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Arabic - 3 reference results
Arabic literature, literary works written in the Arabic language. The great body of Arabic literature includes works by Arabic speaking Turks, Persians, Syrians, Egyptians, Indians, Jews, and other Africans and Asians, as well as the Arabs themselves.

The first significant Arabic literature was produced during the medieval golden age of lyric poetry, from the 4th to the 7th cent. The poems are strongly personal qasida, or odes, often very short, with some longer than 100 lines. They treat the life of the tribe and themes of love, fighting, courage, and the chase. The poet speaks directly, not romantically, of nature and the power of God. The qasida survive only through collections, chiefly the Muallaqat, Hamasa, Mufaddaliyat, and Kitab al-Aghani. The most esteemed of these poets are Amru al-Kais, Antara, and Zuhair.

With the advent of Islam, the Qur'an became the central work of study and recitation. Extra-Qur'anic poetry underwent a decline from which it recovered in a far different form. The Qur'an supplanted poetry by becoming the chief object of study of the Muslim world. Poetry regained some prestige under the Umayyads, when al-Akhtal (c.640-c.710) and al-Farazdaq (c.640-732) wrote their lyric works.

Under the Abbasids (750-1258), Hellenic, Syrian, Pahlavi, and Sanskrit works became available in translation, and the Arabic language further developed as a vehicle of science and philosophy. Among the pioneers of Arabic prose were Ibn al-Muqaffa, the translator of the Indian fables of Kalila wa Dimna, and al-Jahiz (d. 868), an influential figure in the establishment of the belles-lettres compendia (adab) as a dominant literary theme.

The next great period of Arabic literature was a result of the rise of the new Arabic-Persian culture of Baghdad, the new capital of the Abbasids, in the 8th and 9th cent. Philosophy, mathematics, law, Qur'anic interpretation and criticism, history, and science were cultivated, and the collections of early Arabic poetry were compiled during this period.

At the end of the 8th cent. in Baghdad a group of young poets arose who established a new court poetry. A prominent court poet was Abu Nuwas. Asceticism, not yet developed into Sufism, evolved into a poetic genre with Abu al-Atahiya. Among the most popular of Arabic poets, Mutanabbi (915-65) wrote some of the most complex, and most eloquent, Arabic poems. The poet Hariri sought to combine "refinement with dignity of style, and brilliancies with jewels of eloquence." Abu al-Ala al-Maarri was an outstanding Syrian poet of great originality. The greatest mystic poet of the age was Omar Ibn al-Faridh (1181-1235).

The influence of India and Persia is seen in Arabic prose romance, which became the principal literary form. The greatest collection is the Thousand and One Nights. The major writers of historical and geographical works in Arabic include Bukhari, Tabari, Masudi, Ibn Khaldun, Ibn al-Athir (d. 1234), and Ibn Batuta. The foremost Arab theologian was al-Ghazali; Avicenna, the great physician, wrote on medicine. The central Asian scholar al-Faralsi, wrote fundamental works on philosophical and musical theory. In the field of belles-lettres, essays and epistles of great wit and erudition, known as risalas, were composed on subjects as diverse as science, mysticism, and politics. Chief practitioners of the genre include Ibn al-Muqaffa (d. 757), the unsurpassed al-Jahiz, and Ibn Qutayba (d. 889).

The Western center of Arab culture was Spain, especially Córdoba under the Umayyads. The Spanish Arabs produced fine poets and scholars, but they are less important than the great Spanish philosophers—Avempace, Averroës, and Ibn Tufayl. Their works became known in Europe chiefly through the Latin translations of Jewish scholars. Since 1200 in Spain and 1300 in the East, there has been little Arabic literature of wide interest.

During the 19th cent., printing in Arabic began in earnest, centered in Cairo, Beirut, and Damascus. Newspapers, encyclopedias, and books were published in which Arab writers tried to express, in Arabic, their sense of themselves and their place in the modern world. Simultaneously with a reaction against Western models in Arabic literature, the novel and the drama, forms never before used, developed. Notable 20th-century-early 21st-century writers in Arabic include the novelists Naguib Mahfouz, winner of the 1988 Nobel Prize in Literature, Abdelrahman Munif, Sonallah Ibrahim, and Yahya Hakki; the playwrights Ahmad Shawqi and Tawfiq al-Hakim; the poets Hafiz Ibrahim, Badr Shakir as-Sayyab, Nazik al-Malaika, Abdul Wahab al-Bayati, Mahmoud Darwish, and Adonis; and the short-story writers Mahmud Tymur and Yusuf Idris.

