's Aretha that any of the singer's albums went gold. That same year, with less than twenty-four hours to prepare, Franklin stepped in for Luciano Pavarotti to sing "Nessun Dorma" at the 1998 Grammy Awards. (Pavarotti, who was awarded a Lifetime Achievement Award that night, was too sick to attend.) She gave a soulful and highly improvised performance in the aria's original key, while firmly stamping out the year with a captivating performance during VH-1's "Divas Live" telecast.
In 1998, Franklin also took again her role of Mrs. Murphy in Blues Brothers 2000, this time singing her old hit "Respect". Like in the 1980 movie, she plays the possessive wife of the lead guitarist of the Blues Brothers Band, singing the song during a row with her husband about his joining his former band.
In 2007, Arista Records released a duets compilation album entitled, "Jewels In The Crown: All-Star Duets With The Queen." The disc features duets performed with Mariah Carey, Luther Vandross, Whitney Houston, Richard Marx, Annie Lennox, John Legend, Mary J. Blige, Frank Sinatra, George Michael, Christina Aguilera, George Benson, Fantasia, and Gloria Estefan. A duet with Faith Hill has been recorded but it's not on the album. The album includes two new recordings with Fantasia, on the lead single "Put You Up On Game" and John Legend. The lead single "Put You Up On Game" hit radio on October 1, 2007 and became the number one most added song on Urban AC radio the following week. The album also includes Aretha's historic rendition of "Nessun Dorma" from the 1998 Grammy telecast.
In 2008, Franklin was honored as MusiCares "Person of the Year," two days prior to the 50th Annual Grammy Awards, where she was awarded her 18th career Grammy.
She is the godmother of Whitney Houston, who also grew up to be a pop star, rising to fame in the mid-1980s. A still image of Franklin was shown in the closing scene of Houston's 1985 video for the single How Will I Know.
| Aretha Franklin's Grammy Award Wins | ||||
|---|---|---|---|---|
| # | Year | Category | Genre | Title |
| 1 | 1968 | Best Rhythm And Blues Recording | R&B | Respect |
| 2 | 1968 | Best Female R&B Vocal Performance | R&B | Respect |
| 3 | 1969 | Best Female R&B Vocal Performance | R&B | Chain Of Fools |
| 4 | 1970 | Best Female R&B Vocal Performance | R&B | Share Your Love With Me |
| 5 | 1971 | Best Female R&B Vocal Performance | R&B | Don't Play That Song For Me |
| 6 | 1972 | Best Female R&B Vocal Performance | R&B | Bridge Over Troubled Water |
| 7 | 1973 | Best Female R&B Vocal Performance | R&B | Young, Gifted and Black (album) |
| 8 | 1973 | Best Soul Gospel Performance | Gospel | Amazing Grace (album) |
| 9 | 1974 | Best Female R&B Vocal Performance | R&B | Master Of Eyes |
| 10 | 1975 | Best Female R&B Vocal Performance | R&B | Ain't Nothing Like The Real Thing |
| 11 | 1982 | Best Female R&B Vocal Performance | R&B | Hold On...I'm Comin' (album track) |
| 12 | 1986 | Best Female R&B Vocal Performance | R&B | Freeway Of Love |
| 13 | 1988 | Best Female R&B Vocal Performance | R&B | Aretha (album) |
| 14 | 1988 | Best R&B Performance - Duo Or Group with Vocals | R&B | I Knew You Were Waiting (For Me) (with George Michael) |
| 15 | 1989 | Best Soul Gospel Performance - Female | Gospel | One Lord, One Faith, One Baptism (album) |
| 16 | 1991 | Living Legend Award | Special | |
| 17 | 1994 | Lifetime Achievement Award | Special | |
| 18 | 2004 | Best Traditional R&B Vocal Performance | R&B | Wonderful |
| 19 | 2006 | Best Traditional R&B Vocal Performance | R&B | A House Is Not A Home |
| 20 | 2008 | Best Gospel-Soul Vocal Performance by a Duo or Group | Gospel | Never Gonna Break My Faith (with Mary J. Blige) |
| Year | Title | Peak |
|---|---|---|
| 1967 | "I Never Loved a Man (The Way I Love You)" | 9 |
| 1967 | "Respect" | 1 |
| 1967 | "Baby I Love You" | 4 |
| 1967 | "(You Make Me Feel Like) A Natural Woman" | 8 |
| 1967 | "Chain of Fools" | 2 |
| 1968 | "(Sweet Sweet Baby) Since You've Been Gone" | 5 |
| 1968 | "Think" | 7 |
| 1968 | "The House That Jack Built" | 6 |
| 1968 | "I Say a Little Prayer" | 10 |
| 1971 | "Bridge Over Troubled Water" / "Brand New Me" | 6 |
| 1971 | "Spanish Harlem" | 2 |
| 1971 | "Rock Steady" | 9 |
| 1972 | "Day Dreaming" | 5 |
| 1973 | "Until You Come Back to Me (That's What I'm Gonna Do)" | 3 |
| 1985 | "Freeway of Love" | 3 |
| 1985 | "Who's Zoomin' Who" | 7 |
| 1987 | "I Knew You Were Waiting (For Me)" (with George Michael) | 1 |