See his Collected Poems, 1919-1976 (1977) and Essays of Four Decades (1969); his collected letters (1981, 1987); biography by T. A. Underwood (2000); studies by R. K. Meiners (1963) and R. S. Dupree (1983).
See his journals (5 vol., 1971-96); collected correspondence (5 vol., 1976-2001), M. Schumacher, ed., Family Business: Selected Letters between a Father and Son (2001), and B. Morgan, ed., The Letters of Allen Ginsberg and The Selected Letters of Allen Ginsberg and Gary Snyder (both: 2008); D. Carter, ed., Spontaneous Mind: Selected Interviews, 1958-1996 (2001); biographies by B. Miles (1989), M. Schumacher (1992), and B. Morgan (2006); studies by L. Hyde, ed. (1984), T. F. Merrill (1988), and B. Miles (1993); bibliographies ed. by G. Dowden (1971), M. P. Kraus (1980), and B. Morgan (1995).
See biography by C. A. Jellison (1969).
See biography by J. B. Wilbur (1928).
See biographies by M. M. Mathews (1963), C. V. R. George (1973), and R. S. Newman (2008).
Among his later films are the stylish Manhattan (1979); Broadway Danny Rose (1984), a New York comedy; the probing family drama Hannah and Her Sisters (1986; Academy Award, best screenplay); the 1930s comedy Radio Days (1987); the searing Crimes and Misdemeanors (1989); Husbands and Wives (1992), a bittersweet domestic drama; the romantic and partly musical Everyone Says I Love You (1996); and the fictional jazz biography Sweet and Lowdown (1999). Several subsequent films failed to achieve the critical and popular plaudits earned by many of his earlier films, but Match Point (2005), a tale of wealth, lust, crime, and luck set in London, did much to revive his flagging reputation. Allen again used the city as the setting for the comedy Scoop (2006) and the drama Cassandra's Dream (2008) and turned to Catalonia, Spain, for his sensual, melancholy-tinged comedy Vicky Cristina Barcelona (2008). Allen also has written humorous prose pieces, many published in the New Yorker, and plays. In 1992, in a bitter public dispute, Allen left Mia Farrow for her adopted daughter then sued the actress for custody of their children and lost (1993).
See his The Insanity Defense: The Complete Prose (2007); biographies by E. Lax (1991), J. Baxter (1999), and M. Meade (2000); E. Lax, Conversations with Woody Allen (2007); studies by D. Jacobs (1982), F. Hirsch (rev. ed. 1990), S. B. Girgus (1993), and D. Brode (1997); Woody Allen on Woody Allen (1995); documentary film Wild Man Blues (1998), dir. by B. Kopple.
There were 83 households out of which 39.8% had children under the age of 18 living with them, 59.0% were married couples living together, 12.0% had a female householder with no husband present, and 25.3% were non-families. 24.1% of all households were made up of individuals and 14.5% had someone living alone who was 65 years of age or older. The average household size was 2.54 and the average family size was 3.00.
In the city the population was spread out with 29.9% under the age of 18, 6.6% from 18 to 24, 28.4% from 25 to 44, 20.9% from 45 to 64, and 14.2% who were 65 years of age or older. The median age was 36 years. For every 100 females there were 113.1 males. For every 100 females age 18 and over, there were 102.7 males.
The median income for a household in the city was $32,500, and the median income for a family was $39,792. Males had a median income of $30,000 versus $24,500 for females. The per capita income for the city was $15,855. About 10.2% of families and 8.0% of the population were below the poverty line, including 18.9% of those under the age of eighteen and none of those sixty five or over.