Bibliography

See H. A. Gibb, Arabic Literature: An Introduction (2d ed. 1963); A. J. Arberry, Modern Arabic Poetry (1950, repr. 1967); R. A. Nicholson, A Literary History of the Arabs (2d ed. 1969); J. A. Haywood, Modern Arabic Literature, 1800-1970 (1972); R. Allen, ed., Modern Arabic Literature (1987); J. Ashtiany, ed., Abbasid Belles Lettres (1989); F. Ajami, The Dream Palace of the Arabs (1998); D. Johnson-Davies, ed., The Anchor Book of Modern Arabic Fiction (2006).

Arabic languages, members of the West Semitic group of the Semitic subdivision of the Afroasiatic family of languages (see Afroasiatic languages). The Arabic languages comprise North Arabic (or simply Arabic) and South Arabian (or Himyaritic or South Arabic); South Arabian differs sufficiently from North Arabic to be considered a separate language.

North Arabic

North Arabic, or Arabic, was confined largely to the Arabian Peninsula until the 7th cent. A.D. Thereafter the spread of Islam took the Arabic language into the Fertile Crescent and across North Africa. Today Arabic is spoken throughout the Arabian Peninsula and also in Iraq, Syria, Jordan, Lebanon, Israel, Morocco, Tunisia, Algeria, Libya, Egypt, Sudan, Mauritania, and Chad. It is the mother tongue of over 180 million people in Africa and Asia. In addition, Arabic plays an important part in the lives of all Muslims, for it is the sacred language of Islam and its holy book, the Qur'an.

The Arabic of the Qur'an and of subsequent Arabic literature is called classical or literary Arabic. It is uniform and standardized. Classical Arabic is still employed today as the written language, but it is restricted to formal usage as a spoken tongue. It differs considerably from its descendant, the modern colloquial Arabic that is the medium of general conversation. Modern colloquial Arabic has three principal groups of dialects: Eastern, Western, and Southern. A standardized form of modern Arabic is used by the mass media and official communications—it also is one of the languages used officially by the United Nations—but the colloquial dialects, which differ in many respects from Modern Standard Arabic, dominate in daily life.

Grammatically, Arabic has that distinctive feature of Semitic languages, the triconsonantal root consisting of three consonants separated by two vowels. The basic meaning of the root is furnished by the consonants and is altered by changes in, or omission of, the vowels and by the addition of various affixes. Gender is found in the Arabic verb, as well as in the noun, pronoun, and adjective. The modern Arabic dialects have considerably simplified classical Arabic, as by discarding the declension of the noun and other inflections.

Arabic has its own alphabet, which is composed of 28 consonants. Most of the characters have four different forms, one for beginning a word, another for ending a word, still another for a medial position, and a fourth for a letter used by itself. Vowels are shown by symbols above or below the consonants, but they are optional and are often not written. The direction of writing is from right to left. The Arabic alphabet evolved from the Nabataean script, which is a descendant of the Aramaic writing (see Aramaic). There are two major styles of the Arabic script, the angular Kufic (well-suited for decorative uses) and the cursive Naskhi. Arabic writing is also the basis of a number of scripts used by non-Arab peoples following the Muslim religion and has been adapted for the Persian, Pashto, Urdu, Malay, Hausa, and Swahili languages, among others.

South Arabian

Old South Arabian, or Himyaritic, was the language of people living in the S Arabian Peninsula in ancient times. It had several known dialects, and is considered by some linguists to be closely related to the Ethiopic of Ethiopia. Old South Arabian had its own alphabet, the origin of which is still not clear, although it is generally thought to have had the same source as the North Semitic writing. Surviving inscriptions in Old South Arabian date from the 8th cent. B.C. or earlier. The coming of Islam in the 7th cent. A.D. brought with it North Arabic, which displaced Old South Arabian. Modern South Arabian, which has several dialects, is spoken by about 50,000 people in the S Arabian Peninsula. Its ancestor is may be Old South Arabian, although not all linguists agree.

Bibliography

For grammars see G. W. Thatcher (4th ed. 1942), F. J. Ziadeh and B. B. Winder (1957), and C. P. Caspari (3d. ed. 1967); A. G. Chejne, The Arabic Language, Its Role in History (1969); D. Justice, The Semantics of Form in Arabic in the Mirror of European Languages (1987).

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